The Wrong Side of Goodbye (Harry Bosch Series #19)

by Michael Connelly

Overview

In this #1 New York Times bestseller, California's newest private investigator, Detective Harry Bosch, must track down a missing heir while helping a police department connect the dots on a dangerous cold case.
Harry Bosch is California's newest private investigator. He doesn't advertise, he doesn't have an office, and he's picky about who he works for, but it doesn't matter. His chops from thirty years with the LAPD speak for themselves.

Soon one of Southern California's biggest moguls comes calling. The reclusive billionaire is nearing the end of his life and is haunted by one regret. When he was young, he had a relationship with a Mexican girl, his great love. But soon after becoming pregnant, she disappeared. Did she have the baby? And if so, what happened to it?

Desperate to know whether he has an heir, the dying magnate hires Bosch, the only person he can trust. With such a vast fortune at stake, Harry realizes that his mission could be risky not only for himself but for the one he's seeking. But as he begins to uncover the haunting story—and finds uncanny links to his own past—he knows he cannot rest until he finds the truth.

Swift, unpredictable, and thrilling, The Wrong Side of Goodbye shows that Michael Connelly "continues to amaze with his consistent skill and sizzle" (Cleveland Plain Dealer).

#1 NEW YORK TIMES BESTSELLER
#1 USA TODAY BESTSELLER
10 BEST MYSTERIES OF 2016, SEATTLE TIMES
NOTABLE BOOK OF 2016, WASHINGTON POST

Product Details

ISBN-13:	9780316225946
Publisher:	Little, Brown and Company
Publication date:	11/01/2016
Series:	Harry Bosch Series
Pages:	400
Product dimensions:	5.90(w) x 9.30(h) x 1.40(d)

About the Author

Michael Connelly is the author of twenty-eight previous novels, including #1 New York Times bestsellers The Crossing and The Burning Room. His books, which include the Harry Bosch series and Lincoln Lawyer series, have sold more than sixty million copies worldwide. Connelly is a former newspaper reporter who has won numerous awards for his journalism and his novels and is the executive producer of Bosch, starring Titus Welliver. He spends his time in California and Florida.

Hometown:

Sarasota, Florida

Date of Birth:

July 21, 1956

Place of Birth:

Philadelphia, Pennsylvania

Education:

B.A. in Journalism, University of Florida, 1980

Website:

http://www.michaelconnelly.com

Editorial Reviews

…the characters aren't what make Mr. Connelly's books worthwhile. The classic mystery plotting and streamlined storytelling are what render him so readable. Of all the big-name writers who dominate this genre, Mr. Connelly is the most solid, old-school pro. His books also have a kind of broody glamour…Tiny, Hispanic San Fernando; the panoramic skyscraper in which Harry is hired for the Vance job; the grand old-money throwback that is the Vance estate; the more interesting places where Vibiana et al. wound up: All of it is etched in indelible detail and with great care. The people of The Wrong Side of Goodbye may not be with you by the next time Harry comes around. But the settings will be etched into the Bosch road map of California life.

The New York Times - Janet Maslin

Sooner or later, Harry Bosch will have to turn in his gun and retire from police work, but until that time Michael Connelly continues to think up creative ways to keep his old war horse on the job.

The New York Times Book Review - Marilyn Stasio

2016-10-05
Harry Bosch, balancing a new pair of gigs in greater LA, tackles two cases, one of them official, one he struggles to keep as private as can be.Now that he’s settled the lawsuit he brought against the LAPD for having forced him into retirement, Harry (The Crossing, 2015, etc.) is working as an unsalaried, part-time reservist for the San Fernando Police Department while keeping his license as a private investigator. Just as the San Fernando force is decimated by the layoffs that made Harry such an attractive hire, it’s confronted with a serious menace: the Screen Cutter, a serial rapist with a bizarre penchant for assaulting women during the most fertile days of their menstrual cycles. Ordinarily Harry would jump at the chance to join officers Bella Lourdes and Danny Sisto in tracking down the Screen Cutter, and he does offer one or two promising suggestions. But he’s much more intent on the private job he’s taken for 85-year-old engineering czar Whitney Vance, who wants him to find Vibiana Duarte, the Mexican girl he impregnated when he was a USC student, and her child, who’d be well past middle age by now—and also wants him to keep his inquiries absolutely secret. Harry’s admirably dogged sleuthing soon reveals what became of Vibiana and her child, but his discovery is less interesting and challenging than his attempts to report back to his client, who doesn’t answer his private phone even as everyone around Harry is demanding information about the case he doesn’t feel he can share. Grade-A Connelly. The dark forces arrayed against the hero turn out to be disappointingly toothless, but everything else clicks in this latest chapter of a compulsively good cop’s odyssey through the City of Angels and its outlying neighborhoods and less angelic spirits.

