William Beckford's Fonthill: Architecture, Landscape and the Arts

Vilified publicly as a pedophile, William Beckford sought refuge in his Fonthill estate where he amassed works of art fit for a king. He resided initially in a magnificent house called Fonthill Splendens, but then ordered it demolished to fund a work of art on a grand scale called Fonthill Abbey. Four public sales in 1801 and 1807 provided accessibility to Splendens and thousands came to examine the opulent offerings. Then the new structure with its extravagant Gothic interior, extraordinary possessions and scenic landscaping effects began to draw obsessive attention. This interest reached a pitch in 1822 when the entire estate was offered for sale, developing into a ‘Fonthill fever’ with over 7,000 people gravitating to Beckford’s ‘Holy Sepulchre’. The book examines Beckford’s building, landscaping and collecting habits that led to this remarkable public interest. It identifies, too, the anonymous author of a series of articles in the Morning Chronicle that provide the sights and sounds when the auctioneer raised his hammer to disperse the riches of Fonthill. The building collapsed in 1825, but contemporary drawings and engraved ‘views’ have continued to keep it alive as an indelible icon of the Romantic period.

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William Beckford's Fonthill: Architecture, Landscape and the Arts

Vilified publicly as a pedophile, William Beckford sought refuge in his Fonthill estate where he amassed works of art fit for a king. He resided initially in a magnificent house called Fonthill Splendens, but then ordered it demolished to fund a work of art on a grand scale called Fonthill Abbey. Four public sales in 1801 and 1807 provided accessibility to Splendens and thousands came to examine the opulent offerings. Then the new structure with its extravagant Gothic interior, extraordinary possessions and scenic landscaping effects began to draw obsessive attention. This interest reached a pitch in 1822 when the entire estate was offered for sale, developing into a ‘Fonthill fever’ with over 7,000 people gravitating to Beckford’s ‘Holy Sepulchre’. The book examines Beckford’s building, landscaping and collecting habits that led to this remarkable public interest. It identifies, too, the anonymous author of a series of articles in the Morning Chronicle that provide the sights and sounds when the auctioneer raised his hammer to disperse the riches of Fonthill. The building collapsed in 1825, but contemporary drawings and engraved ‘views’ have continued to keep it alive as an indelible icon of the Romantic period.

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William Beckford's Fonthill: Architecture, Landscape and the Arts

William Beckford's Fonthill: Architecture, Landscape and the Arts

by Robert J. Gemmett
William Beckford's Fonthill: Architecture, Landscape and the Arts

William Beckford's Fonthill: Architecture, Landscape and the Arts

by Robert J. Gemmett

Hardcover

$69.95 
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Overview

Vilified publicly as a pedophile, William Beckford sought refuge in his Fonthill estate where he amassed works of art fit for a king. He resided initially in a magnificent house called Fonthill Splendens, but then ordered it demolished to fund a work of art on a grand scale called Fonthill Abbey. Four public sales in 1801 and 1807 provided accessibility to Splendens and thousands came to examine the opulent offerings. Then the new structure with its extravagant Gothic interior, extraordinary possessions and scenic landscaping effects began to draw obsessive attention. This interest reached a pitch in 1822 when the entire estate was offered for sale, developing into a ‘Fonthill fever’ with over 7,000 people gravitating to Beckford’s ‘Holy Sepulchre’. The book examines Beckford’s building, landscaping and collecting habits that led to this remarkable public interest. It identifies, too, the anonymous author of a series of articles in the Morning Chronicle that provide the sights and sounds when the auctioneer raised his hammer to disperse the riches of Fonthill. The building collapsed in 1825, but contemporary drawings and engraved ‘views’ have continued to keep it alive as an indelible icon of the Romantic period.


Product Details

ISBN-13: 9781781554838
Publisher: Fonthill Media
Publication date: 04/11/2016
Pages: 336
Product dimensions: 6.10(w) x 9.30(h) x 1.20(d)

About the Author

Robert J. Gemmett , Professor Emeritus of English, State University of New York, lives in Rye, New Hampshire. He is the author of 'William Beckford and Beckford’s Fonthill the Rise of a Romantic Icon'. His most recent work is a new edition of 'The Consummate Collector William Beckford’s Letters to His Bookseller'. He has also published editions of 'Biographical Memoirs of Extraordinary Painters', 'Dreams, Waking Thoughts and Incidents', 'Vathek', the 1786 and 1787 Editions, 'The Episodes of Vathek', 'Modern Novel Writing' and 'Azemia'.

Table of Contents

Introduction 7

1 The Background for Fonthill 13

2 The Educated Eye 33

3 Landscape Improvements on the Fonthill Splendens Estate 41

4 From an Ornamental Convent in Ruins to the Celebrated Abbey: 1790-1800 52

5 The Art of the Fonthill Landscape 65

6 'The Gewgaws of Luxury': The Fonthill Splendens Sale of 1801 77

7 The Demise of "The Old Palace of Tertian Fevers' in 1807 88

8 A Fine Prudent Act': The Final Demolition of Fonthill Splendens 98

9 The Magic of Optics: The Interior of the Abbey 103

10 The Sale of Beckford's 'Holy Sepulchre' in 1822 116

11 'The Gay Haunt of Eager Curiosity': The Fonthill Sale of 1823 127

12 Sic Transit Gloria Fonthill: 'The Gem and the Wonder of Earth' 134

13 The Contemporary Assessment of Fonthill 148

14 Surviving as a Romantic Icon 176

Appendix I 183

Appendix II 187

Endnotes 206

Bibliography 231

Index 247

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