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Overview
More unmistakable than any cultural artifact from late medieval England, these biblical plays do not exclusively interpret Mary and her virginity as fragile. In a collection of plays known as the N-Town manuscript, Mary is represented not only as virgin and mother but as virgin and promiscuous adulteress, dallying with the Trinity, the archangel Gabriel, and mortals in kaleidoscopic erotic combinations. Mary’s "virginity" signifies invulnerability rather than fragility, redemption rather than renunciation, and merciful license rather than ascetic discipline. Taking the ancient slander that Mary conceived Jesus in sin as cause for joyful laughter, the N-Town plays make a virtue of those accusations: through bawdy yet divine comedy, she redeems and exalts the crime.
By revealing the presence of this promiscuous Virgin in early English drama and late medieval literature and culture—in dirty jokes told by Boccaccio and Chaucer, Malory’s Arthurian romances, and the double entendres of the allegorical Mystic Hunt of the Unicorn—Solberg provides a new understanding of Marian traditions.
Product Details
ISBN-13: | 9781501730337 |
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Publisher: | Cornell University Press |
Publication date: | 12/15/2018 |
Pages: | 294 |
Sales rank: | 856,301 |
Product dimensions: | 6.30(w) x 9.10(h) x 1.20(d) |
Age Range: | 18 Years |
About the Author
Table of Contents
AcknowledgmentsIntroduction1. The Many Fathers of Jesus Christ2. Testing the Chastity of the Divine Adulteress3. The Second Eve4. Imitations of the Virgin5. Promiscuous Mercy6. The Whore of BabylonNotesBibliographyIndexWhat People are Saying About This
Scholarship digs deep or shifts sideways: the deep digger discovers what was hidden from view, while the sideways shifter exposes what was hidden in plain sight. In her feisty, provocative Virgin Whore, Maggie Solberg is a sideways-shifter. Her delightful, poker-faced prose realigns our sight to confront what was staring us in the face: a larger than life Virgin!
Virgin Whore shows that the Virgin beloved by medieval English Christians was not a demure, passive character, nor were her paradoxes limited to her roles of "mother of mercy" and "queen of hell." Solberg’s original investigation of Mary’s scandalous purity offers an exciting new paradigm for early drama scholarship and will make an impact on literary studies, history, theology, and art history.