Woven on the Loom of Time: Stories by Enrique Anderson-Imbert

Argentinian scholar and writer Enrique Anderson-Imbert is familiar to many North American students for his La Literatura de América Latina I and II, which are widely used in college Spanish courses. But Anderson-Imbert is also a noted creative writer, whose use of "magical realism" helped pave the way for such writers as Borges, Cortázar, Sábato, and Ocampo. In this anthology, Carleton Vail and Pamela Edwards-Mondragón have chosen stories from the period 1965 to 1985 to introduce English-speaking readers to the creative work of Enrique Anderson-Imbert.

Representative stories from the collections The Cheshire Cat, The Swindler Retires, Madness Plays at Chess, Klein's Bottle, Two Women and One Julián, and The Size of the Witches illustrate Anderson-Imbert's unique style and world view. Many are "short short" stories, which Anderson-Imbert calls casos (instances). The range of subjects and points of view varies widely, challenging such "realities" as time and space, right and wrong, science and religion.

In a prologue, Anderson-Imbert tells an imaginary reader, "Each one of my stories is a closed entity, brief because it has caught a single spasm of life in a single leap of fantasy. Only a reading of all my stories will reveal my world-view." The reader asks, "And are you sure that it is worth the trouble?" Anderson-Imbert replies, "No." The unexpected, ironic ending is one of the great pleasures of reading Enrique Anderson-Imbert.

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Woven on the Loom of Time: Stories by Enrique Anderson-Imbert

Argentinian scholar and writer Enrique Anderson-Imbert is familiar to many North American students for his La Literatura de América Latina I and II, which are widely used in college Spanish courses. But Anderson-Imbert is also a noted creative writer, whose use of "magical realism" helped pave the way for such writers as Borges, Cortázar, Sábato, and Ocampo. In this anthology, Carleton Vail and Pamela Edwards-Mondragón have chosen stories from the period 1965 to 1985 to introduce English-speaking readers to the creative work of Enrique Anderson-Imbert.

Representative stories from the collections The Cheshire Cat, The Swindler Retires, Madness Plays at Chess, Klein's Bottle, Two Women and One Julián, and The Size of the Witches illustrate Anderson-Imbert's unique style and world view. Many are "short short" stories, which Anderson-Imbert calls casos (instances). The range of subjects and points of view varies widely, challenging such "realities" as time and space, right and wrong, science and religion.

In a prologue, Anderson-Imbert tells an imaginary reader, "Each one of my stories is a closed entity, brief because it has caught a single spasm of life in a single leap of fantasy. Only a reading of all my stories will reveal my world-view." The reader asks, "And are you sure that it is worth the trouble?" Anderson-Imbert replies, "No." The unexpected, ironic ending is one of the great pleasures of reading Enrique Anderson-Imbert.

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Woven on the Loom of Time: Stories by Enrique Anderson-Imbert

Woven on the Loom of Time: Stories by Enrique Anderson-Imbert

Woven on the Loom of Time: Stories by Enrique Anderson-Imbert

Woven on the Loom of Time: Stories by Enrique Anderson-Imbert

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Overview

Argentinian scholar and writer Enrique Anderson-Imbert is familiar to many North American students for his La Literatura de América Latina I and II, which are widely used in college Spanish courses. But Anderson-Imbert is also a noted creative writer, whose use of "magical realism" helped pave the way for such writers as Borges, Cortázar, Sábato, and Ocampo. In this anthology, Carleton Vail and Pamela Edwards-Mondragón have chosen stories from the period 1965 to 1985 to introduce English-speaking readers to the creative work of Enrique Anderson-Imbert.

Representative stories from the collections The Cheshire Cat, The Swindler Retires, Madness Plays at Chess, Klein's Bottle, Two Women and One Julián, and The Size of the Witches illustrate Anderson-Imbert's unique style and world view. Many are "short short" stories, which Anderson-Imbert calls casos (instances). The range of subjects and points of view varies widely, challenging such "realities" as time and space, right and wrong, science and religion.

In a prologue, Anderson-Imbert tells an imaginary reader, "Each one of my stories is a closed entity, brief because it has caught a single spasm of life in a single leap of fantasy. Only a reading of all my stories will reveal my world-view." The reader asks, "And are you sure that it is worth the trouble?" Anderson-Imbert replies, "No." The unexpected, ironic ending is one of the great pleasures of reading Enrique Anderson-Imbert.


Product Details

ISBN-13: 9780292790605
Publisher: University of Texas Press
Publication date: 01/01/1991
Series: Texas Pan American Series
Pages: 200
Product dimensions: 6.00(w) x 8.80(h) x 0.60(d)

About the Author

Carleton Vail is an independent scholar and translator. Pamela Edwards-Mondragón is head of the English and Spanish departments at Converse International School of Languages in San Diego, California.

Table of Contents

  • Introduction by Ester de Izaguirre
  • Selections from The Cheshire Cat (1965)
    • Prologue
    • Twelve Notes
    • The Pomegranate
    • The Sun
    • Spiral
    • Heroes
    • Theologies and Demonologies
    • The Prisoner
    • Antonius
    • The Knife
    • Nature
    • Intelligence
    • The Future
    • Orpheus and Eurydice
    • The Moon
    • Instantaneous
    • Narcissus
    • The Rival
    • Danse Macabre
    • Bestiary
    • Patterns of the Possible
    • Fame
    • The Doorman
    • For Eternity
    • Time
    • Gods
    • The Frightened Priest
    • A Puzzle of Possibilities
    • Dreams
    • The Evil Eye
    • The Big Head
  • Selections from The Swindler Retires (1969)
    • Prologue
    • Frankly, No
    • The Stone
    • The Confession
    • My Shadow
    • The Pruning
    • Jealousy
    • The Writer and His Inkwell
    • Soledad
    • I’ll Teach Her a Lesson
    • The Complaint
    • The Girlfriend
    • The Kingdom Bewitched
  • Selections from Madness Plays at Chess (1971)
    • Prologue
    • North Wind
    • Anonymous Manuscript concerning a Sad Waltz
    • Ovid Told It Differently
    • Murder
    • Glacier
    • Madness Plays at Chess
  • Selections from Klein’s Bottle (1971)
    • Esteco: Submerged City
    • Eyes (Mine, Peering Up from the Cellar)
    • The Gold Doubloon
    • Bats
    • The Eyes of the Dragon
    • William Faulkner Saw a Ghost, and Then...
    • Nalé Roxlo and the Suicide of Judas
    • A Famous Conversion in the XIVth Century
    • Anchored in Brazil
    • A Heart Outlined
  • Selections from Two Women and One Julián (1982)
    • Prologue
    • The Fallen Hippogriff
    • Two Women and One Julián
    • One X and Two Unknowns
    • Forever Sweetheart
    • The Alleluia of the Dying
    • Juancito Chingolo
    • The Last Glances
    • The Palm Tree
  • Selections from The Size of the Witches (1985)
    • The Size of the Witches
    • The Tomb
    • Baby Bear
    • The Wisteria
    • The Innocent Child
    • Lycanthropy
    • Imposture
    • Would to God
    • A Bow Tie and a Mirror

What People are Saying About This

Thorpe Running

Anyone interested in contemporary literature should find this a fascinating book. Anderson-Imbert is a forerunner or anticipator of the Boom Generation in Latin American prose, and he well deserves to be better known and to gain his rightful place among those major writers.
-- Thorpe Running, Professor of Spanish, Saint John's University, Collegeville, Minnesota

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