The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.
The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included.
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The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification:
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Source Library: British Library
ESTCID: T052607
Notes: In spite of the titlepage, attributed to John Fletcher alone.
Imprint: Dublin : printed by S. Powell, for T. Moore, 1738. Collation: 72p. ; 12°
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.
The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included.
++++
The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification:
++++
Source Library: British Library
ESTCID: T052607
Notes: In spite of the titlepage, attributed to John Fletcher alone.
Imprint: Dublin : printed by S. Powell, for T. Moore, 1738. Collation: 72p. ; 12°
Wit Without Money. a Comedy. Written by Francis Beaumont and John Fletcher, ... as It Is Acted at the Theatre-Royal in Aungier-Street, ...
80
Wit Without Money. a Comedy. Written by Francis Beaumont and John Fletcher, ... as It Is Acted at the Theatre-Royal in Aungier-Street, ...
80
Product Details
| ISBN-13: | 9781170104361 |
|---|---|
| Publisher: | Gale Ecco, Print Editions |
| Publication date: | 06/09/2010 |
| Pages: | 80 |
| Product dimensions: | 9.68(w) x 7.44(h) x 0.16(d) |