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Overview
Product Details
| ISBN-13: | 9780515149692 |
|---|---|
| Publisher: | Penguin Publishing Group |
| Publication date: | 04/26/2011 |
| Series: | Undead (Queen Betsy Taylor) Series , #9 |
| Pages: | 336 |
| Product dimensions: | 4.20(w) x 6.70(h) x 1.10(d) |
| Age Range: | 18 Years |
About the Author
Hometown:
Minneapolis, MinnesotaDate of Birth:
1969Place of Birth:
Minot, North DakotaWebsite:
http://www.maryjanicedavidson.netRead an Excerpt
Table of Contents
Title Page
Copyright Page
Dedication
Acknowledgements
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Chapter 19
Chapter 20
Chapter 21
Chapter 22
Chapter 23
Chapter 24
Chapter 25
Chapter 26
Chapter 27
Chapter 28
Chapter 29
Chapter 30
Chapter 31
Chapter 32
Chapter 33
Chapter 34
Chapter 35
Chapter 36
Chapter 37
Chapter 38
Chapter 39
Chapter 40
Chapter 41
Chapter 42
Chapter 43
Chapter 44
Chapter 45
Chapter 46
Chapter 47
Chapter 48
Chapter 49
Chapter 50
Chapter 51
Chapter 52
Chapter 53
Chapter 54
Chapter 55
Chapter 56
Chapter 57
Chapter 58
Chapter 59
Chapter 60
Chapter 61
Chapter 62
Chapter 63
Chapter 64
Chapter 65
Chapter 66
Chapter 67
Chapter 68
Chapter 69
Chapter 70
Chapter 71
Chapter 72
Chapter 73
Chapter 74
Chapter 75
Epilogue
Titles by MaryJanice Davidson
UNDEAD AND UNWED UNDEAD AND UNEMPLOYED UNDEAD AND UNAPPRECIATED UNDEAD AND UNRETURNABLE UNDEAD AND UNPOPULAR UNDEAD AND UNEASY UNDEAD AND UNWORTHY UNDEAD AND UNWELCOME UNDEAD AND UNFINISHED
DERIK’S BANE
SLEEPING WITH THE FISHES SWIMMING WITHOUT A NET FISH OUT OF WATER
Titles by MaryJanice Davidson and Anthony Alongi
JENNIFER SCALES AND THE ANCIENT FURNACE JENNIFER SCALES AND THE MESSENGER OF LIGHT THE SILVER MOON ELM: A JENNIFER SCALES NOVEL SERAPH OF SORROW: A JENNIFER SCALES NOVEL RISE OF THE POISON MOON: A JENNIFER SCALES NOVEL
Anthologies
CRAVINGS
(with Laurell K. Hamilton, Rebecca York, Eileen Wilks)
BITE
(with Laurell K. Hamilton, Charlaine Harris, Angela Knight, Vickie Taylor)
KICK ASS
(with Maggie Shayne, Angela Knight, Jacey Ford)
MEN AT WORK
(with Janelle Denison, Nina Bangs)
DEAD AND LOVING IT
SURF’S UP
(with Janelle Denison, Nina Bangs)
MYSTERIA
(with P. C. Cast, Gena Showalter, Susan Grant)
OVER THE MOON
(with Angela Knight, Virginia Kantra, Sunny)
DEMON’S DELIGHT
(with Emma Holly, Vickie Taylor, Catherine Spangler)
DEAD OVER HEELS
MYSTERIA LANE (with P. C. Cast, Gena Showalter, Susan Grant)
THE BERKLEY PUBLISHING GROUP
Published by the Penguin Group
Penguin Group (Canada), 90 Eglinton Avenue East, Suite 700, Toronto, Ontario M4P 2Y3, Canada (a division of Pearson Penguin Canada Inc.)
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Penguin Books Ltd., Registered Offices: 80 Strand, London WC2R ORL, England
This book is an original publication of The Berkley Publishing Group.
This is a work of fiction. Names, characters, places, andincidents either are the product of the author’s imagination or are used fictitiously, and any resemblance to actual persons, living or dead, business establishments, events, or locales is entirely coincidental. The publisher does not have any control over and does not assume any responsibility for author or third-party websites or their content.
All rights reserved.
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Library of Congress Cataloging-in-Publication Data
Davidson, MaryJanice.
p. cm.
ISBN: 9781101188545
1. Taylor, Betsy (Fictitious character)—Fiction. 2. Sinclair, Eric (Fictitious character)—Fiction. 3. Vampires—Fiction. 4. Hell—Fiction. 5. Thanksgiving Day—Fiction. I. Title. PS3604.A949U’.6—dc22
2010011125
For Sarah and Sherrilyn and Jen and Lisa and Vicky and Marissa,
Acknowledgments
Okay, so, at the end of the day, when it’s time to write a book, it’s just me and the computer ... me, glaring balefully at same; computer refusing to make eye contact in the childish way it has.
(I should probably rewrite that: it should be the computer and me, right? Cuz I’m tryin’ to write good n’ stuff. Enh. I’ve already lost interest.)
But! For me to have the time to sit my big white butt down in the seat and get the work done? Tons of people help with that. And since I willfully ignore them most of the time, when I’m not figuring out how to frame them for felony assault, I’ll go on ahead and drop a few names.
First, many thanks to my valiant yet self-effacing assistant, Tracy Fritze. The poor woman no doubt assumed, well over a year ago, that it’d be a typical office job. Working for a writer was probably like working for an accountant: it sounded important but was ultimately mind-numbingly dull.
Sure, her workplace was my very own home, but how much different would it be from driving to an office three days a week?
