Tin City (McKenzie Series #2)

Mac McKenzie is rich. So rich that he's left his job as a Twin Cities police officer and spends his time doing favors large and small for friends. So when an old Marine buddy of his father's calls with a request Mac takes the time to help him out. And it is one of the stranger favors he's ever been asked: the elderly Mr. Mosley, a beekeeper, wants Mac to find out why his bees are suddenly dying in droves.

Mac does some digging and before long turns up a hornet's nest of trouble in the person of Frank Crosetti, a new neighbor on the property abutting Mosley's bees. What started out as an innocent investigation into some unregulated pesticide quickly turns lethal. Crosetti sticks around long enough to make some very specific threats, then disappears into the wind leaving behind a vicious rape, a lifeless body, and a very angry McKenzie bursting for someone to blame.

With only the faintest of trails to follow and a suspicious group of federal agents gunning for him, Mac dives underground, taking only a stash of cash and a small arsenal with him on his undercover mission. Before long Mac's deep in the forgotten corners of Minneapolis sniffing for any sign of Crosetti, unable to rest until he gets results.

Praise for TIN CITY:

"Channeling Raymond Chandler with tongue-in-cheek humor, Housewright delivers plenty of action, a pinch of romance and more than a few surprises." --Publisher's Weekly

"This is a novel about going after the right guy for the wrong reasons, and the wrong guy for the right reasons. It's got twists and double-crosses, exciting car chases and gun battles, leavened by plenty of laughs --a noirish novel with emphasis on the ish." --Boston Globe

"Housewright hits his stride in this second outing for good-hearted Minnesota tough guy Rushmore McKenzie... The smooth, straightforward action comes off without a hitch, lightly seasoned with a dash of introspection from a wry, self-assured hero who is a true pal to those in need and who charms ladies and librarians alike... This series may be seriously habit-forming. It's also a welcome selection for libraries where Robert Parker is popular, which is to say everywhere." --Booklist

"Some lovely cadenced writing... along with smart narrative moves and bits of unfocused excess. Housewright is at his best when he stays closest to home. It's clear he's a Minnesotan in his bones, so his depiction of everything from beekeeping to the byways of Hilltop embeds us in a location where quiet indiscretions and desires highlight daily life... The author thickens the broth with big-city crime (New York City gang wars), national issues (terrorism and a frenzied FBI agent) and more than a showoff's worth of country-western music name-dropping. The result is an amiable and appealing novel..." --Washington Post

"Tin City is a nicely crafted combination of procedural and character-driven crime story... It's fun for readers to share McKenzie's travels." --St. Paul Pioneer Press

"Housewright is one of a crop of Minnesota crime writers whose new books draw on the state's personality quirks and beloved landmarks to flavor spine-tingling prose. Readers beware: It's not all snow cones and mini-doughnuts. Even as you smile with familiarity, you'll be looking over your shoulder... Mac is a likable protagonist. He's normal in a refreshing way that is rare among today's angst-ridden heroes. He should wear well as this series continues." --Minneapolis Star Tribune

1103784104
Tin City (McKenzie Series #2)

Mac McKenzie is rich. So rich that he's left his job as a Twin Cities police officer and spends his time doing favors large and small for friends. So when an old Marine buddy of his father's calls with a request Mac takes the time to help him out. And it is one of the stranger favors he's ever been asked: the elderly Mr. Mosley, a beekeeper, wants Mac to find out why his bees are suddenly dying in droves.

Mac does some digging and before long turns up a hornet's nest of trouble in the person of Frank Crosetti, a new neighbor on the property abutting Mosley's bees. What started out as an innocent investigation into some unregulated pesticide quickly turns lethal. Crosetti sticks around long enough to make some very specific threats, then disappears into the wind leaving behind a vicious rape, a lifeless body, and a very angry McKenzie bursting for someone to blame.

With only the faintest of trails to follow and a suspicious group of federal agents gunning for him, Mac dives underground, taking only a stash of cash and a small arsenal with him on his undercover mission. Before long Mac's deep in the forgotten corners of Minneapolis sniffing for any sign of Crosetti, unable to rest until he gets results.

