Twelve Types: (G.K. Chesterton Classics Collection)
This clear and fine perception of what may be called the anæsthetic element in the Victorian era was, undoubtedly, the work of a great reformer: it requires a fine effort of the imagination to see an evil that surrounds us on every side. The manner in which Morris carried out his crusade may, considering the circumstances, be called triumphant. Our carpets began to bloom under our feet like the meadows in spring, and our hitherto prosaic stools and sofas seemed growing legs and arms at their own wild will. An element of freedom and rugged dignity came in with plain and strong ornaments of copper and iron. So delicate and universal has been the revolution in domestic art that almost every family in England has had its taste cunningly and treacherously improved, and if we look back at the early Victorian drawing-rooms it is only to realise the strange but essential truth that art, or human decoration, has, nine times out of ten in history, made things uglier than they were before, from the 'coiffure' of a Papuan savage to the wall-paper of a British merchant in 1830.
1100145766
Twelve Types: (G.K. Chesterton Classics Collection)
This clear and fine perception of what may be called the anæsthetic element in the Victorian era was, undoubtedly, the work of a great reformer: it requires a fine effort of the imagination to see an evil that surrounds us on every side. The manner in which Morris carried out his crusade may, considering the circumstances, be called triumphant. Our carpets began to bloom under our feet like the meadows in spring, and our hitherto prosaic stools and sofas seemed growing legs and arms at their own wild will. An element of freedom and rugged dignity came in with plain and strong ornaments of copper and iron. So delicate and universal has been the revolution in domestic art that almost every family in England has had its taste cunningly and treacherously improved, and if we look back at the early Victorian drawing-rooms it is only to realise the strange but essential truth that art, or human decoration, has, nine times out of ten in history, made things uglier than they were before, from the 'coiffure' of a Papuan savage to the wall-paper of a British merchant in 1830.
6.99 In Stock
Twelve Types: (G.K. Chesterton Classics Collection)

Twelve Types: (G.K. Chesterton Classics Collection)

by G. K. Chesterton
Twelve Types: (G.K. Chesterton Classics Collection)

Twelve Types: (G.K. Chesterton Classics Collection)

by G. K. Chesterton

Paperback

$6.99 
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Overview

This clear and fine perception of what may be called the anæsthetic element in the Victorian era was, undoubtedly, the work of a great reformer: it requires a fine effort of the imagination to see an evil that surrounds us on every side. The manner in which Morris carried out his crusade may, considering the circumstances, be called triumphant. Our carpets began to bloom under our feet like the meadows in spring, and our hitherto prosaic stools and sofas seemed growing legs and arms at their own wild will. An element of freedom and rugged dignity came in with plain and strong ornaments of copper and iron. So delicate and universal has been the revolution in domestic art that almost every family in England has had its taste cunningly and treacherously improved, and if we look back at the early Victorian drawing-rooms it is only to realise the strange but essential truth that art, or human decoration, has, nine times out of ten in history, made things uglier than they were before, from the 'coiffure' of a Papuan savage to the wall-paper of a British merchant in 1830.

Product Details

ISBN-13: 9781508732778
Publisher: CreateSpace Publishing
Publication date: 03/04/2015
Pages: 58
Product dimensions: 5.98(w) x 9.02(h) x 0.12(d)

About the Author

About The Author
British writer GILBERT KEITH CHESTERTON (1874-1936) expounded prolifically about his wide-ranging philosophies. A man of strong opinions, with a humorous style that earned him the title of the "prince of paradox," he is impossible to categorize as "liberal" or "conservative": he was a literary critic, historian, playwright, novelist, columnist, and poet. His thousands of essays and 80 books remain among the most beloved in the English language.
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