Woke Cinderella: Twenty-First-Century Adaptations
Glass slippers, a fairy godmother, a ball, a prince, an evil stepfamily, and a poor girl known for sitting amongst the ashes: incarnations of the "Cinderella" fairy tale have resonated throughout the ages. Hidden between the lines of this fairy tale exists a history of fantasy about agency, power, and empowerment. This book examines twenty-first-century “Cinderella” adaptations that envision the classic tale in the twenty-first century through the lens of wokenesss by shifting rhetorical implications and self-reflexively granting different possibilities for protagonists. The contributors argue that the "Cinderella" archetype expands past traditional takes on the passive princess. From Sex and the City to Game of Thrones, from cyborg "Cinderellas" to Inglorious Basterds, contributors explore gender-bending and feminist adaptations, explorations of race and the body, and post-human and post-truth rewritings. The collection posits that contemporary “Cinderella” adaptations create a substantive cultural product that both inform and reflect a contemporary social zeitgeist.

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Woke Cinderella: Twenty-First-Century Adaptations
Glass slippers, a fairy godmother, a ball, a prince, an evil stepfamily, and a poor girl known for sitting amongst the ashes: incarnations of the "Cinderella" fairy tale have resonated throughout the ages. Hidden between the lines of this fairy tale exists a history of fantasy about agency, power, and empowerment. This book examines twenty-first-century “Cinderella” adaptations that envision the classic tale in the twenty-first century through the lens of wokenesss by shifting rhetorical implications and self-reflexively granting different possibilities for protagonists. The contributors argue that the "Cinderella" archetype expands past traditional takes on the passive princess. From Sex and the City to Game of Thrones, from cyborg "Cinderellas" to Inglorious Basterds, contributors explore gender-bending and feminist adaptations, explorations of race and the body, and post-human and post-truth rewritings. The collection posits that contemporary “Cinderella” adaptations create a substantive cultural product that both inform and reflect a contemporary social zeitgeist.

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Overview

Glass slippers, a fairy godmother, a ball, a prince, an evil stepfamily, and a poor girl known for sitting amongst the ashes: incarnations of the "Cinderella" fairy tale have resonated throughout the ages. Hidden between the lines of this fairy tale exists a history of fantasy about agency, power, and empowerment. This book examines twenty-first-century “Cinderella” adaptations that envision the classic tale in the twenty-first century through the lens of wokenesss by shifting rhetorical implications and self-reflexively granting different possibilities for protagonists. The contributors argue that the "Cinderella" archetype expands past traditional takes on the passive princess. From Sex and the City to Game of Thrones, from cyborg "Cinderellas" to Inglorious Basterds, contributors explore gender-bending and feminist adaptations, explorations of race and the body, and post-human and post-truth rewritings. The collection posits that contemporary “Cinderella” adaptations create a substantive cultural product that both inform and reflect a contemporary social zeitgeist.


Product Details

ISBN-13: 9781793625960
Publisher: Bloomsbury Academic
Publication date: 08/24/2022
Series: Remakes, Reboots, and Adaptations
Pages: 286
Product dimensions: 6.00(w) x 9.00(h) x 0.59(d)

About the Author

Suzy Woltmann received her PhD in Literature from the University of California, San Diego, where she teaches literature and writing courses.

Table of Contents

Preface: Cinderella and Wokeness by Suzy Woltmann

Part I: Girl Power: Feminist and Queer Readings

Chapter 1: Gen Z Cinder(f)ellas: Girl Powered Gender Adaptations in the A Cinderella Story Films by Sarah E. Maier and Jessica Raven

Chapter 2: "With this Shoe I Thee Wed”: Cinderella as Agent of the Backlash in The Devil Wears Prada (2006) and Sex and the City (2008) by Aoileann Ni 'Eigeartaigh

Chapter 3: “Have Courage and be Kind”: The Emancipatory Potential of 21st Century Fairy Tale Adaptations of “Cinderella” by Svea Hundertmark

Chapter 4: Two Centuries of Queer Horizon: Rodgers and Hammerstein’s Cinderella by Christine Case

Part II: (Re)Production: A Classic Tale Told Anew

Chapter 5: Queen of the Ashes: Daenerys Targaryen, Cinderella of the Apocalypse, and Her Mirror Prince, in Game of Thrones by Loraine Haywood

Chapter 6: Forgive me Mother for I have Sinned: Cinderella’s Stepmother meets Derrida’s Forgiveness by Brittany Eldridge

Chapter 7: Tiana Just Isn’t Woke: Reassessing the “Cinderella” Narrative in Disney’s The Princess and the Frog by Camille S. Alexander

Chapter 8: Predestination or the Rediscovery of Agency by Christian Jiminez

Chapter 9: Deaf Cinderella: The Construction of a Woke Cultural Identity by Carolina Alves Magaldiand Lucas Alves Mendes

Part III: Post-Human and Post-Truth Cinderellas

Chapter 10: Dragons, Magical Objects, and Posthuman Social Criticism: Rethinking the Cinderella Trope in Tui T. Sutherland’s The Lost Heir by Rachel L. Carazo

Chapter 11: Cyborg-erella: Marissa Meyer’s Cinder as a New Type of Other by Alexandra Lykissas

Chapter 12: Once Upon a Time in Occupied France: Inglourious Basterds, Cinderella and Post-Truth Politics by Ryan Habermeyer

Conclusion: A Postmodern Princess:Rhetorical Strategies of Contemporary “Cinderella” Adaptations by Suzy Woltmann

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