Wandering Women: Urban Ecologies of Italian Feminist Filmmaking
Wandering Women: Urban Ecologies of Italian Feminist Filmmaking explores the work of contemporary Italian women directors from feminist and ecological perspectives.
 
Mostly relegated to the margins of the cultural scene, and concerned with women's marginality, the compelling films Wandering Women sheds light on tell stories of displacement and liminality that unfold through the act of walking in the city. The unusual emptiness of the cities that the nomadic female protagonists traverse highlights the absence of, and their wish for, life-sustaining communities. Laura Di Bianco contends that women's urban filmmaking—while articulating a claim for belonging and asserting cinematic and social agency—brings into view landscapes of the Anthropocene, where urban decay and the erasure of nature intersect with human alienation. Though a minor cinema, it is also a powerful movement of resistance against the dominant male narratives about the world we inhabit.

Based on interviews with directors, Wandering Women deepens the understanding of contemporary Italian cinema while enriching the field of feminist ecocritical literature.

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Wandering Women: Urban Ecologies of Italian Feminist Filmmaking
Wandering Women: Urban Ecologies of Italian Feminist Filmmaking explores the work of contemporary Italian women directors from feminist and ecological perspectives.
 
Mostly relegated to the margins of the cultural scene, and concerned with women's marginality, the compelling films Wandering Women sheds light on tell stories of displacement and liminality that unfold through the act of walking in the city. The unusual emptiness of the cities that the nomadic female protagonists traverse highlights the absence of, and their wish for, life-sustaining communities. Laura Di Bianco contends that women's urban filmmaking—while articulating a claim for belonging and asserting cinematic and social agency—brings into view landscapes of the Anthropocene, where urban decay and the erasure of nature intersect with human alienation. Though a minor cinema, it is also a powerful movement of resistance against the dominant male narratives about the world we inhabit.

Based on interviews with directors, Wandering Women deepens the understanding of contemporary Italian cinema while enriching the field of feminist ecocritical literature.

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Wandering Women: Urban Ecologies of Italian Feminist Filmmaking

Wandering Women: Urban Ecologies of Italian Feminist Filmmaking

by Laura Di Bianco
Wandering Women: Urban Ecologies of Italian Feminist Filmmaking

Wandering Women: Urban Ecologies of Italian Feminist Filmmaking

by Laura Di Bianco

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Overview

Wandering Women: Urban Ecologies of Italian Feminist Filmmaking explores the work of contemporary Italian women directors from feminist and ecological perspectives.
 
Mostly relegated to the margins of the cultural scene, and concerned with women's marginality, the compelling films Wandering Women sheds light on tell stories of displacement and liminality that unfold through the act of walking in the city. The unusual emptiness of the cities that the nomadic female protagonists traverse highlights the absence of, and their wish for, life-sustaining communities. Laura Di Bianco contends that women's urban filmmaking—while articulating a claim for belonging and asserting cinematic and social agency—brings into view landscapes of the Anthropocene, where urban decay and the erasure of nature intersect with human alienation. Though a minor cinema, it is also a powerful movement of resistance against the dominant male narratives about the world we inhabit.

Based on interviews with directors, Wandering Women deepens the understanding of contemporary Italian cinema while enriching the field of feminist ecocritical literature.


Product Details

ISBN-13: 9780253064653
Publisher: Indiana University Press
Publication date: 12/06/2022
Series: New Directions in National Cinemas
Pages: 242
Product dimensions: 6.00(w) x 9.00(h) x (d)
Age Range: 18 Years

About the Author

Laura Di Bianco is Assistant Professor of Italian Studies at Johns Hopkins University.

Table of Contents

Preface: Women Make Movies in Italy
Acknowledgments
Note on Translation
Introduction: Mapping Italian Women's Filmmaking
1. Walking in Resilient Cities: Traveling with Cecilia
Fegatello: The Nightless City
2. Urban Wandering, Scrapbooking, and Filmmaking: As the Shadow, My Tomorrow, Poetry You See Me
Fegatello: Ophelia Does Not Drown
3. Mothers and Daughters: Stories of Survival and Care: The White Space, I Like to Work
Fegatello: All About You
4. Coming of Age in the City: Garbage, Corpses, and Miracles: Corpo Celeste, Domenica, Lost Kisses
Fegatello: The Macaluso Sisters
5. A Psychogeology of the City: N-Able
Fegatello: In This World
Epilogue: The Cities of Women
Filmography
Bibliography
Index

What People are Saying About This

Graziella Parati

Di Bianco focuses on the act of walking and, in particular, walking the city in order to look at how female characters move and cinematographically 'become' subjects in urban environments. Their walking in the city is witnessed through the lens of ecocriticism applied to liminal spaces that critically witness the landscape of the Anthropocene: The urban space as a privileged male space. That's why each chapter begins with a view from above as women become observers and a male world is the object of a severe gaze mediated through conversations between the critic (Di Bianco) and the film makers.

Monica Seger

Wandering Women is a study of contemporary Italian women's cinema. It offers insightful analysis of the work of 8 different filmmakers, many of whom have been vastly underrepresented in extant scholarship, through a feminist and material ecocritical lens. Starting from the premise that women filmmakers have remained marginal figures in mainstream Italian cinema, just as women are marginalized in Italian culture at large, the manuscript examines a set of what the author calls 'nomadic narratives'—stories of female protagonists ambulating through largely urban spaces as they contemplate both sense of self and sense of place.

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