Kirkus Reviews

Praise for The Wrong Side of Goodbye:

"....a powerful, Macdonald-esque meditation on the claims the past exerts on the present. Few mystery novelists make background facts and simple descriptions sing the way this writer does. And no writer exploits Los Angeles - its geography, its historical power wars, its celebrity culture, its lore - as compellingly as Connelly....he must be read."
—Lloyd Sachs, Chicago Tribune

"If any novelist is worthy to walk once more through the front door of Raymond Chandler's iconic Sternwood mansion, it's Michael Connelly. For over two decades, Connelly has been brilliantly updating and enlarging the possibilities of the classic L.A. hard-boiled novel, first bestowed upon the world in 1939 with Chandler's debut, The Big Sleep. This latest Bosch outing is its own accomplishment: brooding and intricate, suspenseful and sad. In short, it's another terrific Michael Connelly mystery....a master of the genre."
—Maureen Corrigan, Washington Post

"Bosch at his best."
—Marilyn Stasio, New York Times Book Review

"Connelly has created in Bosch one of the great characters in contemporary crime fiction."—Colette Bancroft, Tampa Bay Times

"Michael Connelly is the master of the universe in which he lives, and that is the sphere of crime thrillers. This man is so good at what he does.... THE WRONG SIDE OF GOODBYE is the twenty first Harry Bosch story and it is just as good or better than the first one was. Nobody writes like Connelly, nobody. He is unique in his style and also in the character of Harry Bosch he has created. If you read one page about Harry Bosch as written by Michael Connelly you will be hooked for life."
—Jackie K. Cooper, Huffington Post

"It is impossible for Connelly to tell a bad story. Moving effortlessly between Bosch's private and public cases, he ratchets up the tension...pulling off in the final few chapters a California noir sleight of hand that would make Ross Macdonald envious."
—Robert Anglen, The Arizona Republic

"In each novel, Connelly has dug deeper into Harry's psyche, as he skillfully does in The Wrong Side of Goodbye....Connelly's melding of the police procedural, private detective novel and intense character study remains solid. Harry isn't with the LAPD anymore, but readers will be glad to know he is still on the job."—Oline H. Cogdill, South Florida Sun Sentinel

"....it is immensely satisfying to see Bosch's sustained and deepened passion for his mission- "Everybody count or nobody counts" - undiminished by age or circumstance, even as a younger generation of detectives of all colors and orientations share the stage to carry on the work that has given Bosch, and this series, such an enduring appeal. Harry Bosch and his law enforcement heirs are still fighting the good fight, luckily, for us all."
—Paula L. Woods, Los Angeles Times

"It is a disturbing and yet cathartic tale-within-a-tale that proves once again what a master storyteller Connelly is."
—Bruce Tierney, BookPage

"Connelly continues to discover new depths to his character and new stories to tell that reveal those depths in always compelling ways. Hats off one more time to a landmark crime series."—Bill Ott, Booklist (starred review)

"Swift, unpredictable, and thrilling."
—Bookreporter

"Michael Connelly writes with a seamless unity of tone and pace that makes reading his crime novels absolutely effortless and totally engaging...his narrative rolls out in a perfect parade of action, memory, emotion, color and tension."
—Margie Romero, Pittsburgh Post-Gazette

"Bosch fans will rejoice at the pluperfect ending."
—Tim O'Connell, Florida Times-Union

"....lots of surprises and surprise endings. Bosch's legion of readers will come away entertained - and gratified that in his acknowledgments, Connelly all but promises yet another Bosch tale."—Harry Levins, St. Louis Post-Dispatch

"....another masterful Michael Connelly mystery...highly recommended."
—Maureen McCarthy, Minneapolis Star-Tribune

"This is an excellent police procedural crime novel, one of Connelly's best; it's full of well-developed characters, taut situations and vivid descriptions."
—Ray Walsh, Lansing State Journal

"Irresistible...Connelly nods to his early inspiration Raymond Chandler while strengthening his own claim to the mystery writers' pantheon."—Colette Bancroft, Tampa Bay Times

From the Publisher

....another masterful Michael Connelly mystery...highly recommended.