Praise for TIN CITY:

"Channeling Raymond Chandler with tongue-in-cheek humor, Housewright delivers plenty of action, a pinch of romance and more than a few surprises." --Publisher's Weekly

"This is a novel about going after the right guy for the wrong reasons, and the wrong guy for the right reasons. It's got twists and double-crosses, exciting car chases and gun battles, leavened by plenty of laughs --a noirish novel with emphasis on the ish." --Boston Globe

"Housewright hits his stride in this second outing for good-hearted Minnesota tough guy Rushmore McKenzie... The smooth, straightforward action comes off without a hitch, lightly seasoned with a dash of introspection from a wry, self-assured hero who is a true pal to those in need and who charms ladies and librarians alike... This series may be seriously habit-forming. It's also a welcome selection for libraries where Robert Parker is popular, which is to say everywhere." --Booklist

"Some lovely cadenced writing... along with smart narrative moves and bits of unfocused excess. Housewright is at his best when he stays closest to home. It's clear he's a Minnesotan in his bones, so his depiction of everything from beekeeping to the byways of Hilltop embeds us in a location where quiet indiscretions and desires highlight daily life... The author thickens the broth with big-city crime (New York City gang wars), national issues (terrorism and a frenzied FBI agent) and more than a showoff's worth of country-western music name-dropping. The result is an amiable and appealing novel..." --Washington Post

"Tin City is a nicely crafted combination of procedural and character-driven crime story... It's fun for readers to share McKenzie's travels." --St. Paul Pioneer Press

"Housewright is one of a crop of Minnesota crime writers whose new books draw on the state's personality quirks and beloved landmarks to flavor spine-tingling prose. Readers beware: It's not all snow cones and mini-doughnuts. Even as you smile with familiarity, you'll be looking over your shoulder... Mac is a likable protagonist. He's normal in a refreshing way that is rare among today's angst-ridden heroes. He should wear well as this series continues." --Minneapolis Star Tribune

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Tin City (McKenzie Series #2)

Tin City (McKenzie Series #2)

by David Housewright
Tin City (McKenzie Series #2)

Tin City (McKenzie Series #2)

by David Housewright

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Overview

Mac McKenzie is rich. So rich that he's left his job as a Twin Cities police officer and spends his time doing favors large and small for friends. So when an old Marine buddy of his father's calls with a request Mac takes the time to help him out. And it is one of the stranger favors he's ever been asked: the elderly Mr. Mosley, a beekeeper, wants Mac to find out why his bees are suddenly dying in droves.

Mac does some digging and before long turns up a hornet's nest of trouble in the person of Frank Crosetti, a new neighbor on the property abutting Mosley's bees. What started out as an innocent investigation into some unregulated pesticide quickly turns lethal. Crosetti sticks around long enough to make some very specific threats, then disappears into the wind leaving behind a vicious rape, a lifeless body, and a very angry McKenzie bursting for someone to blame.

With only the faintest of trails to follow and a suspicious group of federal agents gunning for him, Mac dives underground, taking only a stash of cash and a small arsenal with him on his undercover mission. Before long Mac's deep in the forgotten corners of Minneapolis sniffing for any sign of Crosetti, unable to rest until he gets results.

Praise for TIN CITY:

"Channeling Raymond Chandler with tongue-in-cheek humor, Housewright delivers plenty of action, a pinch of romance and more than a few surprises." --Publisher's Weekly

"This is a novel about going after the right guy for the wrong reasons, and the wrong guy for the right reasons. It's got twists and double-crosses, exciting car chases and gun battles, leavened by plenty of laughs --a noirish novel with emphasis on the ish." --Boston Globe

"Housewright hits his stride in this second outing for good-hearted Minnesota tough guy Rushmore McKenzie... The smooth, straightforward action comes off without a hitch, lightly seasoned with a dash of introspection from a wry, self-assured hero who is a true pal to those in need and who charms ladies and librarians alike... This series may be seriously habit-forming. It's also a welcome selection for libraries where Robert Parker is popular, which is to say everywhere." --Booklist

"Some lovely cadenced writing... along with smart narrative moves and bits of unfocused excess. Housewright is at his best when he stays closest to home. It's clear he's a Minnesotan in his bones, so his depiction of everything from beekeeping to the byways of Hilltop embeds us in a location where quiet indiscretions and desires highlight daily life... The author thickens the broth with big-city crime (New York City gang wars), national issues (terrorism and a frenzied FBI agent) and more than a showoff's worth of country-western music name-dropping. The result is an amiable and appealing novel..." --Washington Post

"Tin City is a nicely crafted combination of procedural and character-driven crime story... It's fun for readers to share McKenzie's travels." --St. Paul Pioneer Press

