From the Publisher
Rich imagery and a ruthless protagonist propel the novel forward to its shocking, ominous conclusion.” — Booklist
“...[A]n interesting read which addresses family issues and mental health, while blending the elements of a psychological thriller. Recommended for older teens and fans of disturbing yet satisfying plot twists.” — School Library Journal
“This psychological thriller offers shivers similar to Larbalestier’s My Sister Rosa, and the final scene will leave readers wondering if they’ve been duped into sympathy or if more is required.” — Bulletin of the Center for Children’s Books
Praise for the FEMALE OF THE SPECIES: “McGinnis explores how one teen uses violence for justice in this gripping story that should be read and discussed by teens, as well as those who work with them.” — Booklist (starred review)
“Each word has been specifically chosen, each character superbly and humanly sculpted, the plot line masterfully completed. To say more would be to dilute the experience. McGinnis plays with the readers and they are at her mercy.” — Voice of Youth Advocates (VOYA) (starred review)
“McGinnis gracefully avoids the pitfalls of creating a teenage vigilante, instead maintaining a sense of piercing realism. Alex is a pained girl in dangerous free fall, whose fierce independence is challenged by newfound friendships, even love, though neither may be enough to stave off the inevitable.” — Publishers Weekly (starred review)
“All three teens are haunted by the memory of Anna’s murder, and Alex’s inclination to both considering and exacting revenge with cruel efficiency leads them all inexorably to an explosive, terrible finale. An unflinching look at rape culture and its repercussions.” — Kirkus Reviews (starred review)
“This is an astoundingly dark but beautifully written tragedy. Sexual abuse and assault are treated with sensitivity here but also portrayed with the necessary weight and power, and the dangerous repercussions of poor self-esteem, limiting social expectations, and secret-keeping are discussed openly and frankly.” — School Library Journal (starred review)
“[I]t’s raw. Not “raw for YA.” Real-deal raw. And violent. And unforgettable. McGinnis explores both and she goes there in a way no one really has before in YA. This is Kill Bill in high school, but with more nuance, bolder choices and a true female perspective.” — The Globe and Mail
“Your heart may still be pounding after you’ve finished this book. It is uncannily well timed to our current political situation...McGinnis, who dedicates her book to ‘the victims,’ examines this dichotomy of hope and violence, love and hate, with dexterity and grace.” — New York Times Book Review
“The ending of this dark novel leaves much to be unpacked, and it would certainly spark heated discussion in a book club or classroom.” — Bulletin of the Center for Children’s Books
Praise for A MADNESS SO DISCREET: “McGinnis excels at rich character development; every person readers meet makes a dramatic impact on the story and on Grace. This book is highly recommended.” — School Library Journal
“A bountiful buffet of twisted, dark intrigue. While others are writing about relatively ‘normal’ heroes and heroines, McGinnis takes the less-traveled route to bring us a heroine damaged physically and mentally, and to the far reaches of her soul. McGinnis can surely tell a story.” — USA Today
“Grace’s story shines. Every person she encounters, mad or trapped by the label of madness, feels achingly real. Readers will wish they could watch her and Thornhollow solve murders for pages and pages more. ” — Kirkus Reviews
“Several storylines are threaded together in this powerful and dark book, examining the line between sanity and insanity and often indicting those who get to define that line. McGinnis extends compassion to the asylum’s most helpless patients as well as the most disturbed and violent characters.” — Bulletin of the Center for Children’s Books
Praise for NOT A DROP TO DRINK: “A high-quality survivalist story for readers who enjoy internal story arcs as well as external dangers.” — Kirkus Reviews
“The intensity of action moves the story forward, but not at the expense of character development. The complex, authentic characters are neither fully evil nor unbelievably good. The honest and hopeful ending-while not ‘happily ever after’—will resonate with readers and leave them asking for more.” — Voice of Youth Advocates (VOYA)
“Those in search of fierce female survivalist characters need look no further than this.” — Booklist
“In an understated but gripping debut, McGinnis paints a stark picture of a world not far removed from our own, concentrating on Lynn’s gradual emotional growth as contrasted against the physical harshness of her existence.” — Publishers Weekly
“A brutally beautiful debut, not to be missed. NOT A DROP TO DRINK is an unwavering story with incredible drama, danger, and power. This writer is for real.” — Michael Grant, New York Times bestselling author of the Gone series
New York Times Book Review
Your heart may still be pounding after you’ve finished this book. It is uncannily well timed to our current political situation...McGinnis, who dedicates her book to ‘the victims,’ examines this dichotomy of hope and violence, love and hate, with dexterity and grace.
