"The Chamber of Horrors, I think," she says softly.
"Really, my dear? All that grim fantasy and blood?"
"There is no fantasy about it, François. It is an embryo, a showing of what is to come."
Blending historical fiction with fantasy and the macabre, Adam McOmber's debut short story collection brings the influence of Angela Carter, Isak Dinesen, and Edgar Allan Poe to the next generation. In "The Automatic Garden," a solitary architect from the court at Versailles builds a water-powered pleasure garden; in "There Are No Bodies Such as This," we read a haunted and romantic fiction about the creation of Madame Tussaud's wax museum; in "Fall, Orpheum," a small town movie palace becomes the temple for an entire town's devotion and sacrifice. McOmber seamlessly blends history, artifice, and desire to create a dream of the past that intertwines with our own notions of modern life.
Adam McOmber's stories appear in Conjunctions, StoryQuarterly, Third Coast, The Greensboro Review, Arts & Letters, and Quarterly West. He is assistant director of creative nonfiction at Columbia College Chicago and associate editor of the literary magazine Hotel Amerika.
About the Author
Table of ContentsThe Automatic Garden
There Are No Bodies Such as This
A Memory of His Rising
A Man of History
This New and Poisonous Air
Gardens of the Moon
Night is Nearly Done
Poet and Underworld