Trouble with Strangers: A Study of Ethics / Edition 1

Trouble with Strangers: A Study of Ethics / Edition 1

by Terry Eagleton
ISBN-10:
1405185724
ISBN-13:
9781405185721
Pub. Date:
09/22/2008
Publisher:
Wiley
ISBN-10:
1405185724
ISBN-13:
9781405185721
Pub. Date:
09/22/2008
Publisher:
Wiley
Trouble with Strangers: A Study of Ethics / Edition 1

Trouble with Strangers: A Study of Ethics / Edition 1

by Terry Eagleton
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Overview

TROUBLE WITH STRANGERS

‘Written in Eagleton’s very readable, clear and witty style, this book may achieve the unthinkable: bridging the gap between academic High Thought and popular philosophy manuals.’
Slavoj Žižek

‘This is a fine book. It is hugely ambitious in its scope, develops an original thesis to illuminating effect and is written with a compelling passion and commitment.’
Peter R. Sedgwick, Cardiff University

‘Written with Eagleton’s usual wit, panache and uncanny ability to summarise and criticize otherwise complex philosophical positions ... this is an important book by a hugely important voice.’
Simon Critchley, The New School for Social Research

In this ambitious new book, Terry Eagleton, one of the world’s greatest cultural theorists, turns his attention to the now much-discussed question of ethics. In a work full of rare insights into tragedy, politics, literature, morality and religion, Eagleton investigates ethical theories from Aristotle to Alain Badiou and Slavoj Žižek, weighing the merits and deficiencies of each theory, and measuring them all against the ‘richer’ ethical resources of socialism and the Judaeo-Christian tradition. In a remarkably original move, he assigns each of the theories he examines to one or other of Jacques Lacan’s three psychoanalytical categories of the Imaginary, the Symbolic and the Real, and shows how this can illuminate the strengths and weaknesses of an ethics of personal sympathy, an impersonal morality of obligation, and a morality based on death and transformation.


Product Details

ISBN-13: 9781405185721
Publisher: Wiley
Publication date: 09/22/2008
Pages: 368
Product dimensions: 5.90(w) x 9.00(h) x 0.80(d)

About the Author

Terry Eagleton is John Edward Taylor Professor of English Literature at the University of Manchester. His recent publications include How to Read a Poem (2006), The English Novel (2004), Sweet Violence: The Idea of the Tragic (2003), The Idea of Culture(2000), Scholars and Rebels in Nineteenth-Century Ireland (1999), and The Illusions of Postmodernism (1996), all published by Wiley-Blackwell.

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Table of Contents

Preface vi

PART I THE INSISTENCE OF THE IMAGINARY 1

Introduction: The Mirror Stage 1

1 Sentiment and Sensibility 12

2 Francis Hutcheson and David Hume 29

3 Edmund Burke and Adam Smith 62

PART II THE SOVEREIGNTY OF THE SYMBOLIC 83

Introduction: The Symbolic Order 83

4 Spinoza and the Death of Desire 91

5 Kant and the Moral Law 101

6 Law and Desire in Measure for Measure 130

PART III THE REIGN OF THE REAL 139

Introduction: Pure Desire 139

7 Schopenhauer, Kierkegaard and Nietzsche 154

8 Fictions of the Real 180

9 Levinas, Derrida and Badiou 223

10 The Banality of Goodness 273

Conclusion 317

Index 327

What People are Saying About This

Slavoj iek

Written in Eagleton's very readable, clear and witty style, this book may achieve the unthinkable: bridging the gap between academic High Thought and popular philosophy manuals.

Simon Critchley

Written with Eagleton's usual wit, panache and uncanny ability to summarise and criticize otherwise complex philosophical positions ... this is an important book by a hugely important voice (Simon Critchley, The New School for Social Research)

Peter R. Sedgwick

This is a fine book. It is hugely ambitious in its scope, develops an original thesis to illuminating effect and is written with a compelling passion and commitment (Peter R. Sedgwick, Philosophy Section, Cardiff University)

Peter Dews

An engagement with the whole modern European tradition of thought about ethics, drawing on both philosophical and literary texts, and paying close attention to shifting cultural currents and historical contexts. The insights are often sharp, and the criticisms both pointed and – usually – laced with humour. (Peter Dews, University of Essex)

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