Thomas of Woodstock
This anonymous manuscript play has long been the subject of scholarly dispute regarding its relationship with Shakespeare’s Richard II. This edition, which thoroughly re-examines the text, situates the play within its historical and political context, relating it to the genre of chronicle drama to which it belongs. The manuscript is of particular interest in that it appears to have been used in the playhouse over a considerable period of time and contains what seems to be evidence of the theatre practice of the time. The play is also of special interest for its skilful and original handling of source material which may well have influenced Shakespeare’s Richard II. The extensive appendices drawn from Holinshed, Grafton and Stow provide the reader with the opportunity to investigate the manner in which the dramatist has shaped the material.

The editors argue for the play’s stage-worthiness and dramatic complexity, suggesting that its range both of dramatic tone and social inclusiveness indicate the work of a dramatist of considerable skill and subtlety, equal or superior to the Shakespeare of the Henry VI plays.

1016200750
Thomas of Woodstock
This anonymous manuscript play has long been the subject of scholarly dispute regarding its relationship with Shakespeare’s Richard II. This edition, which thoroughly re-examines the text, situates the play within its historical and political context, relating it to the genre of chronicle drama to which it belongs. The manuscript is of particular interest in that it appears to have been used in the playhouse over a considerable period of time and contains what seems to be evidence of the theatre practice of the time. The play is also of special interest for its skilful and original handling of source material which may well have influenced Shakespeare’s Richard II. The extensive appendices drawn from Holinshed, Grafton and Stow provide the reader with the opportunity to investigate the manner in which the dramatist has shaped the material.

The editors argue for the play’s stage-worthiness and dramatic complexity, suggesting that its range both of dramatic tone and social inclusiveness indicate the work of a dramatist of considerable skill and subtlety, equal or superior to the Shakespeare of the Henry VI plays.

29.95 In Stock
Thomas of Woodstock

Thomas of Woodstock

Thomas of Woodstock

Thomas of Woodstock

Paperback(New Edition)

$29.95 
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Overview

This anonymous manuscript play has long been the subject of scholarly dispute regarding its relationship with Shakespeare’s Richard II. This edition, which thoroughly re-examines the text, situates the play within its historical and political context, relating it to the genre of chronicle drama to which it belongs. The manuscript is of particular interest in that it appears to have been used in the playhouse over a considerable period of time and contains what seems to be evidence of the theatre practice of the time. The play is also of special interest for its skilful and original handling of source material which may well have influenced Shakespeare’s Richard II. The extensive appendices drawn from Holinshed, Grafton and Stow provide the reader with the opportunity to investigate the manner in which the dramatist has shaped the material.

The editors argue for the play’s stage-worthiness and dramatic complexity, suggesting that its range both of dramatic tone and social inclusiveness indicate the work of a dramatist of considerable skill and subtlety, equal or superior to the Shakespeare of the Henry VI plays.


Product Details

ISBN-13: 9780719080678
Publisher: Manchester University Press
Publication date: 05/01/2009
Series: The Revels Plays
Edition description: New Edition
Pages: 232
Product dimensions: 5.50(w) x 8.50(h) x 0.60(d)

About the Author

Peter Corbin was General Editor of the Revels Plays Companion Library and is Honorary Fellow in the School of Drama and Music at the University of Exeter. Douglas Sedge is Honorary Fellow in the School of Drama and Music at the University of Exeter

Table of Contents

Introduction
1. The manuscript
2. Title
3. Authorship
4. Date and literary influences
5. The Play's sources and their treatment
6. The reign of Richard II and the 1590s
7. Censorship of the manuscript
8. The play
9. The ending
10. Stage history
11. This edition
Thomas of Woodstock
Apendices a. Grafton b. Holinshed c. Stowe d. Marginal interventions in the manuscript e. Casting and doubling for performance
Index

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