Tracy likely assumed her duties would fall along the lines of word processing, setting up meetings, arranging interviews, proofing ARCs, booking speaking engagements, working with copyeditors, and occasionally running tornado drills.
Instead, the poor woman has been forced, in pretty rapid succession, to endure: being greeted by my pantsless son on more than one occasion, being interviewed by a German magazine (them: “How terrific is it to work for the MaryJanice Davidson?” Tracy: “Um ... ”), fighting off our overly affectionate dogs, enduring the smells of McDonald’s chicken nuggets and pots of chocolate Malt O’Meal when she’s trying to eat like a grown-up (and set me an example of same), and ceaselessly trying to encourage me to sit down to make decisions (on PR products, on book signings, on answering reader questions, on turning in interview questions the day I agreed to do so, on why I shouldn’t wolf down a half dozen Reese’s Cups at 9:30 a.m.) like a grown-up.
Not to mention being locked out of my house when I’ve crawled back into bed with a migraine (see above: greeted by pantsless son: “Hi, Tracy. Mom’s sick. Can I have some Malt O’Meal?”), and holding her ground when I ruthlessly set the dogs upon her (I found my dogs are especially fond of her if I rub bacon grease into her shoes while she’s hard at work in the office).
Tracy is an assistant as the dictionary defines it: she contributes to the fulfillment of a need; she assumes some of my responsibilities. She rescues me from the minutiae that nearly everyone has to endure if they want to be a functioning member of society. She’s smart, she’s quick, she never has to be told anything twice, she’s discreet (nobody knew about my pantsless son or Malt O’Mealgate until I stuck it right in my acknowledgments page). Also, she smells terrific.
Thanks are also due, as always, to the awesomest of awesome husbands, Anthony Alongi (he also cowrites the Jennifer Scales series with me). He tirelessly reads, suggests, edits, mocks, enrages, inspires, and annoys. Without him, there’s absolutely nothing for me.
My folks and sister, for being completely unwavering in their support, one hundred percent of the time. They wouldn’t abandon that stance if I stuck a gun in their ear. Do not ask me how I know that.
The Magic Widows, who have endured me for years and pretend that I’m worth the trouble.
The best of agents, Ethan Ellenberg, who paid me the ultimate compliment of calling me low maintenance. That was a wonderful lie for him to tell!
The always terrific Cindy Hwang, who reads my book suggestions and synopses, edits my manuscripts, exudes copious enthusiasm for same, and doesn’t smack herself on the forehead when I can see it, or hear it. (Though I do occasionally hear odd background sounds when I’m on the phone with her.)
And to Leis Pederson, kick-ass assistant editor, who is repeatedly forced to track me down and corner me like a rat to get edits out of me, but does it with such style I feel wanted, not stalked.
Thanks also to the Yahoos, my fans on Facebook, the readers kind enough to write to me, and the readers who don’t go near Facebook or the Web, who don’t have computers but who write to me, care of my publisher, with real pens on real paper. (I feel bad I received one such snail mail and instantly assumed, as comedian Jim Gaffigan suggested, that someone had been kidnapped.)
I write for myself—I always have. I think if you write for other people, the end result is something of a cheat, for you and for them.
But you guys make the writing that much more fun, for which I am continually humbled and slavishly grateful.
—MaryJanice,
Author’s Note
I’ve got nothing against Claes Oldenburg or his wife, Coosje van Bruggen. And I’ve got nothing against the Minneapolis Sculpture Garden.
But at the end of the day, it’s just a giant spoon.
A spoon!
The Story So Far
Betsy (“Please don’t call me Elizabeth”) Taylor was run over by a Pontiac Aztek almost three years ago. She woke up the queen of the vampires and in dazzling succession (but no real order), bit her friend Detective Nick Berry, moved from a Minnesota suburb to a mansion in St. Paul, solved various murders, attended the funerals of her father and stepmother, became her half brother’s guardian, still avoids the room housing the Book of the Dead (Book of the Dead, noun: the vampire bible written by an insane vampire, which causes madness if read too long in one sitting), cured her best friend’s cancer, visited her alcoholic grandfather (twice), solved a number of kidnappings, realized her husband/king, Eric Sinclair, could read her thoughts (she could always read his), found out the Fiends had been up to no good (Fiend, noun: a vampire given only animal [dead] blood, a vampire who quickly goes feral).
Also, roommate Antonia, a werewolf from Cape Cod, took a bullet in the brain for Betsy, saving her life. The stories about bullets not hurting vampires are not true; plug enough lead into brain matter and that particular denizen of the undead will never get up again. Garrett, Antonia’s lover, killed himself the instant he realized she was dead.
As if this wasn’t enough of a buzzkill, Betsy soon found herself summoned to Cape Cod, Massachusetts, where Antonia’s Pack leaders lived. Though they were indifferent to the caustic werewolf in life, now that Antonia was dead in service to a vampire, several thousand pissed-off werewolves had just a few questions.
While Betsy, Sinclair, BabyJon, and Jessica were on the Cape answering these questions, Marc, Laura, and Tina remained in Minnesota (Tina to help run things while her monarchs were away, Marc because he couldn’t get the vacation time, and Laura because she was quietly cracking up).
They hadn’t been gone long before Tina disappeared and Marc noticed that devil worshippers kept showing up in praise of Laura, the Antichrist.
In a muddled, misguided attempt to help (possibly brought on by the stress of his piss-poor love life ... an ER doc, Marc worked hours that would make a union-less sweatshop manager cringe), he suggested to Laura that she put her “minions” to work helping in soup kitchens and such.
(Continues…)
Excerpted from "Undead and Unfinished"
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Copyright © 2011 MaryJanice Davidson.
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