"Housewright is one of a crop of Minnesota crime writers whose new books draw on the state's personality quirks and beloved landmarks to flavor spine-tingling prose. Readers beware: It's not all snow cones and mini-doughnuts. Even as you smile with familiarity, you'll be looking over your shoulder... Mac is a likable protagonist. He's normal in a refreshing way that is rare among today's angst-ridden heroes. He should wear well as this series continues." --Minneapolis Star Tribune


Product Details

ISBN-13: 9781643960180
Publisher: Down & Out Books
Publication date: 06/17/2019
Series: Rushmore McKenzie Series , #2
Pages: 282
Sales rank: 258,209
Product dimensions: 5.50(w) x 8.50(h) x 0.64(d)

About the Author

About The Author

David Housewright has worked as a journalist covering both crime and sports (sometimes simultaneously), an advertising copywriter and creative director, and a writing instructor. He won the Edgar Award for his first novel, Penance, in 1996, and the Minnesota Book Award for his second, Practice to Deceive, in 1998. He lives in St. Paul, Minnesota.

Read an Excerpt

Tin City

1

The old man held three dead honeybees in the palm of his caramel-colored hand.

"Here," he said.

"What?"

"Take 'em."

I took a step backward. "What do you mean?"

"Take 'em."

I kept retreating until I was hard against the kitchen counter.

"What's the matter with you?" he wanted to know.

"They're bees."

"They're dead."

"So?"

"They can't hurt you."

"Who says?"

"You big baby." He dumped the bees on top of the kitchen table andsat down. "Honest to God, McKenzie—a grown man afraid of harmless honeybees." He shook his head like he felt sorry for me.

It disturbed me that Mr. Mosley would question my manhood. But twenty-five years ago I had been stung no less than sixteen times by "harmless" honeybees in his own backyard, and the incident had stayed with me. Once I even abandoned my Jeep Cherokee along I-94 because two wasps had flown through the open window. When I explained it to the state trooper who was going to cite me for illegally stopping on a freeway, he put his ticket book away. He understood, even if my own father had not. But then my dad was a big believer in the Nietzschean philosophy—"That which does not kill me makes me stronger"—though I doubt he knew who Nietzsche was. Mr. Mosley was the same way. He and Dad had fought together with the First Marines at Chosin Reservoir. They weren't afraid of anything. Not even God.

"You gonna sit down or what?" Mr. Mosley asked.

I sat in a chair on the other side of the table and as far away from the bee carcasses as possible. The tall black man ran his fingers through the fringe of silver hair just above his ear while he stared at me. The hair seemed thinner—and so did he—than the last time I had visited him, and it gave me a small jolt. My dad had died two years earlier, and he and Mr. Mosley were the same age.

"I need a favor." He said it like he wasn't sure he was asking the right person.

"Sure." I answered automatically. If Mr. Mosley had asked me to jump off the Lake Street Bridge I would have said yes. Yet it occurred to me in that moment that I had never heard Mr. Mosley ask for assistance from anyone. He was like my dad, one of those guys who was quick to help others but would never ask for help himself. It gave me another shock of anxiety. He really was getting old. Either that or it was his way of persuading me to visit more often.

"It involves my bees," he said.

"Just as long as it doesn't involve handling them."

"I can't believe you used to be a cop. Man, you went up against some nasty people."

"And not one of them tried to sting me."

"You tellin' me you're more 'fraid of harmless honeybees than you are of crim'nals with guns?"

There's that word again—"harmless."

"I'm also afraid of heights," I told him.

Mr. Mosley rested his forehead against the tabletop. "Unbelievable." When his head came up again, he said, "I've been losing bees. And it's gettin' worse."

"What do you mean, losing bees?"

"I mean they're dying. What do you think I mean?"

For a moment, I flashed on the old nursery rhyme—Little Bo Peep has lost her sheep and doesn't know where to find them—but I didn't say it out loud.

"Last year I lost maybe twenty percent of my population."

Leave them alone and they'll come home, wagging their tails behind them.

"And this year it's closer to a third. Do you want some joe?"

"Sure."

Mr. Mosley went to an ancient percolator plugged into the wall near the sink. My first cup of coffee had been poured from that percolator decades earlier, and I was amazed that it was still working. He filled a mug that was adorned with sunflowers. He served it black—"the way God made it"—without bothering to ask if I wanted cream or sugar. When he had poured that first cup Mr. Mosley informed me that spooning "additives" into good coffee was like putting ice in bourbon (which I sometimes do but always feel guilty about).

"I started noticing strange doin's couple years ago but didn't think nothing of it."

