Trumpeter
Chris Botti drops the synthesizers and drum loops of his previous effort,
Thousand Kisses Deep, for a more elegant and traditional sound on
When I Fall in Love. While
Thousand Kisses Deep maximized
Botti's penchant for mixing perfect
pop songs with his
Miles Davis-influenced
jazz style, it nonetheless featured many of the electronic and processed sounds predictable on modern
smooth jazz releases. By eschewing such "go to"
pop-
jazz production techniques as drum machines and synthesized strings in favor of the real instruments here,
Botti ironically sounds utterly groundbreaking on what is ultimately a straight-ahead
orchestral jazz album. While nowhere near as improvisationally adventurous as its predecessors,
When I Fall in Love is still a revelation in the tradition of
Sketches of Spain,
Clifford Brown With Strings, and
Wynton Marsalis'
Hot House Flowers. Mixing
standards and contemporary
pop tunes all in a straight-ahead style,
Botti gives his minimalist
Miles-ian horn sound a chance to breath and be enjoyed on its own. Boldly,
Botti swings here with a big band on
"Let's Fall in Love," and after years of guessing that he would sound great on a standard
ballad, you get to enjoy the proof as he sighs and coos his way through
"My Romance" with a plaintive tone perfectly counterbalanced by full string orchestra. But it's not just the
standards that impress; he turns the
Sade classic
"No Ordinary Love" into a moody and atmospheric paean that wouldn't sound out of place on
Kind of Blue. Similarly,
Sting's
"La Belle Dame Sans Regrets" -- featuring the ex-
Police frontman -- brilliantly combines hardcore
jazz improvisation on a radio-friendly modern
Latin ballad.
Botti should also be commended for choosing a stellar group of backing musicians including the underappreciated pianist
Billy Childs, who adds his stylish touch on both acoustic piano and Fender Rhodes. While
Botti has broken new ground in the
smooth jazz genre in the past, his rediscovery of his
jazz roots makes
When I Fall in Love the album he has been threatening to make his whole career. ~ Matt Collar