Weep Not for Me: Women, Ballads, and Infanticide in Early Modern Scotland

Weep Not for Me: Women, Ballads, and Infanticide in Early Modern Scotland

by Deborah A. Symonds

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Overview

Weep Not for Me: Women, Ballads, and Infanticide in Early Modern Scotland by Deborah A. Symonds

Ballad singing has long been one of the most powerful expressions of Scottish culture. For hundreds of years, women in Scotland have sung of heroines who are strong, arrogant, canny—the very opposite of the bourgeois stereotype of the good, maternal woman. In Weep Not for Me, Deborah Symonds explores the social world that gave rise to both the popular ballad heroine and her maternal counterpart. The setting is the Scottish countryside in the eighteenth century—a crucial period in Scotland's history, for it witnessed the country's union with England, the Enlightenment, and the flowering of letters. But there were also great economic changes as late-feudal Scotland hurried into capitalist agriculture and textile production. Ballad singing reflected many of these developments. In the ballads, marriage is rare and lovers murder each other, haunted by premarital pregnancy, incest, and infanticide, while relatives argue over dowries. These problems were not fiction. The women in this study lived and died in a period when hopes of marriage and landholding were replaced by the reality of wage labor and disintegrating households.

Using these ballads, together with court records of women tried for infanticide, Symonds makes fascinating points about the shifting meaning of womanhood in the eighteenth century, the roles of politically astute lawyers in that shift, and the significance of ballad singing as a response. She also discusses the political implications of Walter Scott's infanticide novel, The Heart of Mid-Lothian, for women and for the ballad heroine. While some historians have argued that women's history has little to do with the watershed events of textbook history, Symonds convincingly shows us that the democratic and economic revolutions of the late eighteenth century were just as momentous for women as for men, even if their effects on women were quite different.

Product Details

ISBN-13: 9780271024981
Publisher: Penn State University Press
Publication date: 04/08/2004
Pages: 312
Product dimensions: 6.00(w) x 9.00(h) x 0.86(d)

About the Author

Deborah A. Symonds is Associate Professor of History at Drake University.

Table of Contents

Acknowledgments ix(2)
List of Illustrations
xi(2)
Chronology xiii(2)
Prologue xv
Introduction 1(12)
1 Ballad Singers and Ballad Collectors
13(26)
2 The Ballad Heroine
39(30)
3 Reconstructing Rural Infanticide
69(26)
4 Women's Work in the Transformation of the Scottish Economy
95(32)
5 Making the Legal Machinery to Prosecute Infanticide, 1662-1719
127(12)
6 The Demise of the Act Anent Child Murder
139(22)
7 Confessing to Child Murder
161(18)
8 The Bourgeois Novel of Infanticide: Walter Scott's The Heart of Mid-Lothian
179(32)
9 The Making of the Scots Bourgeoise
211(22)
Appendix I: The Ballad Mary Hamilton 233(3)
Appendix II: Women Investigated and or Prosecuted for Infanticide, 1661-1821 236(11)
Notes 247(28)
Bibliographical Essay 275(8)
Index 283

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