"Strange doings?"

"The queens," he said. "The young ones would be takin' on the older ones, which is what they supposed to do, 'cept they wuz doing it in the fall, which they ain't supposed to do. Wrong season. Then I start noticin', man, my bees are dyin' all over the place. In the winter, I lose as much as 10 percent of the hive. That normal. But now, man, it up to 30, 40 percent. That bad."

"What's killing them?" I asked. "Pollution?

"Somethin'. You watch 'em and sometimes the bees go insane like, jerkin' all around and bouncin' into each other and then they lie down and die. It's ugly."

I looked over Mr. Mosley's shoulder and through the back door screen. I could see three hives arranged on a wooden pallet. Each hive contained a queen and approximately sixty to seventy thousand worker bees that produced 120 pounds of honey a year—sometimes more, sometimes less. Mr. Mosley sold the honey for $6.50 a pound. There were forty-seven hives scattered over his property. That amounted to well over three million "harmless" honeybees and for the first time since sixteen of them had chastised me for thumping one of the hives with a football, I actually felt sorry for the little buggers.

"Something from around here is killing them, you think?"

"It's gotta be 'round here cuz this is the only colony that's hurtin'," Mr. Mosley said. "My other colonies—I keep hives in five locations now, I don't know if you know that."

Last I heard it was four.

"All but this one are located on the western side of Minnesota, near South Dakota, cuz there ain't much people or insecticide spraying over there. And those colonies, they fine."

"Are you sure?"

"I talked to my man out there just this morning. Lorenzo says there're no problems. Nothin's changed since I was out there last week.Lorenzo, though, he isn't the sharpest knife in the drawer. I might have t'—I haven't fired anyone before. You ever fire anyone?"

"I've never been in a management position."

"It's not somethin' to look forward to." Mr. Mosley gave his head a frustrated shake. "You watch your bees, man, and they'll let you know if somethin' gone wrong with the environment. Like them birds they use t' bring down in them mind shafts—if 'n there a problem, boom, they the first to die. Now, look at my bees—yeah, we got a problem."

Mr. Mosley shook his head some more.

"When I moved to Young America back in '61—that was way before the city merged with Norwood and became Norwood Young America—there weren't nothing out here and I didn't have to worry about DDT and such. DDT was used a lot back then. I was thirty-five miles from downtown Minneapolis. Now with the people and traffic and pollution, I might as well be in downtown Minneapolis."

"Urban sprawl," I told him.

"Whatever they call it, it ain't healthy."

"What do you want me to do?"

"I want you to earn all those free jars of honey I've been giving you and your girl all these years."

"She's not my girl."

"I 'member the first time you brought her 'round, way back when you was in college. She wasn't afraid of a couple a' well-mannered honeybees, didn't mind 'em at all. Last summer she visited with her little girls, they were still babies almost—they weren't afraid of the bees, neither. Unlike some people I could name."

"Yeah, yeah."

"That Shelby, she's a looker."

"You do know I've been seeing someone else."

"The jazz girl?"

"She owns a jazz club."

"I notice you ain't never brought her around," he said. Mr. Mosley didn't ask "Why not?" but the question hung between us just the same. I didn't have an answer for him.

Mr. Mosley said, "You shoulda married her. Shelby, I mean."

"She married my best friend."

"You shoulda married her."

I didn't have anything to say to that, either.

"Agatha thought so, too."

"I know."

"So why didn't you?"

"She married my best friend," I repeated.

"That Dunston fella ..."

"Bobby Dunston."

"Was a cop, like you."

"Still a cop. A homicide detective in St. Paul."

"He's okay. Agatha liked him—but not as much as she liked you."

Agatha was Mrs. Mosley. It was she who treated my bee stings all those years ago, telling me it was all right to cry, telling me to ignore the disapproving glares of my father and Mr. Mosley, who figured I got what I deserved for playing where I didn't belong. "They're just jarheads," she told me. That was six months after my mother had died of a cancerous brain tumor. Twenty years later, the Big C also claimed Agatha.

"She was a good woman," I said.

"Yes," Mr. Mosley agreed.

"My mother was a good woman, too. You were the only one who would tell me that she was dying. Not even my father had courage enough for that."

Mr. Mosley refused to linger over the memory. My father had been the same way. I learned from them.

"What about my bees?"

"I know a guy ..."

Mr. Mosley smiled. "I knew you would."

"At the University of Minnesota. A professor of entomology. What we'll do, we'll ask him if he can determine what actually killed the bees. Then we'll have to decide what to do about it. Might have to sue someone."

