A BEST BOOK OF THE YEAR: NPR, THE ECONOMIST
A Most Anticipated Book: Time, Harper’s Bazaar, The Observer, Real Simple, Buzzfeed, Essence, Nylon, Good Housekeeping, Apartment Therapy Business Insider, NBC, Bustle, LitHub, BookRiot, Ms. Magazine, and more…
"Mythic and captivating… Banwo roots the reader in [Trinidad’s] traditions and rituals, in the sights and sounds and colors and smells of fruit vendors, fish vendors, street preachers and schoolchildren. In the glorious matriarchy by which lineage is upheld. The result is a depiction of ordinary life that’s full and breathtaking."—New York Times Book Review
"[A] masterly debut novel. It announces an important new voice in fiction, at once grounded and mythic in its scope and carried by an incantatory prose style that recalls Arundhati Roy. . . Lloyd Banwo’s literary gift lies in her capacity to transfigure [grief] – to conjure a cosmic landscape where the living coexist among the dead."—The Observer (Top 10 Debut Novel of 2022)
"A thoroughly original and emotionally rich examination of love, grief and inheritance… When We Were Birds is full of life . . .The scenes it hosts are packed with drama, colour and tension, particularly in her gripping finale . . Her novel takes flight and soars."—The Economist
"When We Were Birds is an ode to the idea that broken traditions can lead to beautiful new beginnings."—Time Magazine
"What a great, fun, and complex book — part love story, part ghost story, all beautiful — and all the more impressive for being Ayanna Lloyd Banwo’s debut!...I was so moved by this book and am sure you will be too"
— Powell's Books (Best Books of 2022: Fiction)
"[A] spellbinding novel . . The poetic prose in Ayanna Lloyd Banwo’s debut novel captivates from the start . . .When We Were Birds is a unique love story whose magical setting in Trinidad takes center stage."—Real Simple
"Lloyd Banwo conjures an aching sexual energy, places the lovers in deliciously paced jeopardy and takes the tale to an agreeably thundery climax . . .Lloyd Banwo has written a love letter for Trinidad, to remind all of us that yes, love is still very, very nice indeed."—The Guardian
"A fantastic romance that is nothing short of epic."Buzzfeed
"This is one even people who don’t usually read fantasy or magical realism will like. It will take you on a journey exploring family dynamics, magic, urban living, Caribbean mythologies, and characters who you root for."—BookRiot
"[Banwo’s] craft is both ceremonial and immediate in this way, working on you like an ancient spell to which you know the words, and the ancient sounds beneath their language. [When We Were Birds] is both a love story and a genealogy of dispossession, a death diary folded into the pages of a magically real Trinidad." —Caribbean Beat
"Mysterious, atmospheric and richly painted."—Good Housekeeping
"[A] gorgeous debut novel."—Nylon
"[A] moving and mythic debut...Banwo’s stunning lyricism offers a window into her characters as well as a view of the landscape...The otherworldly setting instantly pulls the reader in. This remarkable debut should not be missed." —Publishers Weekly *Starred Review*
"Ayanna Lloyd Banwo's When We Were Birds is crafted from the very essence of memory, the long memory, which can only be drawn from the mind and translated into the written word by someone with Banwo's lyrical mastery. Heartwarming and heartbreaking, fantastical and familiar, with characters that burrow their way into your heart and mind with their tragedies and triumphs, When We Were Birds more than sings, more than beams. It is the kind of story that makes you want to spread your arms open wide, embrace the sky, and take flight in your own little way. It is glorious."—Robert Jones, Jr., New York Times bestselling author of The Prophets
"Combining the richness of myth with razor-sharp observation of contemporary life, When We Were Birds marks the emergence of a distinctive and powerful voice."—Pat Barker, Booker Prize-winning author of Women of Troy
"Uplifting, engaging, expansive: this was just the book I needed. In a voice infused with the rhythms of Trinidad and Tobago, Banwo has crafted the perfect love story, one that moves with deftness between the furies of urban poverty and the gentle infinities of the afterlife. The hard-won peace and redemptive love in this story are real, and something we need more of in the world."—Kawai Strong Washburn, author of Sharks in the Time of Saviors
"With an imaginative world and lush writing, this romantic fantasy is a must read." —Apartment Therapy
"[A] wonderfully original debut. . . Banwo has created a unique world expansive enough to contain a ghost story, a love story, a mysterious mythology, and a thoughtful examination of how family bonds keep us firmly rooted to our pasts. [She] makes you care deeply about the outcome and deftly weaves the realistic and the fantastic into a strange and compelling tapestry. With skill and heart, she has created a world readers will happily return to."—Kirkus Reviews
"Ayanna Lloyd Banwo’s voice is haunting, and When We Were Birds is a novel of exquisite detail that opens up the liminal space between folklore and the world we inhabit."—Avni Doshi, author of Burnt Sugar
"Ayanna Lloyd Banwo comes from a lineage of high Caribbean Lit and it shows. This is an impressive debut about love, family, ancestry, the dead and the living. Read this book for its magic and realism too, for its deft weaving together of lives from a city with a huge cemetery at its centre, where the dead lie restless and sometimes loosen from their graves. Ayanna Lloyd Banwo conjours old magic and yet she is a strong, new voice."—Monique Roffey, author of The Mermaid of Black Conch
"I love this book: the originality of its premise, the power and beauty of its prose; the depth of its explorations of what it means to love and be loved. When We Were Birds is about the silver cord of memory and blood, and history that bind a family of women even after death. An exceptional novel that delivers on its promise."—Jacob Ross, author of The Bone Readers
"A love story, a ghost story and a coming-of-age story, all masterfully woven into one. I loved it."—Claire Adam, author of The Golden Child
★ 01/31/2022
In Banwo’s moving and mythic debut, set in Trinidad and Tobago, a woman juggles a supernatural bond to her home and a whirlwind romance. Born in a large multigenerational house in Morne Marie, Yejide watches her mother, Petronella, recede from the world after the death of Petronella’s twin sister, Geraldine; she lives in a near coma for a year before dying herself. Petronella then visits Yejide as a ghost and passes to her the ability to communicate with spirits that has been shared by generations of women in their family. Meanwhile, Emmanual Darwin leaves the countryside for the city of Port Angeles to take a job in the Fidelis cemetery. It’s not the dead Darwin must fear, but the living, as his coworkers pull him into a scheme involving the disposal of bodies on behalf of politicians and other powerful men. Yejide and Darwin meet at Fidelis to prepare Petronella’s grave for burial. More than love at first sight, their connection is strongly spiritual. Yejide is also attached to her home, and to the boarders in her mother’s house who depend on her, so things get especially complicated when Darwin gets in trouble with his coworkers and they consider fleeing together. Banwo’s stunning lyricism offers a window into her characters as well as a view of the landscape, as when Darwin heads to Port Angeles: “Easy to feel hopeful when the sky clear, the air have some leftover rain in it and the hills green and lush.” The otherworldly setting instantly pulls the reader in. This remarkable debut should not be missed. (Mar.)
