Publishers Weekly
11/27/2023
Seventh grader Lyla Benjamin is bursting with ideas for the extravagant fantasy novel she’s been plotting for a year, which centers on witches, feuding sisters, and a one-toed beast. But when her English class begins a creative writing unit that will end with the students participating in a town-wide writing contest that Lyla’s apparently perfect older sister Dahlia once won, Lyla experiences unexpected writer’s block. Even though she knows where she wants her novel to go, Lyla feels paralyzed by her goal to create an impressive story, resulting in distractions when she’s supposed to be writing. Her stress over the fast-approaching deadline is amplified by interpersonal complications including a growing rift with her best friend Rania, who’s attending a different middle school, and Dahlia confiding in Lyla that she’s uncertain about attending college. Through Lyla’s by turns earnest and anxious first-person perspective, Dee (Haven Jacobs Saves the Planet) deftly depicts the complex and sometimes turbulent writing process, and the self-doubt that can come with it. A section titled “Twenty-Five Ways to Get Unstuck” concludes. Lyla and her family are white; the supporting cast is racially diverse. Ages 9–13. Agent: Jill Grinberg, Jill Grinberg Literary. (Feb.)
Booklist
With well-established insight into the interior lives of middle schoolers, Dee nails some of the tiny, painful intricacies of hesitant new friendship and feeling boxed in by other people’s expectations. Lyla’s passion and frustrations will be relatable to any aspiring young writer.
Kirby Larson
"A wonderful, heartfelt and honest story about trying to write a novel and survive middle school, Unstuck is this generation's Dear Mr. Henshaw."
Jennifer Ziegler
"A portrait of a writer as a seventh grader! Humorous, heart-warming, and oh-so-real, Unstuck shows us how surviving middle school is a lot like the craft of writing. We must accept that it isn't easy, it helps to have friends, and, above all, we have to stay true to ourselves. Word lovers and budding novelists will love this book but so will anyone who is, will soon be, or once was an adolescent."
Veera Hiranandani
"Unstuck joyfully celebrates the complex writing process and empowers young readers with the knowledge that creativity is a personal journey and sometimes strength is found in unexpected places.
Laurie Morrison
"With her trademark humor and warmth, Barbara Dee has crafted an empowering story about creativity, self-esteem, and the pressures that come along with pursuing a passion. Dee incorporates writing strategies that will inspire budding authors and delight English teachers, and Lyla's deeply relatable journey will resonate with anyone who's ever felt stuck–whether they're battling writer's block, navigating changing friendships, or yearning to emerge from a sibling's shadow."
Jarrett Lerner
For years now, Barbara Dee has written one exceptional novel after another. UNSTUCK may be her best yet. Lyla’s story is at once unique and universal, and readers will finish the book feeling inspired and empowered to take control of, and share, their stories.
Janae Marks
Lyla is a character to root for! Her battle with writer’s block and her journey to overcome it are both relatable and inspiring. With family and friendship relationships weaved in, Unstuck is an entertaining and heartfelt read.
School Library Journal
★ 02/02/2024
Gr 3–7—Lyla, 12, is in love with the idea of writing. She has a fully formed world and plot in her head but writer's block has her feeling highly stressed and disappointed in herself, her anxiety verging on panic attacks. In her story, a younger sister saves her older one from various dangers using her quick wits. In reality, Lyla's sister Dahlia can barely tolerate her. Preoccupied by senior year college applications, Dahlia chafes at her parents' encouragement that feels more like demands and she takes it out on Lyla. An elementary friendship is unraveling as Lyla insists that friends have to have everything in common; meanwhile, a writing contest deadline looms. All in all, Lyla feels stuck. But gentle support from her ELA teacher helps her deal with the growing anxiety and a possible new friend, who is nothing like Lyla, promises a path ahead. Ultimately, Lyla doesn't write her story, she lives it, and helps Dahlia find her own path. Short dynamic chapters and Lyla's distinctive and energetic voice will keep readers flipping the pages. Just as she has in My Life in the Fish Tank and other titles, Dee showcases the power of compassion and understanding during the crucial middle school years of growth and change. Readers see how anxiety starts, how it grows—and how it can be managed. The tips and tricks here about writing and stress will definitely translate to real life. VERDICT A top choice for middle school libraries and a great handsell for young adults with younger siblings.—Lee De Groft
Kirkus Reviews
2023-11-04
If you already know your fantasy story’s plot, characters, and world, then writing it will be easy, right? So why is Lyla so stuck?
Attending a different middle school than her best friend, Rania Goswami, seventh grader Lyla hasn’t found other close friends; at lunch she’s stuck with weird, friendless, animal-obsessed Journey Lombardi-Sullivan. At least Lyla’s favorite teacher assigns them creative writing, so Lyla can finally start the story she’s long been plotting, one about a Scribe named Aster’s quest through the haunted Quagmire to rescue her big sister. But why won’t the words come? And why do Rania and her new friends seem to be laughing at Lyla’s writing project? At home, constant fighting between Dahlia (Lyla’s “genius” older sister) and their parents hides Dahlia’s desperate desire not to attend college. How can Lyla unstick her writing, recognize her true friends, and find a practical way to help her sister? With wonderfully rich characterization and impeccable pacing, the author interweaves middle school friend and family dramas with struggles familiar to any writer. Of the many constructive suggestions offered by Lyla’s teacher, some do help her, such as not remaining laser focused on winning the contest. The inserted excerpts from Lyla’s novel demonstrate both her writing-process difficulties and how her real-life problems subconsciously inform her writing. Most main characters are cued white; Rania reads Indian American.
A heartfelt exploration of a young writer’s struggles and successes, with practical advice included. (writing tips) (Fiction. 9-12)