"I don't want to sue anyone."

"That's okay, Mr. Mosley. I know plenty of lawyers who'll be happy to do it for you."

He grimaced at that but didn't say no. Instead, he swept the three deceased honeybees into a plastic sandwich bag and sealed it. He held the bag by the corner.

"Be careful, now." He didn't actually say "wuss"—I don't think the insult had ever passed Mr. Mosley's lips—but I heard it just the same.

I slipped the bag into my jacket pocket.

"Before you go." Mr. Mosley produced a sixteen-ounce jar with a colorful Mosley Honey Farms label and slid it across the table to me.

I caught the jar. "Thank you, sir."

"Take two." He slid another jar in front of me. "Give one to your girl."

"She's not my girl."

 

 

 

"Sevin XLR Plus," the young woman said.

"Is that some kind of new coffee drink?"

She didn't so much as bat an eyelash in response.

'That's a joke," I told her.

She glanced at Professor Buzicky and shrugged. He shrugged back. The silent message that passed between them was unmistakable—there's no accounting for what some people call humor.

We were sitting at a small table inside Lori's Coffee House on ClevelandAvenue North, across from the St. Paul campus of the University of Minnesota. Among other things, the St. Paul campus housed much of the university's agricultural college. I had gone there with my Baggie of dead honeybees an hour after visiting Mr. Mosley, dropping them on Buzicky's desk. I had told him what I needed, and he said he'd take care of it. I had introduced him to his wife fifteen years earlier, and the success of his marriage was such that Buzz still felt obligated to me. Three days later, he arranged a coffee meeting with the graduate student who had tested the dead bees. "When I said I'd take care of it, I didn't actually mean I would take care of it," Buzz said at the time.

"Sevin XLR Plus is an insecticide," the student told me. She spoke slowly, as if she were instructing a dull child.

"Is it particularly virulent?" "Virulent" isn't a word I use often, but after the coffee joke I wanted to prove that I had gone to college, too.

"No more so than any other insecticide when used properly."

"Ahh."

She glanced at Buzicky and shrugged again.

Her name was Ivy Flynn. She was five-foot-nothing with Irish-red hair that she wore in a severe ponytail and emerald-green eyes that she muted behind thick, large-rim glasses. Her clothes were baggy—she was dressed for winter instead of a warm day in May. When he introduced her, Buzz said she was one of the brightest students he had ever instructed. Her lips curled slightly at the compliment, the closest she had come yet to a smile. She reminded me of a character in one of those makeover movies, the kind where the plain Jane takes off her glasses, lets down her hair, and is suddenly transformed into Sandra Bullock.

"Sevin XLR Plus controls important crop pests," Ivy said. "It is approved for use on alfalfa, corn, dry beans, small grains, soybeans, sugar beets, and sunflowers. Unfortunately, it contains an ingredient called carbaryl."

"Carbaryl," I repeated to let her know I was paying attention.

"I should emphasize that carbaryl is not illegal by any means. It is, however, toxic to bees. Apparently, Mr. Mosley's honeybees came in contact with the insecticide and brought it back to the hive, where it built up over a period of time, resulting in his current predicament."

"So what we need to do is find the source of the Sevin and ask the perpetrator to stop spraying it."

Again her lips curled upward just so.

"I like that word—'perpetrator,'"Ivy said. "Unfortunately, it's not that simple. Even if we do locate the source, convincing the 'perpetrator'—she quoted the air—"to cease and desist is problematic at best. It is extremely difficult to demonstrate cause and effect."

"We'll worry about that later," I said. "Right now, we need to find the source of the Sevin. How would I go about that?"

"We know that Sevin is employed to control insect pests on certain crops. We know that honeybees have a range of four miles. It should be comparatively simple if somewhat time-consuming to fan out in, oh, let us say a three-mile radius initially from the infected colony and take samples—soil samples, water samples, plant samples—from likely locations and test them using equipment here at the U."

"Would you be interested in undertaking such a task?"

Ivy turned to Buzicky.

"It'll be good practice for you," he said. "I'll even give you academic credit."

"And I'll pay you," I added.

"You will?"

"What's the going rate for something like this? Twenty-five hundred?"

"Dollars?"

"Yes."

"Yes. Of course, I'll do it. For science." She smiled, really smiled. If it had been any brighter I would have needed sunglasses.

