Women's Weird: Strange Stories by Women, 1890-1940

by Melissa Edmundson (Introduction)

Overview

For fans of H.P. Lovecraft and Mary Shelley, female writers of the late nineteenth and early twentieth century embrace the supernatural, horror, science fiction, fantasy, and the Gothic in Women’s Weird.

Edited by literary historian Melissa Edmundson, Women’s Weird features the best classic Weird short stories that showcase how these authors moved beyond the traditional ghost story and into areas of Weird fiction and dark fantasy. A haunted house, some very haunted gloves, a love that will never die—these are examples of the classic gothic settings reimagined by these turn of the century authors.

Authors include Charlotte Perkins Gilman (“The Giant Wistaria”), Edith Nesbit (“The Shadow”), Edith Wharton (“Kerfol”), May Sinclair (‘Where Their Fire Is Not Quenched”), Mary Butts (“With and Without Buttons”), and D K Broster (“Crouching At The Door”).

Featuring stories that explore beyond the primarily domestic concerns of earlier supernatural fiction, Women’s Weird is sure to thrill new readers and delight these authors’ fans.

Product Details

ISBN-13:	9781912766246
Publisher:	Handheld Press
Publication date:	10/31/2019
Series:	Handheld Weirds , #1
Edition description:	Pod ed.
Pages:	321
Sales rank:	966,811
Product dimensions:	5.50(w) x 8.50(h) x (d)

About the Author

Melissa Edmundson researches and publishes on nineteenth and early twentieth-century British women writers, with a particular interest in women’s supernatural fiction. She is the editor of a 2011 critical edition of Alice Perrin’s East of Suez (1901), and author of Women’s Ghost Literature in Nineteenth-Century Britain (University of Wales Press, 2013) and Women’s Colonial Gothic Writing, 1850–1930: Haunted Empire (Palgrave Macmillan, 2018). She edited Avenging Angels: Ghost Stories by Victorian Women Writers (Victorian Secrets, 2018).

Table of Contents

Acknowledgements vi

Introduction Melissa Edmundson vii

Further reading xxiii

Biographical notes xxv

Bibliographical details xxxiii

Women's Weird

1 The Weird of the Walfords Louisa Baldwin 3

2 Let Loose Mary Cholmondeley 24

3 The Giant Wistaria Charlotte Perkins Gilman 45

4 The Shadow Edith Nesbit 55

5 Kerfol Edith Wharton 68

6 Unseen - Unfeared Francis Stevens 95

7 Hodge Elinor Mordaunt 115

8 Where Their Fire Is Not Quenched May Sinclair 143

9 The Haunted Saucepan Margery Lawrence 169

10 The Twelve Apostles Eleanor Scott 197

11 The Book Margaret Irwin 224

12 Couching at the Door D K Broster 244

13 With and Without Buttons Mary Butts 272

Notes Kate Macdonold 289

Editorial Reviews

"Handheld Books…publish[es] tempting, macabre treats.” — The Washington Post

"The collection is a deliberate effort to attenuate, in the horror tradition, the dominance of men like M R James, Arthur Machen, H P Lovecraft and Ambrose Bierce, and restore to prominence innovative writers such as May Sinclair, Mary Butts and Margery Lawrence. They show the continuing influence of Gothic and supernatural tropes and the effect of their collision with a modernizing world and women’s changing roles within it." — Times Literary Supplement

"The range of authors and stories suggests that the Weird is perhaps more an approach than a genre, demonstrating the Weird’s ability to discomfort and disturb … Women’s Weird is an essential read for any fan or scholar of Weird fiction, and we are indebted to both Handheld Press and Melissa Edmundson for performing this service." — The Fantasy Hive

"This book is the perfect companion to an evening of weird … The stories explore a vast array of ideas and occurrences that feed into our human psyche, the scares and the fear that we hear about in folklore and legend come to the surface in these stories. In some cases, these tales go beyond our primal fears and go into the world of the surreal, opening up new ideas and new fears for us to process." — Black Sunday

"There are so many stories I loved in this collection, but the ones that stood out to me as unlike any of the weird fiction I’ve read before were those that located their horror within the mundane … “Couching at the Door” was perhaps my favorite story in the collection, and its exploration of the relationship between art and morality as well as the story of a hedonistic older man leading a beautiful young protege into depravity" — The Gothic Library

"A landmark anthology … Edmundson has curated a solid journey through weird landscapes … The notes/annotations at the back of the book by publisher Kate Macdonald should become an industry standard … This is an unmissable, urgent and era-defining work." — Gingernuts of Horror

From the Publisher