Thursdays with Leila

Thursdays with Leila exemplifies the slapdash style and narrative verve, piety and subversion, timeless myth and topicality that made Corín Tellado the queen of the Spanish romance. Of a later generation than Britain's Barbara Cartland or France's Delly, she, like them, nevertheless wrote in a society tensed between the inexorable development of modernity and a deep-rooted social conservatism.

Tellado's tales of love, and of women's difficult quest for material and emotional wellbeing, clearly gave great pleasure to her millions of readers throughout and beyond the Franco years in Spain, as well as in Latin America and, in translation, in other European countries -- most notably France and Portugal.

The popularity of romance with women readers reflects the extent to which the choice (or imposition) of a male partner has determined women's chances of happiness, and the quality of their lives. But like all good romance heroines, Tellado's Leila is reluctant to acknowledge this, allowing her readers to imagine modes of self-realisation that might not depend on the goodness, charm or otherwise of a husband. Leila is strong, capable, and determined to succeed in her project of making an independent living and taking care of her step-siblings. Of course He appears, the hero: irresistibly handsome, sexually magnetic, and socially powerful. Stephen Knowles is the alpha male we expect in a romance novel since (at least) Jane Austen's Mr Darcy or Charlotte Bronte's Edward Rochester.

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Thursdays with Leila

Thursdays with Leila exemplifies the slapdash style and narrative verve, piety and subversion, timeless myth and topicality that made Corín Tellado the queen of the Spanish romance. Of a later generation than Britain's Barbara Cartland or France's Delly, she, like them, nevertheless wrote in a society tensed between the inexorable development of modernity and a deep-rooted social conservatism.

Tellado's tales of love, and of women's difficult quest for material and emotional wellbeing, clearly gave great pleasure to her millions of readers throughout and beyond the Franco years in Spain, as well as in Latin America and, in translation, in other European countries -- most notably France and Portugal.

The popularity of romance with women readers reflects the extent to which the choice (or imposition) of a male partner has determined women's chances of happiness, and the quality of their lives. But like all good romance heroines, Tellado's Leila is reluctant to acknowledge this, allowing her readers to imagine modes of self-realisation that might not depend on the goodness, charm or otherwise of a husband. Leila is strong, capable, and determined to succeed in her project of making an independent living and taking care of her step-siblings. Of course He appears, the hero: irresistibly handsome, sexually magnetic, and socially powerful. Stephen Knowles is the alpha male we expect in a romance novel since (at least) Jane Austen's Mr Darcy or Charlotte Bronte's Edward Rochester.

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Overview

Thursdays with Leila exemplifies the slapdash style and narrative verve, piety and subversion, timeless myth and topicality that made Corín Tellado the queen of the Spanish romance. Of a later generation than Britain's Barbara Cartland or France's Delly, she, like them, nevertheless wrote in a society tensed between the inexorable development of modernity and a deep-rooted social conservatism.

Tellado's tales of love, and of women's difficult quest for material and emotional wellbeing, clearly gave great pleasure to her millions of readers throughout and beyond the Franco years in Spain, as well as in Latin America and, in translation, in other European countries -- most notably France and Portugal.

The popularity of romance with women readers reflects the extent to which the choice (or imposition) of a male partner has determined women's chances of happiness, and the quality of their lives. But like all good romance heroines, Tellado's Leila is reluctant to acknowledge this, allowing her readers to imagine modes of self-realisation that might not depend on the goodness, charm or otherwise of a husband. Leila is strong, capable, and determined to succeed in her project of making an independent living and taking care of her step-siblings. Of course He appears, the hero: irresistibly handsome, sexually magnetic, and socially powerful. Stephen Knowles is the alpha male we expect in a romance novel since (at least) Jane Austen's Mr Darcy or Charlotte Bronte's Edward Rochester.


Product Details

ISBN-13: 9781781882443
Publisher: Modern Humanities Research Association
Publication date: 11/10/2016
Series: Mhra New Translations , #9
Pages: 102
Product dimensions: 6.14(w) x 9.21(h) x 0.21(d)

About the Author

Duncan Wheeler is Associate Professor of Spanish Studies at the University of Leeds, and Visiting Professor of the Carlos III University in Madrid. His monographs include Golden Age Drama in Contemporary Spain (2012) and The Cultural Politics of Spain's Transition to Democracy (2017). He is Hispanic editor for Modern Language Review.

Diana Holmes is Professor of French at the University of Leeds and the author of many books and articles on women's writing from highbrow to popular, including Romance and Readership in Twentieth-Century France: Love Stories (2006). In 1998 she was made a Chevalier dans l'ordre des palmes académiques for services to French culture.

Table of Contents

Prologue vii Introduction 1 Thursdays with Leila 21

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