I gave Ivy Mr. Mosley's address in Norwood Young America and directions on where to find it, along with his phone number. I gave her my address in St. Paul and phone numbers—home and cell. I wrote out a personal check in her name for $2,500. She took off her glasses like she didn't want them coming between her and the number. Forget Sandra Bullock. I swear she looked just like Nicole Kidman.

 

 

 

Shelby Dunston didn't look like anyone in particular. Instead, she always reminded me of a southern Minnesota wheat field, all golden and windswept. She met me on the old-fashioned wraparound porch of her pre—World War II Colonial wearing a white sleeveless shirt and khaki capris. She probably hadn't dressed to look sexy but managed it just the same.

The Dunstons lived across the street from Merriam Park in St. Paul in the house that Bobby had grown up in; he and Shelby bought it from Bobby's parents after they retired and moved to their lake home in Wisconsin. There was a low-slung community center in the park with a decent gym, plus baseball fields, and in the winter there was a hockey rink where Bobby and I played when we were kids. There was also an enormous hill dotted with large oak trees. When we were teenagers—before driver's licenses—we spent many a pleasant summer evening wandering from the top of that hill to the Burger Chef on Marshall Avenue, where thirty-nine cents' worth of Coca-Cola bought us loitering rights in a corner booth, and then back again in an endless search for friends, acquaintances, and any kind of excitement. Some nights we'd make the trip several times. Occasionally we would venture to the other side of the hill, out of sight of Bobby's front porch, and make out with the Catholic girls from Our Lady of Peace and Derham Hall high schools. It was there that I kissed Mary Beth Rogers—the most beautiful girl of my youth—for the first and only time. Glancing up at it now, I wonderedfor a moment if Bobby had ever taken Shelby over the hill, but I didn't ask.

Shelby's daughters were delighted to get a jar of honey from "that cool beekeeper guy," even though it had been four days since my visit with Mr. Mosley and one day since meeting Ivy Flynn before I had found time to deliver it. They were even happier with the small bags of mini-donuts I doled out.

"Where did you get these?" Victoria wanted to know.

"I made them."

"You made them?" Katie asked, her mouth full. "These are just like the donuts you get at the state fair."

"I should hope so."

"How did you make them?" asked Victoria.

"I bought a mini-donut machine."

"Really?"

"Really?" echoed Shelby.

"I bought it off the Internet," I told her. "Belshaw Donut Robot Mark I. It can make up to a hundred dozen mini-donuts in an hour."

"One hundred dozen mini-donuts?"

"No home should be without one."

"If you say so."

"Let's go to your house right now," Katie said.

"Let's do your homework right now," Shelby said.

"Ahh, Mom," both girls replied in unison.

"Ahh, Mom," she repeated, folding her arms across her chest, giving her daughter the don't-mess-with-me look that she claimed was being challenged more and more as the girls grew older. To me, she said, "A mini-donut machine. To go with the sno-cone machine you bought last fall, I guess."

"Four flavors, no waiting."

"Uh-huh. What's next? Cotton candy?"

"I was thinking one of those machines that make corn dogs. I was never much for cotton candy."

"Oh, I love cotton candy," said Victoria. "The pink kind, not the blue kind."

"Really. Well, I'll have to give that some thought."

"You would buy a cotton candy maker just for me?"

"Sure I would."

I think she would have hugged me except both hands were filled with donuts.

"Homework," Shelby said. "Go."

Victoria left for her bedroom, muttering, "What a grouch," just loudly enough to be heard.

"What did you say?" Shelby asked.

"Nothing."

Katie, who was younger and consequently more cautious, followed her older sister out of the room without a sound.

"Honestly, McKenzie," Shelby said when they were gone.

"What?"

"You're trying to buy their love."

"Hey, if it's for sale, I'll take it." I held out a small paper bag for her. "Donut?"

Shelby took the bag and the jar of Mr. Mosley's honey and went into the kitchen. I followed.

"How is Mr. Mosley?"

"Okay, I guess. It's just that he seems so ... old."

She set the jar on the counter and turned toward me. "What is he, now? Late sixties, early seventies?"

"Seventy—two. He's as old as my dad would have been."

"My dad just turned sixty-five. He thinks that's young."

"I just turned thirty-seven, and I don't."

Shelby popped a mini-donut into her mouth. She closed her eyes while she chewed.

"Rushmore, these are amazing."

Shelby's the only one who gets to call me by my first name. I was christened after the national monument in whose shadow I was conceived while my parents were on a motor vacation through the Badlands. I liked to joke, "It could have been worse, it could have been Deadwood." But that line was getting as old as I was.

