What is distinctive about the cultural practice called 'literature'? How does it benefit individuals and society? How do literary works retain their importance and their capacity to give pleasure over decades and centuries? What constitutes responsible criticism? These are some of the questions addressed in this book, which develops the arguments put forward in Derek Attridge's influential study The Singularity of Literature (2004). Beginning with an extended cross-examination in the form of an interview addressing a range of topics relating to the work of literature (understood both as the activity of the writer and as the text itself) and the practices of literary reading and literary criticism, it asks what it means to 'do justice to' a work of literature, provides a full account of the concept of singularity, considers the problematic power of criticism, and advances an account of the role of context in the writing and reading of literary works. In other chapters it explores the issue of cultural difference in responses to literature, discusses the working of metaphor, questions the attribution of knowledge to literary works, and addresses the topics of affect and hospitality. The book follows through the consequences of regarding the singular and inventive work of literature as an event that takes place anew each time it is read, providing an opening to an otherness excluded by prevailing cultural norms and habits of thought and feeling. Although the focus of the book is on literature, the arguments are relevant to all the arts, and engage with the thought of major aesthetic theorists in a number of traditions.
|Publisher:||Oxford University Press|
|Product dimensions:||5.40(w) x 8.40(h) x 0.30(d)|
About the Author
Derek Attridge, Professor of English, University of York
Author or editor of twenty-three books. On eighteen journal editorial boards. Work translated into Spanish, Chinese, Arabic, Portuguese, Italian, Polish, etc. Publications range across many areas, including poetic form, literary theory, and Irish and South African writing. After obtaining degrees in his native South Africa and at Cambridge, he was Research Fellow at Oxford. He has taught in the UK, France, Italy and the USA, and is currently Professor in the Department of English and Related Literature at the University of York. Recent visiting fellowships include All Souls College, the Stellenbosch Institute for Advance Study, the Bogliasco Foundation, and the National Center for the Humanities. He is a Fellow of the British Academy.
Table of Contents
1. The Singularity of Literature: A Cross-examination
What is 'literature'?
The literary event
Media, periods, and genres
Otherness and ethics
The aesthetic tradition
Sources and parallels
Politics and ideology
And to conclude...
An example: Dickinson's 'As imperceptibly as Grief'
Signature and counter-signature
Singularity and ethics
A singular invention: Donoghue's Room
Critical power: the critic
Critical power: the poet
Muldoon's The Loaf and the limits of commentary
The context of creation
The context of reading
Present reading and historical context
Inventiveness and cultural distance
Reading The Yacoubian Building
Responsible reading across cultures
Metaphor and metaphoricity
Metaphor and the reader
What do literary works know?
Ways of knowing and thinking
Literary affect: McCarthy's Blood Meridian
Affect and form
Pleasure in reading
The double law of hospitality
Hospitality as ethics
Invention, grace, and life
Hospitality and literary criticism