★ 06/01/2022
Set amid the graveyards and gritty cities of Trinidad and Tobago, Banwo's otherworldly debut depicts the blossoming relationship between two young Trinidadians. Raised as a Rastafarian, Darwin takes a job as a gravedigger, effectively estranging himself from his family, as his faith prohibits any business associated with the dead. Darwin soon finds that his unscrupulous coworkers, who use the cemetery for their own nefarious means, are more dangerous than the dead could ever be. Meanwhile, upon the death of her mother, Petronella, Yejide is shocked to discover that she is part of an ancient line of remarkable women who are tasked with ferrying souls to the afterworld. Darwin's and Yejide's paths converge within the unsettling confines of the Fidelis cemetery, where they discover a powerful connection between themselves and begin to understand their role in helping the living and the dead find peace. Narrators Sydney Darius's and Wendell Manwarren's performances—authentic, emotional, and perfectly in tune with the lyricism of Banwo's text—are sublime. Both narrators offer heartfelt, unmediated performances and channel the rhythms and tone of this richly evocative novel. VERDICT Highly recommended, particularly where interest in love stories and Caribbean magical realism is high.—Sarah Hashimoto
02/01/2022
DEBUT Set in a beautifully rendered alternate-universe Trinidad and Tobago, this first novel is a wonderfully crafted love story detailing the relationship between two young Trinidadians, Yejide and Darwin. The couple meet at Fidelis, a cemetery in the bustling city of Port Angeles where Yejide has come to inquire about specific burial rites for her mother. Darwin has reluctantly taken a job there as a gravedigger, which is in conflict with his Rastafarian upbringing and has also introduced him to a criminal enterprise involving his coworkers' use of the Fidelis grounds for ill-gotten gains. Banwo enriches the story of the couple's romance by introducing a magic realist element: Yejide's calling, inherited from her mother, is to escort the dead toward the afterlife, assisted by corbeaux, or black vultures. It is not a destiny that Yejide has accepted readily. VERDICT Banwo has penned a compelling and imaginative supernatural love story, offering vivid descriptions of local life and scenery that are matched by her application of the natural language rhythms. Though the novel's narrative pace is initially slow, Banwo wraps up with a redemptive and hopeful flourish that readers will appreciate.—Faye Chadwell
2022-01-12
A gravedigger and a mysterious, powerful young woman are drawn together when the worlds of the dead and the living collide in Trinidad.
This wonderfully original debut novel unspools at the stormy crossroads that separates the living and the dead. Blending sobering urban realities with a Caribbean-infused magical realism, Banwo has created a unique world expansive enough to contain a ghost story, a love story, a mysterious mythology, and a thoughtful examination of how family bonds keep us firmly rooted to our pasts. Set in Trinidad, the novel follows the fortunes of Darwin and Yejide, both of whom are struggling through great emotional upheavals. Darwin has left his country home to find work in the city, but the only job he can get is hard labor in a giant cemetery. He’s not afraid of the work, but such a job requires him to abandon his Rastafarian upbringing and its edict about staying away from the dead—and it means betraying his devout mother. Meanwhile, Yejide has always existed close to death, growing up in time to its rhythms and rules. One woman in each generation of her family is called to escort souls to the afterlife, but now that her dying mother is passing on this legacy to her, its traditions and responsibilities weigh heavily. As Darwin begins to suspect that his co-workers at the cemetery are involved in heinous crimes and Yejide senses the dead are uneasy instead of at rest, their paths collide during a raging storm. Their attraction is immediate and undeniable, but can two such disparate destinies be entwined? Banwo makes you care deeply about the outcome and deftly weaves the realistic and the fantastic into a strange and compelling tapestry. With skill and heart, she has created a world readers will happily return to, even if they don’t usually gravitate toward fantasy.
A remarkable story that blends urban reality and Caribbean-infused magical realism.