"I'm still trying to get the sugar and cinnamon mixture right," I told Shelby.

"No, no, this is good. This is perfect just the way it is."

She had another donut, and I told her about my visit with Mr. Mosley and his bees. I deliberately edited out his "your girl" remarks.

"When will you know?"

"I have no idea. Ivy—Ivy Flynn, she's the grad student doing the Meldwork—she just started gathering samples this morning."

"You enjoy it, don't you?"

"Enjoy what?"

"Helping Mr. Mosley. Helping any of your friends, for that matter."

"I like to be useful. I think everyone has that desire. I think we want that more than cash."

"Or love?"

"Maybe that, too. Besides, it gives me something to do when I get up in the morning besides count my money."

"There are a lot of things you could do besides what you do."

"Go fishing? Play golf?"

"Why not?"

"I do go fishing, I do play golf. It's just ... People retire. They scrape enough money together so they don't have to work and they say, 'I'll go fishing, I'll play golf.' It's what they squeezed in during thosebrief periods when they weren't working, and they enjoyed it. But take away the work and suddenly the fishing and golf become their whole lives. And it's not enough. They go nuts. Some manage it, of course. My dad enjoyed retirement. But he had a hobby. Doing stuff for other people was his hobby. Shingling roofs and building decks and plumbing. He was even a volunteer firefighter for a while. 'Live well, be useful,' he used to say. Words to live by."

"Words you live by."

"They're good words."

"Except you're not particularly handy with a hammer or a wrench. So instead you perform other—what do you call them, chores?"

"Favors."

"And the more difficult and dangerous the favor ..."

"The more fun," I concluded.

"And if someone tries to kill you like they did last fall?" There was anxiety in Shelby's voice, but I pretended not to hear.

"People tried to kill me when I was a cop, too."

"You and Bobby." Shelby turned and looked out her back window. There was a swing set that the girls were starting to outgrow and two bikes lying on the grass. Moments passed before she spoke again.

"I thought you were going back to the cops. I thought you were going to take a position with the St. Anthony Village Police Department. Chief of detectives, wasn't it?"

"They offered me the job, but ... The thing is, being a cop, you have to follow an awful lot of rules."

"You didn't mind when you were with St. Paul."

"That was before I spent two and a half years obeying my own rules, coming and going as I please. It's hard to go back to the everyday grind after that."

"I suppose."

A few moments later, the front door opened and closed. A male voice announced, "I'm home," without much enthusiasm.

"In the kitchen," Shelby replied.

Bobby Dunston entered. He was the same size as I was, as well as the same age. I can't remember a time when we weren't friends.

"Hi," he said. He wasn't surprised to see me. I had spent a lot of time in his kitchen when I was a kid, too.

"How's it going?" I asked.

"Murder and mayhem abound."

"So business is good."

"Too good."

He went to Shelby, wrapped his arms around her, and held on tight. She returned the embrace. It seemed to last longer than a welcomehome hug should, or maybe it was just me being embarrassed by their obvious affection for each other. After a few moments, Shelby gently nudged him away.

"You're not going to believe this," she said. "McKenzie bought a mini-donut machine."

"I'm going to take a shower," Bobby said. "I'll be right back."

There was a look of concern in Shelby's eyes as she watched him exit the kitchen.

"He does that a lot lately," she told me.

"Take a shower? I should hope so."

"As soon as he gets home from work, before he talks to me or the kids. It's like he feels he needs to wash off the day first."

I understood completely. I had been a cop for eleven and a half years before I quit in order to collect a three-million-dollar bounty on an embezzler I had tracked down in my spare time—St. Paul cops aren't allowed to accept rewards and finder's fees. Back in those days, I had taken a lot of showers, too.

 

 

For dinner Shelby served pasta with a light sauce consisting of olive oil, onion, tomatoes, shrimp, dry white wine, and Italian parsley. However, the girls refused to eat it, insisting instead on smothering their noodles with butter and grated Parmesan. That was fine with Bobby, but Shelby glared at me like I was responsible for corrupting her daughters' eating habits. Honestly, I don't see them that often.

After dinner, Bobby also inquired about Mr. Mosley's health and welfare. I told him the same thing I had told Shelby. That prompted another discussion concerning the aging process, during which Bobby announced that he did not look old, feel old, or behave in any way that could be construed as old, as he was sure his lovely wife would testify, but that I was free to seize any excuse—including advanced age—that might explain my obvious dilapidated and sorry physical, emotional, and mental condition. I would have raced him around the block but I was afraid I'd lose.

