This study succinctly views some works of nine black women playwrights, who flourished between 1916 and 1935, and exploresin some detailsome characteristics of selected plays of Alice Childress, Lorraine Hansberry, and Ntozake Shange. . . . This is a well-conceived, well-researched, well-written study. Especially useful are Brown-Guillory's careful definition of terms and her clearly pointing out the directions in which she is heading. American Literature
Brown-Guillory's study is a reference work important to anyone studying black women playwrights, or black drama. Her ideas and terminology describing these playwrights are well-reasoned, and her analysis of symbolism and its place in Western and African traditions is well-supported. Black American Literature Forum
This important contribution to African American and women's studies analyzes the dramatic works of America's black women playwrights. The plays of such writers as Alice Childress, Lorraine Hansberry, and Ntozake Shange are examined in light of the tradition from which they emerged. Brown-Guillory begins by tracing the development of African American theatre with its roots in African theatrics, then moves on to discuss women playwrights of the Harlem Renaissance such as Angelina Weld Grimke, Alice Dunbar-Nelson, Georgia Douglas Johnson, May Miller, Mary Burrill, Myrtle Smith Livingston, Ruth Gaines-Shelton, Eulalie Spence, and Marita honner. Though rarely anthologized and infrequently made the subject of critical interpretation, asserts the author, the plays of these early twentieth-century black women offer much to the American theatre in the way of content, tonal and structural form, characterization, as well as dialogue, and were instrumental in paving a way for black playwrights from the 1950s to the present.
|Series:||Contributions in Afro-American and African Studies Series , #11|
|Product dimensions:||6.14(w) x 9.21(h) x 0.44(d)|
About the Author
ELIZABETH BROWN-GUILLORY is an Associate Professor of English at the University of Houston. Her award-winning plays Bayou Relics and Snapshots of Broken Dolls, which was produced at Lincoln Center in New York City in 1986, have been published by Contemporary Drama Service. Currently, she is editing an anthology, Wines in the Wilderness: Plays by Black Women From the Harlem Renaissance to the Present (Greenwood Press, forthcoming).
Table of Contents
Foreword by Margaret Walker Alexander
Black Theater Tradition and Women Playwrights of the Harlem Renaissance
Alice Childress, Lorraine Hansberry, Ntozake Shange: Carving a Place for Themselves on the American Stage
Tonal Form: Symbols as Shapers of "Theater of Struggle"
Structural Form: African American Initiation and Survival Rituals
Mirroring the Dark and Beautiful Warriors: Images of Blacks
The African Continuum: The Progeny in the New World
Afterword by Gloria T. Hull