Minneapolis Star-Tribune Maureen McCarthy

If any novelist is worthy to walk once more through the front door of Raymond Chandler's iconic Sternwood mansion, it's Michael Connelly. For over two decades, Connelly has been brilliantly updating and enlarging the possibilities of the classic L.A. hard-boiled novel, first bestowed upon the world in 1939 with Chandler's debut, The Big Sleep. This latest Bosch outing is its own accomplishment: brooding and intricate, suspenseful and sad. In short, it's another terrific Michael Connelly mystery....a master of the genre.

Washington Post Maureen Corrigan

It is impossible for Connelly to tell a bad story. Moving effortlessly between Bosch's private and public cases, he ratchets up the tension...pulling off in the final few chapters a California noir sleight of hand that would make Ross Macdonald envious.

The Arizona Republic Robert Anglen

Bosch fans will rejoice at the pluperfect ending.

Florida Times-Union Tim O'Connell

In each novel, Connelly has dug deeper into Harry's psyche, as he skillfully does in The Wrong Side of Goodbye....Connelly's melding of the police procedural, private detective novel and intense character study remains solid. Harry isn't with the LAPD anymore, but readers will be glad to know he is still on the job.

South Florida Sun Sentinel Oline H. Cogdill

It is a disturbing and yet cathartic tale-within-a-tale that proves once again what a master storyteller Connelly is.

BookPage Bruce Tierney

Connelly has created in Bosch one of the great characters in contemporary crime fiction.

Tampa Bay Times Colette Bancroft

Michael Connelly is the master of the universe in which he lives, and that is the sphere of crime thrillers. This man is so good at what he does.... THE WRONG SIDE OF GOODBYE is the twenty first Harry Bosch story and it is just as good or better than the first one was. Nobody writes like Connelly, nobody. He is unique in his style and also in the character of Harry Bosch he has created. If you read one page about Harry Bosch as written by Michael Connelly you will be hooked for life.

Huffington Post Jackie K. Cooper

Bosch at his best.

New York Times Book Review Marilyn Stasio

....a powerful, Macdonald-esque meditation on the claims the past exerts on the present. Few mystery novelists make background facts and simple descriptions sing the way this writer does. And no writer exploits Los Angeles - its geography, its historical power wars, its celebrity culture, its lore - as compellingly as Connelly....he must be read.

Chicago Tribune Lloyd Sachs

Michael Connelly writes with a seamless unity of tone and pace that makes reading his crime novels absolutely effortless and totally engaging...his narrative rolls out in a perfect parade of action, memory, emotion, color and tension.

Pittsburgh Post-Gazette Margie Romero

This is an excellent police procedural crime novel, one of Connelly's best; it's full of well-developed characters, taut situations and vivid descriptions.

Lansing State Journal Ray Walsh

Connelly continues to discover new depths to his character and new stories to tell that reveal those depths in always compelling ways. Hats off one more time to a landmark crime series.

Booklist (starred review) Bill Ott

....lots of surprises and surprise endings. Bosch's legion of readers will come away entertained - and gratified that in his acknowledgments, Connelly all but promises yet another Bosch tale.

St. Louis Post-Dispatch Harry Levins

Swift, unpredictable, and thrilling.

Bookreporter

Narrator Titus Welliver has developed a great voice for detective Harry Bosch over several titles, and here again in twin investigations that touch on Bosch’s family, especially his daughter, Maddie. While working on a serial rapist "screen cutter" case in the small community of San Fernando, Bosch is asked by a reclusive aviation billionaire to find an heir who may or may not exist. Welliver uses subtle changes in tone and pitch to find unique voices for various characters. When Bosch’s partner goes missing, Welliver ramps-up the tension using swift pacing and increased volume. Music at the ends of chapters is a bonus. Welliver's narration maintains the laid-back persona of Bosch while evoking his drive to save his partner from one of the most dangerous psychopaths they’ve ever encountered. A great mystery and a great narration are a winning combination. S.C.A. Winner of AudioFile Earphones Award © AudioFile 2016, Portland, Maine

NOVEMBER 2016 - AudioFile