- Too Lazy to Work, Too Nervous to Steal
- The Price of Love
- The Game
- Psychic Lady
- Play That Fast Thing (One More Time)
- A Little Good News
- While You Were Gone
- Look Me Up
- Let's See How Far You Get
- Fool of the Century
- Different Drum
5
1
0696998545625
Chuck Mead Guitar (Acoustic),Guitar (Electric),Vocals (Background),Vocals
Don Herron Banjo,Cello,Dobro,Fiddle,Guitar,Mandolin,Pedal Steel,Guitar (Steel),Lap Steel Guitar,Guitar (Acoustic)
Gary Bennett Guitar,Vocals,Vocal Harmony,Guitar (Acoustic),Guitar (Electric),Vocals (Background)
Paul Worley Guitar (Acoustic)
Mike Poole Guitar (Acoustic)
Shawn Wilson Drums
Hawk Shaw Wilson Drums,Vocals,Percussion
Eric Conn Digital Editing
Charlie Black Composer
Rory Michael Bourke Composer
Denny Purcell Mastering
Tommy Rocco Composer
Harlan Howard Composer
Gary Bennett Composer
Paul Worley Producer
Billiken Johnson Art Direction
Don Everly Composer
Jeffrey Steele Composer
Phil Everly Composer
Nick Lowe Composer
Mike Poole Mixing,Engineer,Producer
Carlos Grier Digital Editing
Paige Conners Production Coordination
Renee Fowler Stylist
Jim Shea Photography
Erik Hellerman Engineer,Assistant
Beth Kindig Art Direction


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Overview
Nashville upstarts BR5-49 have become known for their hybrid of old-fashioned Western swing, slick country pop, and punk-infused honky tonk, however, on their fourth release, This Is BR5-49, they start by straying closer to the young country side of the industry. The first half of the album seems to lag behind the beat, not in a lazy, porch-sittin' manner, but in a "prime for a slick CMT video" manner. The first single, "Too Lazy to Work, Too Nervous to Steal," chugs along passionlessly. Similarly, the distortion-laden and tremolo-heavy cover of the Everly Brothers' "The Price of Love" might work well in concert with some live energy behind it, but on CD it lumps along, in desperate need of a carrot held in front of the horse. The incorporation of pop culture references have worked in the band's favor on their previous albums ("Little Ramona," "Bettie Bettie"), but their social and political commentaries on "Psychic Lady" and "A Little Good News" would get 'em thrown offstage at both Gilley's and CBGB; not because their topics are controversial, but because they are boring. About midway through the album, starting with the Gary Bennett-penned "While You Were Gone" (the record's best cut), they start cookin'. Here, the record steps into the groove and focuses on their familiar pedal steel up-tempo Swing as opposed to the slicker sound dominating the first half. The barn dance toe-tapper "Fool of the Century" would do Bob Wills proud, and the upright bass-led "Look Me Up" is in line with the truly inspired stuff they recorded in their days at Robert's Western Wear. As unfortunate as the first half is, the flip side hides some true gems, making the more cynical country fans wonder if side A was engineered by Nashville suits and side B is more along the band's original vision. Either way, the album is a toss-up, with its share of unfortunate cuts and real winners. ~ Zac Johnson
Product Details
Release Date: | 06/26/2001 |
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Label: | Lucky Dog / Sony Music Distribution |
UPC: | 0696998545625 |
Tracks
Album Credits
Performance Credits
BR5-49 Primary ArtistChuck Mead Guitar (Acoustic),Guitar (Electric),Vocals (Background),Vocals
Don Herron Banjo,Cello,Dobro,Fiddle,Guitar,Mandolin,Pedal Steel,Guitar (Steel),Lap Steel Guitar,Guitar (Acoustic)
Gary Bennett Guitar,Vocals,Vocal Harmony,Guitar (Acoustic),Guitar (Electric),Vocals (Background)
Paul Worley Guitar (Acoustic)
Mike Poole Guitar (Acoustic)
Shawn Wilson Drums
Hawk Shaw Wilson Drums,Vocals,Percussion
Technical Credits
Chuck Mead ComposerEric Conn Digital Editing
Charlie Black Composer
Rory Michael Bourke Composer
Denny Purcell Mastering
Tommy Rocco Composer
Harlan Howard Composer
Gary Bennett Composer
Paul Worley Producer
Billiken Johnson Art Direction
Don Everly Composer
Jeffrey Steele Composer
Phil Everly Composer
Nick Lowe Composer
Mike Poole Mixing,Engineer,Producer
Carlos Grier Digital Editing
Paige Conners Production Coordination
Renee Fowler Stylist
Jim Shea Photography
Erik Hellerman Engineer,Assistant
Beth Kindig Art Direction
From the B&N Reads Blog
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