Traces of the Spirit: The Religious Dimensions of Popular Music

by Robin Sylvan

Overview

"Sylvan's thesis furnishes far more of the same valued experiences than is usually realized: ritual activity, communal ceremony, a philosophy and worldview, a code for living one's life, a cultural identity, a social structure, a sense of belonging, and crucially, Sylvan argues encounters with the numinous."
—Journal of Religion
Most studies of the religious significance of popular music focus on music lyrics, offering little insight into the religious aspects of the music itself. Traces of the Spirit examines the religious dimensions of popular music subcultures, charting the influence and religious aspects of popular music in mainstream culture today and analyzing the religious significance of the audience's experiences, rituals, and worldviews. Sylvan contends that popular music subcultures serve the function of religious communities and represent a new and significant religious phenomenon.
Drawing on ethnographic fieldwork using interviews and participant observation, Sylvan examines such subcultures as the Deadheads, raves and their participants, metalheads, and Hip Hop culture. Based on these case studies, he offers a comprehensive theoretical framework in which to study music and popular culture. In addition, he traces the history of West African possession religion from Africa to the diaspora to its integration into American popular music in such genres as the blues, rock and roll, and contemporary musical youth subcultures.

Product Details

ISBN-13:	9780814798096
Publisher:	New York University Press
Publication date:	07/01/2002
Edition description:	New Edition
Pages:	291
Product dimensions:	6.00(w) x 9.00(h) x 0.76(d)

About the Author

Robin Sylvan is Assistant Professor of Religion and the Arts at the College of Wooster in Ohio.

Table of Contents

I Theoretical, Structural, and Historical Background

1 The Connection between Music and Religion

2 West African Possession Religion and American Popular Music

II Popular Music Subcultures as Religion: A Comparative Analysis Based on Ethnographic Research

3 Eyes of the World: The Grateful Dead and the Deadheads

4 The Dance Music Continuum: House, Rave, and Electronic Dance Music

5 Stairway to Heaven, Highway to Hell: Heavy Metal and Metalheads

6 The Message: Rap Music and Hip-Hop Culture

What People are Saying About This

From the Publisher

Taking us on a journey from West Africa to San Francisco, Robin Sylvan reminds us that being moved by the music means much more than simply understanding the lyrics. From rock to rap, disco to heavy metal, Sylvan takes the whole music experience seriously, exploring how its very performance—and its subsequent affect on the audience—touches the entirety of what makes us human, in what can only be considered a religious experience of sound, beat, dance, ritual, and world view. . . . Will challenge your presumptions about the significance of music in general, these genres in particular, and the way we understand religion to work in the lives of ordinary people." —, -Eric Michael Mazur,coeditor of God in the Details: American Religion in Popular Culture

Editorial Reviews

"Taking us on a journey from West Africa to San Francisco, Robin Sylvan reminds us that being moved by the music means much more than simply understanding the lyrics. From rock to rap, disco to heavy metal, Sylvan takes the whole music experience seriously, exploring how its very performance—and its subsequent affect on the audience—touches the entirety of what makes us human, in what can only be considered a religious experience of sound, beat, dance, ritual, and world view. . . . Will challenge your presumptions about the significance of music in general, these genres in particular, and the way we understand religion to work in the lives of ordinary people."

Eric Michael Mazur

"Taking us on a journey from West Africa to San Francisco, Robin Sylvan reminds us that being moved by the music means much more than simply understanding the lyrics. From rock to rap, disco to heavy metal, Sylvan takes the whole music experience seriously, exploring how its very performance—and its subsequent affect on the audience—touches the entirety of what makes us human, in what can only be considered a religious experience of sound, beat, dance, ritual, and world view. . . . Will challenge your presumptions about the significance of music in general, these genres in particular, and the way we understand religion to work in the lives of ordinary people." —, -Eric Michael Mazur,coeditor of God in the Details: American Religion in Popular Culture

From the Publisher