From the Publisher
Unvarnished and humble.” — Associated Press
“What a Fool Believes is oddly difficult to classify, standing out somewhat from the deluge of celebrity memoirs. It’s a little bit of everything: an addiction memoir, a career retrospective, funny rock-and-roll vignettes, a rumination on family.” — Washington Post
"Like its namesake song, McDonald’s memoir is refreshingly self-deprecating and, at its core, an underdog’s triumph." — Kirkus Reviews (starred review)
“Singer and songwriter Michael McDonald debuts with an affecting account of his early life, career trajectory, and struggles with addiction. . . . McDonald’s down-to-earth approach gives this rock and roll tell-all more weight than others of its kind.” — Publishers Weekly
“Yacht rock has many big names, but none have made their presence felt across the genre more than McDonald. As a solo artist, member of the Doobie Brothers and backing vocalist on dozens of classics, McDonald’s uniquely soulful voice is practically a signature on a song...[What A Fool Believes] is an engaging story that readers of music bios will enjoy. McDonald’s musical journey as a backing singer, a side musician, and a front man is fascinating because it is different from that of many other pop/rock stars.”—Library Journal — Library Journal
“Michael McDonald is one of the most gifted musicians of our time. Over the last half century, his incredible talents have placed him in the eye of the musical hurricane and this vivid memoir brings it all to life. What a Fool Believes is essential reading for every music fan.” — Don Was
“Michael is the type of artist you are lucky to have in your lifetime. His voice has been one of the biggest inspirations in my development as a songwriter and singer. A very sweet and awesome person—the most Doobiest of brothers. It makes my day better knowing that somewhere in the world Michael McDonald is pondering what comes next.” — Thundercat
“Working with Michael on my first album, “Be Here Soon” was a dream come true. Not only did he bring his talent, creativity, and soul to our project, but his love and generosity of spirit was limitless. He’s a wonderful friend, an incredible musician, and a beautiful human being.” — Jeff Bridges
Library Journal
05/01/2024
Yacht rock—the neologism for a style of soft rock from the late 1970s and early '80s—has many big names, but none have made their presence felt across the genre more than McDonald. As a solo artist, member of the Doobie Brothers and backing vocalist on dozens of classics, McDonald's uniquely soulful voice is practically a signature on a song. Steely Dan, Kenny Loggins, Christopher Cross, and many others have utilized his vocal talents to take their songs up a notch. How this Midwest musician from modest beginnings became such a recognizable star is the subject of this autobiography. McDonald recruited actor/comedian Paul Reiser, who is also one of his friends, to be his coauthor, an unusual but winning choice. The narrative moves along at a steady rhythm while not getting too bogged down in the details. Having a talented monologist like Reiser help out with an autobiography is something that should happen more often in this genre. VERDICT An engaging story that readers of music bios will enjoy. McDonald's musical journey as a backing singer, a side musician, and a front man is fascinating because it is different from that of many other pop/rock stars.—Brett Rohlwing
Kirkus Reviews
★ 2024-02-16
The veteran singer and keyboardist covers much of the same ground that many of his contemporaries traveled, but his memoir is filled with charming surprises.
A lot of the surprises have to do with his co-writer. Reiser, best known as the star and co-creator of the sitcom Mad About You, gives McDonald’s stories the structure and pacing of a TV show. The resulting chapters—especially those about McDonald’s family and how his love for his father shaped his life as a teenage performer—fly by early on, even though they cover the lesser-known years of the acclaimed musician’s life. McDonald doesn’t offer many salacious details about his split with the Doobie Brothers following the success of the chart-topping hit “What a Fool Believes,” which won record and song of the year honors at the Grammy Awards in 1980. He is gracious about the band’s internal battles and forthcoming about his substance abuse without discussing the drug use of others. “My attitude was: coke should be reserved for a special occasion,” he writes. “But as time went on, I managed to christen more and more occasions as ‘special.’” The emotional heart of the narrative is his exploration of how he realized his addiction made it impossible for him to help his wife, the singer Amy Holland, battle her own problems. McDonald offers insights into the creation of some of his most famous songs, including “You Belong to Me” with Carly Simon, as well as his worries about tackling the Motown catalog for his career-boosting Motown album series. McDonald writes from a solid, self-aware place, able to joke about his position as one of yacht rock’s most famous voices, alongside Christopher Cross, Kenny Loggins, and others.
Like its namesake song, McDonald’s memoir is refreshingly self-deprecating and, at its core, an underdog’s triumph.