Booklist
Rich imagery and a ruthless protagonist propel the novel forward to its shocking, ominous conclusion.
Bulletin of the Center for Children’s Books
This psychological thriller offers shivers similar to Larbalestier’s My Sister Rosa, and the final scene will leave readers wondering if they’ve been duped into sympathy or if more is required.
Booklist (starred review)
Praise for the FEMALE OF THE SPECIES: “McGinnis explores how one teen uses violence for justice in this gripping story that should be read and discussed by teens, as well as those who work with them.
Voice of Youth Advocates (VOYA) (starred review)
Each word has been specifically chosen, each character superbly and humanly sculpted, the plot line masterfully completed. To say more would be to dilute the experience. McGinnis plays with the readers and they are at her mercy.
The Globe and Mail
[I]t’s raw. Not “raw for YA.” Real-deal raw. And violent. And unforgettable. McGinnis explores both and she goes there in a way no one really has before in YA. This is Kill Bill in high school, but with more nuance, bolder choices and a true female perspective.
Booklist
Rich imagery and a ruthless protagonist propel the novel forward to its shocking, ominous conclusion.
Michael Grant
A brutally beautiful debut, not to be missed. NOT A DROP TO DRINK is an unwavering story with incredible drama, danger, and power. This writer is for real.
USA Today
A bountiful buffet of twisted, dark intrigue. While others are writing about relatively ‘normal’ heroes and heroines, McGinnis takes the less-traveled route to bring us a heroine damaged physically and mentally, and to the far reaches of her soul. McGinnis can surely tell a story.
Voice of Youth Advocates (VOYA)
The intensity of action moves the story forward, but not at the expense of character development. The complex, authentic characters are neither fully evil nor unbelievably good. The honest and hopeful ending-while not ‘happily ever after’—will resonate with readers and leave them asking for more.
USA Today
A bountiful buffet of twisted, dark intrigue. While others are writing about relatively ‘normal’ heroes and heroines, McGinnis takes the less-traveled route to bring us a heroine damaged physically and mentally, and to the far reaches of her soul. McGinnis can surely tell a story.
Bulletin of the Center for Children's Books
This psychological thriller offers shivers similar to Larbalestier’s My Sister Rosa, and the final scene will leave readers wondering if they’ve been duped into sympathy or if more is required.
School Library Journal
09/01/2017
Gr 10 Up—Sasha Stone is a Midwestern "good girl": a smart, college-bound band geek with a preppy boyfriend and a close circle of friends. After a few mysterious texts and personal memories she doesn't feel are her own, she finds a photograph uncovering a past she didn't know existed: she was a twin sister. With a strained family life, Sasha discovers more about her twin through an unlikely source: her twin, or rather, the heart of her twin. Through a process called fetal reabsorption, Sasha's heart is really her twin's. Shanna, who is not a good girl, is trying to communicate with Sasha, turning her world upside down and leading into a series of plot twists and turns, and a downward spiral from her perfect high school life. Shanna is craving the life she never had—desiring bad boy Isaac, sex, and life in the fast lane— which causes Sasha's grades to plummet, her friends and boyfriend to become distant, and worst of all, her loss of the first chair in band. More character development of "Good Sasha" would make for a better contrast in personalities, as well as make the later claims of manipulation against Sasha stronger; however, it is an interesting read which addresses family issues and mental health, while blending the elements of a psychological thriller. VERDICT Recommended for older teens and fans of disturbing yet satisfying plot twists.—Doneanne Soult, Westampton Middle School, NJ
Kirkus Reviews
2017-07-17
A perfectionist prude is slowly revealed to have bigger character flaws.Sasha Stone is the stereotypical driven, uptight white girl, her whole life structured around achieving her goals, to the point where she has no sympathy for others. She practices her clarinet until her hands ache. Her boyfriend is pleasant and equally high-achieving, and her interactions with her friends have a mocking, scornful edge. But Sasha is normal…until she starts having blackouts, until she starts getting texts from bad boy Isaac, acting like he knows her, until she discovers she had a twin sister named Shanna, whom Sasha absorbed in the womb. It's Shanna's heart in Sasha's chest, and it's Shanna's heart that loves Isaac—not Sasha, so she claims. The story swings from paranormal nonsense to medical melodrama when it's revealed that Sasha has cardiomyopathy and needs a new heart to survive. The mentally ill can't get new hearts, so Sasha must find a way to deal with Shanna…although it won't be easy, as Sasha's own darkness within grows stronger. The author pulls her punches by camouflaging Sasha's darker tendencies with the Shanna storyline, undermining what could have been a fascinating character study. It's a shame the author couldn't have been as ruthless as her character. (Paranormal thriller. 16-18)
