Literary Hub
Feltman tracing the paths of two young queer women (the titular Willa and Hesper): the rise and fall of their romance, the respective paths they take to mend their broken hearts (leading them to their ancestral lands of Tbilisi, Georgia, and the war sites of Germany) and their reckoning (or refusal to reckon with) their privilege. I'm always here for portrayals of 21st century queer life, and Willa and Hesper looks to be an excellent addition to the genre.
author of Our Little Racket Angelica Baker
Amy Feltman's debut novel is a joy to read, thrumming with inventive, playful language and filled with characters so finely drawn that they'll feel all too familiar. Willa and Hesper struggle to make sense of the histories, cities, traumas, and families that have shaped them - they struggle, in other words, to grow up. But in Feltman's hands, that universal tale feels utterly fresh and absorbing. With a sharp eye for detail and a lush sense of place whether we're in New York or Tbilisi, she has written an unforgettable story about love, grief, identity, and belonging.
Refinery29
After crystallizing in the thrill of a new relationship, Feltman adeptly captures each progression of the stages of heartbreak. This is a cathartic break-up read if there ever was one.
New York Times Book Review
A debut novel for those who loved Everything is Illuminated, but updated with a queer-young-romance- twist. The title characters in Amy Feltman's Willa & Hesper find solace from their breakup in the rabbit holes of their European Jewish background.
Kirkus
Writing in alternating first-person chapters, Feltman renders each perspective with moving fidelity to her characters and their interior lives. When Willa worries that 'loving me had an expiration date' or Hesper feels 'radioactive with depression,' there's not a whiff of ironic distance or judgment. It's an impressive feat for any novelist working in the shadow of TV shows like HBO's Girls or novels like Emily Gould's Friendship, which attracted outsized criticism for their depictions of "unlikable" young women coming up in the city. The result is a deep and intimate portrait of two queer women in their mid-20s who come of age in New York while navigating-or refusing to navigate-their relationships to privilege, family, identity, and faith. What could be a novel about an intense attraction that falls apart is, in Feltman's hands, a bigger story about how people change us-and how we welcome or resist that change. A moving glimpse into 21st-century queer womanhood.
author of Never Have I Ever Katie Heaney
This is the queer, coming of age, complicated love story I've been wanting to read for years. I wish I knew Willa and Hesper when I was in my twenties, though I still don't know whose side I'd take after their break-up — both are strange and smart and compelling.
author of If You Leave Me Crystal Hana Kim
A lyrical, timely story about love, heartbreak, and healing. Willa & Hesper explores religion, queerness, what it means to live in today's world in a female body, and the meaning of family in tight, absorbing prose. A beautiful debut by a striking new voice.
From the Publisher
"At once bittersweet and sharply funny, Willa & Hesper is a lovely meditation on how the trauma of the past intertwines with the future, fashioning our worldview no matter how hard we resist. Amy Feltman has a genius for imbuing the most specific of details with universal emotions. Both protagonists are urgently, imperfectly real, and you will miss them as much as they miss one another once their story is done."— Julia Fine, author of What Should Be Wild
Kirkus Reviews
What could be a novel about an intense attraction that falls apart is, in Feltman’s hands, a bigger story about how people change us—and how we welcome or resist that change.”
Publishers Weekly
Feltman slices directly to the core of heartbreak’s ugliest moments: the temptation to fall back into patterns, to keep running from intimacy and risks. She evocatively captures the tension between aching to move on and not give up…Feltman stays away from happy-ending conventions and skillfully weaves glimmers of hope and healing throughout, making for a keenly perceptive novel.”
New York Times bestselling author Chloe Benjamin
Willa & Hesper is a novel with a beating heart, a love story that is also an intricate love affair with time, history, religion, and inheritance.”
AudioFile
Narrators Dara Rosenberg and Christine Lakin adeptly create a well-crafted and seamless listening experience.”
New York Times bestselling author of The Immortali Chloe Benjamin
"Willa & Hesper is a novel with a beating heart, a love story that is also an intricate love affair with time, history, religion and inheritance. In fresh and captivating prose, and spanning three vibrantly-rendered countries, Amy Feltman's debut enthralled me.
Booklist
From Willa and Hesper, readers may see how relationships between twentysomethings, even when brief, have the potential to inspire unimaginable self-discovery.... Feltman's novel is as titillating and tense as the experience of young adult love.
author of Halsey Street Naima Coster
"Willa & Hesper crystallizes a truth that haunts any of us who yearn to fall in love—our ability to be close to another person is always shaped by our secrets, our memories, our familial past. This debut is tender and tough, startlingly intimate, yet attuned to the larger troubles of our current political moment. A moving portrait of two young women, reckoning with themselves and their world, in hopes of finding their way back to one another.
Nylon
A haunting story of aching love and grief, desire and hope....There is no love like a young woman's love-strong and fine and grasping and consuming; it leaves a mark. Amy Feltman's debut novel, Willa & Hesper, is the story of such a love, and so, of course, it is also the story of heartbreak and longing, searches for identity, struggles to make sense of the world and of each other.
Publisher's Weekly
Feltman slices directly to the core of heartbreak's ugliest moments: the temptation to fall back into patterns, to keep running from intimacy and risks. She evocatively captures the tension between aching to move on and not give up, and how the shattering of one relationship fractures others. Feltman stays away from happy ending conventions and skillfully weaves glimmers of hope and healing throughout, making for a keenly perceptive novel.
Kirkus Reviews
2018-11-12
Feltman's debut follows two MFA students who fall in love, break up, and learn how to heal on their own.
Emotional and intuitive, Willa is the kind of person who makes "everything [hurt] a little bit extra." When she sees Hesper, another writer in Columbia's MFA program, at a late-night diner in Williamsburg, Brooklyn, she is instantly attracted — but unsure how to negotiate Hesper's enigmatic style of flirtation. "I thought: she has to be gay," Willa muses. "She has to at least be in the vicinity of gayness." Their short-lived relationship is filled with ups and downs, as Willa struggles with the weight of sexual assault and Hesper contends with her own queerness and fears of intimacy. "I ruin people," Hesper tells her father late in the novel. "And I don't want to be close to people anymore. I don't want to have to look at them after they're broken." In order to heal from the breakup, Willa signs up for a tour of German concentration camps, and Hesper travels with her family to Tbilisi to uncover her grandfather's roots. The novel ends in the shadow of the 2016 election and the Trump presidency, when its characters must confront questions of trauma and belonging with a new sense of urgency. Writing in alternating first-person chapters, Feltman renders each perspective with moving fidelity to her characters and their interior lives. When Willa worries that "loving me had an expiration date" or Hesper feels "radioactive with depression," there's not a whiff of ironic distance or judgment. It's an impressive feat for any novelist working in the shadow of TV shows like HBO's Girls or novels like Emily Gould's Friendship, which attracted outsized criticism for their depictions of "unlikable" young women coming up in the city. The result is a deep and intimate portrait of two queer women in their mid-20s who come of age in New York while navigating—or refusing to navigate—their relationships to privilege, family, identity, and faith. What could be a novel about an intense attraction that falls apart is, in Feltman's hands, a bigger story about how people change us—and how we welcome or resist that change.
A moving glimpse into 21st-century queer womanhood.
