Thomas and Beal in the Midi

by Christopher Tilghman

Overview

A young interracial couple escapes from Maryland to France in 1892, living first among artists in the vibrant Latin Quarter of Paris, and then beginning a new life as winemakers in the rugged countryside of the Languedoc

Twenty-three years after the publication of his acclaimed novel Mason’s Retreat and six years after The Right-Hand Shore, Christopher Tilghman returns to the saga of the Mason and Bayly families in Thomas and Beal in the Midi.

Thomas Bayly and his wife, Beal, have run away to France, escaping the laws and prejudices of post-Reconstruction America. The drama in this richly textured novel proceeds in two settings: first in Paris, and then in the Languedoc, where Thomas and Beal begin a new life as winemakers.

Beal, indelible, beautiful, and poised, enchants everyone she meets in this strange new land, including a gaggle of artists in the Latin Quarter when they first arrive in Paris. Later, when they’ve moved to the beautiful and rugged Languedoc, she is torn between the freedoms she experienced in Paris and the return to the farm life she thought she had left behind in America.

A moving and delicate portrait of a highly unusual marriage, Thomas and Beal in the Midi is a radiant work of deep insight and peerless imagination about the central dilemma of American history—the legacy of slavery and the Civil War—that explores the many ways that the past has an enduring hold over the present.

Product Details

ISBN-13:	9781250251220
Publisher:	Picador
Publication date:	04/28/2020
Series:	The Novels of Mason's Retreat , #3
Edition description:	Reprint
Pages:	384
Product dimensions:	5.60(w) x 8.70(h) x 1.10(d)

About the Author

Christopher Tilghman is the author of two short-story collections, In a Father’s Place and The Way People Run, and four previous novels, including Thomas and Beal in the Midi, The Right-Hand Shore, and Mason’s Retreat, which recount the connected stories of the Mason and Bayly families. He is a professor of English at the University of Virginia and lives with his wife, the novelist Caroline Preston, in Charlottesville, Virginia, and in Centreville, Maryland.

Editorial Reviews

“Third in his acclaimed Mason saga, Tilghman’s beautifully contemplative novel observes his protagonists’ uncommon marriage, showing how each must come into his own separately before they can flourish as a couple . . . Alongside Beal and Thomas and their skillfully delineated journeys to maturity, many secondary characters also stand out, including a kindly nun and a difficult Jewish painter with unique insight into Beal’s state of mind. Belle Époque Paris and the southern French countryside are described exquisitely, as is the rich terroir that shapes the human heart.” —Booklist

“Tilghman expands his Mason family saga with this elegant novel about an interracial couple resettling in fin-de-siècle France to escape American miscegenation laws . . . Tilghman’s story revisits themes from his best work: how family nurtures and oppresses, how land brings prosperity and ruin, and how American character is strengthened by enterprise and haunted by the past. This is an appealingly contemplative and compassionate novel.” —Publishers Weekly

“Lushly written . . . A recurring theme of innocent, even naïve Americans coming to understand worldly Europe recalls Henry James, as do the novel's astute psychological insights. Tilghman’s prose can be seductively lovely, and he creates engaging, often surprising characters. This historical novel's evocative descriptions of fin de siècle France and skillfully drawn characters add up to a sensitive and satisfying portrait of a marriage.” —Kirkus Reviews

From the Publisher

01/31/2019

Tilghman expands his Mason family saga (Mason’s Retreat, The Right-Hand Shore) with this elegant novel about an interracial couple resettling in fin-de-siècle France to escape American miscegenation laws. In 1892, Thomas Bayly gives up his hereditary claim to Mason’s Retreat on Maryland’s Eastern Shore to marry childhood sweetheart Beal Terrell, daughter of farmworkers, granddaughter of slaves. Crossing the Atlantic by steamship, Thomas and Beal avoid controversy by keeping their marriage secret. A somewhat warmer welcome greets them in Paris, where they remain until Thomas purchases a vineyard in Languedoc. Challenges they face include beautiful Beal’s admirers: a Senegalese diplomat wants her as his third wife, a struggling artist wants her as his model, and a visiting businessman wants her with him in Boston. Tilghman captures relationships and landscapes in leisurely prose reminiscent of 19th-century fiction, and Thomas and Beal emerge like evocative figures in an impressionist painting. Tilghman’s story revisits themes from his best work: how family nurtures and oppresses, how land brings prosperity and ruin, and how American character is strengthened by enterprise and haunted by the past. This is an appealingly contemplative and compassionate novel. (Apr.)

Publishers Weekly

2019-02-04

The lushly written third novel in a family saga follows an interracial American couple after they emigrate to escape bigotry in 1892.

Tilghman won acclaim for his previous two novels about the Mason family of Maryland, Mason's Retreat (1996) and The Right-Hand Shore (2012). This book is a prequel to those, moving back a generation to Thomas Bayly, whose mother is heir to the thousand-acre Mason farm. The story begins with Thomas and his bride, Beal Terrell, landing in France after crossing the Atlantic by ship. They have been friends since childhood—Thomas' white family owned Mason's Retreat, Beal's black family worked it, first as slaves, later as employees. But the young newlyweds can't live as a married couple in the United States, so they depart on their wedding day. Their first months in Paris are dazzling as they learn the language and find their way around the metropolis, befriended by a group of American art students. The students jockey for the right to paint a portrait of Beal, a tall beauty with striking pale eyes. Her choice of Arthur Kravitz, a gruff New Jersey native, begins with him blackmailing her by saying he'll reveal her secrets but blossoms into a lifelong friendship. Meanwhile, Thomas is casting about for a profession and develops an obsession with winemaking. That leads to the couple's move to a farm in the rugged Languedoc, a place that Thomas falls instantly in love with but that Beal struggles to adjust to after the joys of Paris. Tilghman tells the story of their marriage over four decades; their struggles have little to do with race, much more to do with fidelity and communication. A recurring theme of innocent, even naïve Americans coming to understand worldly Europe recalls Henry James, as do the novel's astute psychological insights. Tilghman's prose can be seductively lovely, and he creates engaging, often surprising characters.

This historical novel's evocative descriptions of fin de siècle France and skillfully drawn characters add up to a sensitive and satisfying portrait of a marriage.

Kirkus Reviews