In part I of this study, Edward F. Stanton examines Lorca's theoretical and practical approach to cante jondo, the traditional music of Andalusia, as seen in his lectures on the subject and in the 1922 concurso. In part II, he searches for direct and—far more important—indirect echoes of this music in his work. Part III explores the mythic quality of Lorca's art in relation to cante jondo. Throughout, Stanton illuminates a new dimension of the poet's work.
In part I of this study, Edward F. Stanton examines Lorca's theoretical and practical approach to cante jondo, the traditional music of Andalusia, as seen in his lectures on the subject and in the 1922 concurso. In part II, he searches for direct and—far more important—indirect echoes of this music in his work. Part III explores the mythic quality of Lorca's art in relation to cante jondo. Throughout, Stanton illuminates a new dimension of the poet's work.
The Tragic Myth: Lorca and Cante Jondo
152The Tragic Myth: Lorca and Cante Jondo
152Product Details
ISBN-13: | 9780813113784 |
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Publisher: | University Press of Kentucky |
Publication date: | 12/31/1978 |
Series: | Studies in Romance Languages , #20 |
Pages: | 152 |
Product dimensions: | 5.91(w) x 9.06(h) x (d) |
Age Range: | 18 Years |