Publishers Weekly
★ 04/19/2021
Nkweti’s beautiful and immersive debut collection challenges hackneyed depictions of a monolithic Africa through an array of dynamic stories that reflect the heterogeneity of Africans and the Cameroonian diaspora. The satirical “It Just Kills You Inside” features a PR man who capitalizes on a fast-spreading zombie virus in Cameroon, which turns into a cash cow after refugee camps and the adoption of African zombie babies become Hollywood’s latest cause célèbre. In “The Statistician’s Wife,” 40-year-old economist Elliot Coffin Jr.’s interview with two homicide detectives in the aftermath of Elliot’s wife’s murder is punctuated by disturbing statistics on the number of women in Nigeria who are murdered by their husbands. Other stories switch between diary entries and narrative, as in the heartrending “Dance the Fiya Dance,” in which linguistic anthropologist Chambu evades her cousin’s attempts at matchmaking while grappling with her own ambivalence toward motherhood. Whether Nkweti is writing about water goddesses, zombies, or aspiring graphic novelists, she reveals and celebrates the rich inner lives of those who do not fit neatly into social and cultural categories. But the author’s prose shines the brightest; Nkweti’s sentences soar, enthralling the reader through their every twist and turn, and often ending with a wry punch (a fledgling church headquartered in a Brooklyn apartment is “still undergoing a slow renovation that has spanned from Easter Sunday the year prior into an unknown future—unto the end of days, perhaps”). This is a groundbreaking and vital work. Agent: Rachel Kim, 3 Arts Entertainment. (June)
From the Publisher
Raucous and thoroughly impressive. . . . Nkweti’s utterly original stories range from laugh-out-loud funny to heartbreaking, and are often both. . . . Sensitivity, nuance and keen attention to history shine through on every page of the collection. . . . These are stories to get lost in again and again.”—The New York Times Book Review
“A linguistic pole vaulter, [Nana] Nkweti bends language like a master. . . . Walking On Cowrie Shells is a terrific read, each story different and varied from the one before. Nkweti has proven herself a bright new star.”—NPR.org
“[Walking on Cowrie Shells] revels in variety—of character, style, and even genre. . . . Lively and fast-paced, funny and tragic, these stories refuse a singular African experience in favor of a vivid plurality.”—The New Yorker, Briefly Noted
“What unites all these stories is the strength of Nkweti’s writing; it crackles with energy and verve.”—BuzzFeed
“Audacious and masterful. . . . Anyone who appreciates authentic and original fiction will find something to love here. And that's a promise.”—Star Tribune (Minneapolis)
“It takes some verve to go from zombies and mermaids to Comic-Con to the suburbs of New Jersey and Cameroon and back again in a single collection, and Nkweti does it in her very first, which is vibrant and polyphonic. . . . [Her prose is] acrobatic and delightful.”—Lit Hub
“A vivacious collection with sentences that sizzle on the page. . . . Nkweti’s book is sharp and gorgeous.”—Women’s Review of Books
“Explosive prose and imaginative plots characterize this debut collection. . . . Nkweti’s stories offer a wonderfully immersive experience.”—Kirkus Reviews, starred review
“Beautiful and immersive. . . . Whether Nkweti is writing about water goddesses, zombies, or aspiring graphic novelists, she reveals and celebrates the rich inner lives of those who do not fit neatly into social and cultural categories. . . . Nkweti’s sentences soar, enthralling the reader through their every twist and turn, and often ending with a wry punch. . . . This is a groundbreaking and vital work.”—Publishers Weekly, starred review
“Dazzling stories that are as diverse as they are vibrant. . . . Nkweti displays her virtuosity and elasticity through her prose. With the ease of a master, she shifts between points of view, between American and African slang, and between the straightforward and the avant-garde. Each story offers not only a different subject but also a different approach, a new plan of narrative attack to conquer each emotional landscape. The result is an intense, sweeping and altogether stunning reading experience.”—Bookpage, starred review
“Funny and heartbreaking and wonderfully ferocious. It’s been ages since I’ve read sentences with this much verve and snap.”—Carmen Maria Machado, author of In the Dream House
“Nana Nkweti’s exuberant collection is full of stories that weave together love and friendship, horror and comedy, all with great deftness.”—Yaa Gyasi, author of Transcendent Kingdom
“What an intoxicating book! Magical, funny, inventive and joyous, Nkweti’s tales remind us what storytelling can be.”—Andrew Sean Greer, Pulitzer Prize-winning author of Less
“Let us thank whoever granted Nana Nkweti her all-access-pass to the human soul, for with it she is able to gain entry into the lives of women and men, children and adults, the damaged and the damaging, the human and the not-quite, all with equal clarity and conviction. Walking on Cowrie Shells is a collection of verve, audacity, and consummate control. That it is her first book makes it all the more astonishing.”—Kevin Brockmeier, author of The Ghost Variations
“Nana Nkweti's ambitious, amphibious tales capture the diverse and complex experience of "hyphenated-Americans" who, like Nkweti, have deep roots in Africa and America. It would be impossible to overstate how much I love this book, and its author.”—Karen Russell, author of Orange World
“This totally vibrant collection spins a wonder of love and horror. . . .Nana Nkweti's words are dazzlingly energetic, world-ranging and straight-up brilliant.”—Samantha Hunt, author of The Dark Dark
Kirkus Reviews
★ 2021-03-17
Stories about Cameroonian Americans that complicate the usual immigrant narratives.
Explosive prose and imaginative plots characterize this debut collection of 10 stories populated by zombies and mermaids, adopted girls and grown women and set in places as familiar as suburban New Jersey, as exotic as Comic-Con, and as far away as Cameroon. Nkweti’s stories offer a wonderfully immersive experience: English mingles with French mingles with pidgin mingles with American teen slang mingles with comic and anime lingo and many other specialized languages. Deliciously disorienting at times and always energizing, the style calls to mind code-switching as well as the rich polyvocality of America. This is on full display in “It Takes a Village Some Say,” about a girl adopted by an American and Cameroonian American couple, told from the perspectives first of the parents and then of the girl herself. When she finally tells her side of the story, she explains, “I give good read. Mais je suis rien commes des autres. Nothing like them. Those poor, poor telethon kids you scribble letters to and force-feed poto-poto rice for 'just ten cents a day.' Fly-haloed. Swollen tum-tums begging for your pretax dollars. You give and you give and you give again. #SaveOurKids. #BecauseYouCare. No, I am nothing like them, but I made your heartstrings twang with tabloid tales of my liberation….” Throughout, Nkweti’s mostly female protagonists challenge tradition—whether familial, cultural, or gender expectations—and often prevail. But these aren’t fairy tales, and Nkweti’s characters also face the double bind of being too African or not African enough. “For you are African, and by this culture’s definitions, unsightly,” reflects the lonely girl in “Schoolyard Cannibal,” who feels out of place among her African American classmates, while Jennifer in “Kinks” is accused of not being “African African” by her boyfriend, a “Black blogosphere sensation” and author of Unearthing Your Inner Ancestor.
Boisterous and high-spirited debut stories by a talented new writer.
