Adding a bit of
Procol Harum's sound to the mix is exactly what the doctor ordered for this superior second outing from the decision by
Jack Bruce and
Leslie West to merge their talents.
"Shifting Sands" and the
Peter Brown co-written
"November Song" are amazing expressions for these artists, who break out of what people expected from them to create something important.
Bruce does his best
Neil Young in this
"Helpless" takeoff, and
West's guitar adds the bite that was not part of
Buffalo Springfield, but the album jacket is just plain terrible, like
the Guess Who's
Road Food taken to an extreme. Had this album found its way into the sublime cover to their first effort,
Why Dontcha, they might've been taken more seriously by the critical elite of the day. The underground comic art by
Joe Petagno is not the beautiful stuff he has produced since, and is not the eye-catching
Robert Crumb work that made
Big Brother's
Cheap Thrills so inviting. Perhaps you can't tell a book by its cover, but that's what marketing departments are for, and the debacle that is the packaging on
Whatever Turns You On disguises the on-target music finally starting to jell.
"Rock & Roll Machine" is
West finding a groove and, yes,
Mountain keyboard player
Steve Knight could have improved this very good song and brought it to another level.
Andy Johns' production is a bit smoother, but he still lacks the finesse of a
Denny Cordell or a
George Martin. There's none of the sparkle that
the Beatles'
"Revolution" contained, an element that made
hard rock radio-friendly.
Jack Bruce, on the other hand, is delivering solid album tracks -- the
Brown/
Bruce/
West/
Laing composition
"Scotch Crotch" could've fit nicely on
Disraeli Gears or
Wheels of Fire, but not as one of those discs' 45 RPMs. And that's the same problem faced by the
Why Dontcha album -- great musicians jamming out, but failing to find their way around the maze, failing to write a
"Can't Find My Way Home" or a
"Tales of Brave Ulysses." "Slow Blues" is a fluid
West/
Bruce vocal combo with piano and slide guitar -- superb fun for these guys, but not expanding beyond what they've given in the past. And while this album may be superior to the first, there's also a complacency, and maybe a feeling by the band that the world owed these journeymen something. For fans, it is a nice addition to the collection and great to listen to for a change of pace. For their careers, it sounds like men with a lot to give treading water. The nature of the record industry -- executives wanting three million units out of the box and artists wanting to record on their own terms -- wasn't the environment to allow a
West, Bruce & Laing five or six more discs to catch a wave. It's too bad, because there was something there. [A remastered, limited edition of
Whatever Turns You On was released in 2013.] ~ Joe Viglione