Who Is Mary Sue?
A potent debut poetry collection from award-winning Dutch-Scottish poet Sophie Collins.
1127274917
Who Is Mary Sue?
A potent debut poetry collection from award-winning Dutch-Scottish poet Sophie Collins.
16.0 In Stock
Who Is Mary Sue?

Who Is Mary Sue?

by Sophie Collins
Who Is Mary Sue?

Who Is Mary Sue?

by Sophie Collins

Paperback

$16.00 
  • SHIP THIS ITEM
    In stock. Ships in 3-7 days. Typically arrives in 3 weeks.
  • PICK UP IN STORE

    Your local store may have stock of this item.

Related collections and offers


Overview

A potent debut poetry collection from award-winning Dutch-Scottish poet Sophie Collins.

Product Details

ISBN-13: 9780571346615
Publisher: Faber and Faber
Publication date: 12/04/2018
Series: Faber Poetry
Pages: 112
Product dimensions: 5.00(w) x 7.60(h) x 0.50(d)

About the Author

Sophie Collins grew up in Bergen, North Holland, and now lives in Edinburgh. She is co-editor of tender, an online arts quarterly, and editor of Currently & Emotion (Test Centre, 2016), an anthology of contemporary poetry translations. small white monkeys, a text on self-expression, self-help and shame, was published by Book Works in 2017 as part of a commissioned residency at Glasgow Women’s Library. Who Is Mary Sue? is her first poetry collection.

Read an Excerpt

Dear No. 24601





The future is an eye that I don’t dare look into




Last night I dreamed I was a ball of fire




and woke up on the wrong side of the room




this is a recurring dream




I share an apartment with my twin sister




Enclosed is a photo of us on a tandem bike




I forget which one I am




Sometimes I wake up believing I am her




she is me




and there is nothing about the day to indicate otherwise




Weeks stack up this way




As a girl I did not do well with other children




Unable to see the fun in games




which were only ever maddening




I paid close attention to the weather




delighting in hail and not much else




save a prized collection of Hummel figurines




derived from the pastoral sketches




of Sister Maria Innocentia Hummel




German Franciscan nun and talented artist




Her simple peaceful works




drew the enduring hatred of Hitler himself




You know Hummel translates as ‘bumblebee’ in German




and they say she was always ‘buzzing around’




What do you think do we grow into our names




or does kismet know a thing




One name can mean too much




the other not nearly enough




The details make a difference




like sitting on the white cushion




as opposed to the blue




white is pure of course




but my soul’s been in the bargain bin since Russia




and Lenin’s tomb




I had a moment there




among the balustrades




and once that moment had expired




it graduated




from a moment to a life










Beauty Milk





I don’t matter.




I am a blemish,




a fragment,




an apartment.




I am a multiplication




and a made-up belief.




I am nothing for days afterwards.




They say ‘sum’ about me




because they believe I am expanding.




Really I’m too clean cut.




This one time I was owned




but he wouldn’t pay the charges




at the German border.




Russia is the pits.










Sister





Sister, listen to me – tonight our father will pull open the heavy door of our home, walk with his large boots into the kitchen and drop a pig on the table. In the morning, peasants with children and glassy-eyed babies will enter, sniffing at us like animals, noting the absence of a mother who lays out cold plates, white bread.









Healers





I encountered a scaffold




outside the Holy Trinity Church in Vladimir.




At first I didn’t notice her




slumped against the side of the church –




she was pretty small for a scaffold, pretty un-




assuming. Her safety mesh




was torn in places and sun-bleached all over




and threatened to dislodge




due to a forceful wind that was typical




of the season. She was shaking.




She was fundamentally insecure.




She told me that good foundations are essential




but the men who had put her together




hadn’t taken advantage of the right opportunities.




Now, each day, someone came by




called her ‘unsafe’ and also ‘a liability’




then left, failing to initiate the dismantling process




that yes would have been painful




and slow, but kinder.




International visitors to the church




blamed her for the mess of tools and rags




on the grounds and for the fact




that they could no longer see




the church’s celebrated mural




depicting Saint Artemy of Verkola




unusually pious




highly venerated




child saint killed by lightning.




His dead body radiated light




never showed signs of decay




and was in fact said to have effected




multiple miracles of healing.




I said comforting things to the scaffold




but she only seemed to lean more heavily




against the side of the church.




We are rarely independent structures she said




before she dropped a bolt pin




which released a long section of tube




which released another bolt pin




which released several wooden boards




which scraped another tube




and made an unbearable sound.

Table of Contents

Contents




Preface 5




Dear No. 24601 10




Beauty Milk 12




Sister 13




Healers 14




Eight Phrases 16




Who Is Mary Sue? 17




The Engine 39




Untitled 51




Before 52




As bread is the body of Christ so is glass



the very flesh of the Devil 54




The Palace of Culture and Science 56




Poor Clare 57




A Course In Miracles 58




The Saints 60




Death Pact 61




Ed 62




Bunny 64




Autobiography 66




The Engine Continued 67




Anna Karenina 79




a whistle in the gloom 81




A.S. 92




Ed 93




Postface 95




Note on Fan Fiction 101




Other Notes 102




Acknowledgements 104

Preface

PREFACE



I recently read a novel that resisted a conventional representation of self. At the outset, the protagonist – whose name is mentioned just once in the book, in passing – travels abroad to teach on a short-term writing course. With little introspection or background provided on her part, reality is built primarily through others’ life experiences (or what they choose to share of them) as filtered through the narrator’s working memory and language. These second-hand accounts fill the book in reams, beginning with the marital history of an older man – the narrator’s neighbour on her outbound flight – and finishing up with the recent events in the life of another visiting writer. The latter, a playwright, tells



the protagonist of her involvement in a violent mugging and the behavioural changes, including a fresh inability to self-express and



a compulsive need to consume sugar, precipitated by trauma. At the foot of these stories – at once ludicrously vague and full with detail – is a frayed hole, a conspicuous lack of identity in the very place that has most often been tasked with generating readerly incentive.



Threadworms, stray hairs: loose threads surround the hole, invading it. They are disturbing: they are unruly, and they emphasise a persisting absence.

In another book, a non-fiction, the same author recognises the ice cream parlour as a place in which personal identities are sometimes fleshed out. Here, she writes, children are generally happy to select the familiar flavours, whereas adults often experience an anxiety of self-presentation: the fear of misrepresenting their own ideas.
From the B&N Reads Blog

Customer Reviews