During the bottom of the third inning of the Twins-Angels game, my cell phone sang "Don't Fence Me In."

"I bet that's the girlfriend," Shelby said.

"Ahh, Nina," Bobby cooed.

Nina Truhler was the "jazz girl" Mr. Mosley had referred to. Only it wasn't her. It was Ivy Flynn.

"Oh, God, Mr. McKenzie ..."

"Ivy?"

"Mr. McKenzie, unbelievable ..."

"What?"

"The guy ..."

"What guy?"

"He shot at me."

"What?"

"He shot at me."

"Who shot at you?"

Bobby Dunston's eyes grew wide. He rose from the sofa where he had been sitting with his wife and stood in front of me.

"Ivy? Are you all right?"

A deep breath. "Yes."

"Who shot at you?"

"Some guy. In the ditch. He shot at me in the ditch."

"Where are you?"

"I'm in a bar."

"Are you safe?"

"What do you mean, am I safe? I'm in a bar. I don't go to bars."

"Did you call the police?"

"Should I do that? If I was trespassing-that's probably why the guy shot at me."

"Tell me what happened."

Another deep breath. A second. A third. I didn't rush her. After a moment, Ivy began speaking again in the same patient voice she used when I met her at Lori's Coffee House.

"I was collecting samples. I came across a large pasture. I might have neglected to tell you, but Sevin XLR Plus is often sprayed on unbroken ground such as pastures and roadside ditches. That's because grasshoppers tend to lay eggs in undisturbed ground and, after they mature, disperse into neighboring crop systems. Although there are as many as 100 species of grasshoppers on the Northern Great Plains, only five rate as the most important crop pests—the two-striped grasshopper, the migratory grasshopper, the clear-winged grasshopper, and the red-legged and differential grasshoppers."

This was more than I needed to know, but the longer Ivy spoke, the calmer she became, and I didn't want to disrupt the process.

"I halted my vehicle and climbed down into the roadside ditch.There were no grasshoppers there, Mr. McKenzie, which I find telling. I began gathering samples. I heard someone calling something, but the words were snatched away by the wind. I looked up and saw a man approaching. A big man. Fat. He was carrying a gun—a shotgun—I recognized a shotgun. And he started shooting—he just started—I saw muzzle flashes and puffs of smoke—at least I think I saw ... Mr. McKenzie, I wasn't trespassing, it was a public road, a county road."

"You're sure you're all right?"

"I scrambled out of the ditch, climbed into my car, and drove off. I drove very, very fast. I drove for a long time. I'm not actually in Norwood Young America anymore. I'm in—" She stopped speaking. I heard the sound of music and her voice calling, "Where am I?" The question was followed immediately by laughter and the murmur of voices. "I'm in Glencoe," she told me after a few moments.

Glencoe is nowhere near NYA.

"Tell me where you are and I'll come get you."

"That's not necessary. I'm okay."

"Ivy."

"No, really, Mr. McKenzie. I'm fine. It was scary, but I'm fine now. I'm going to get something to eat and then drive home."

"Are you sure?"

"Yes, sir. But what should we do about ... about the guy?"

"I'll deal with it."

Bobby shifted his weight and sighed.

I asked Ivy if she had noted the address. She had. She had written it down along with the approximate distance from Mr. Mosley's hives when she catalogued her samples.

"You collected samples from the ditch even with the guy shooting at you?" I asked.

"Only one. I labeled it before entering the bar. I kinda like this place."

I kinda liked her.

"It is my intention to begin testing samples tomorrow," Ivy said.

"Begin with this one."

"Yes, sir."

"I'm sorry about all this, Ivy."

"Oh, don't be. Actually"—her voice dropped an octave or two as if she were afraid to hear herself say it—"it was kinda fun."

She fear'd no danger, for she knew no sin. John Dryden had written that over three hundred years ago. Now I knew what he meant.

Bobby Dunston was still standing above me when I deactivated my cell phone, his hands on his hips.

"Someone shot at someone?"

"Not in your jurisdiction," I told him.

"Does this involve Mr. Mosley's bees?"

I smiled at him, although I don't know why.

"The game's afoot," I said.

"Ahh, man. Not again."

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"[E]ntertaining second noirish mystery…Channeling Raymond Chandler with tongue-in-cheek humor, Housewright delivers plenty of action, a pinch of romance and more than a few surprises." —Publishers Weekly

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