Writing and the Modern Stage: Theater beyond Drama

by Julia Jarcho

Overview

It is time to change the way we talk about writing in theater. This book offers a new argument that reimagines modern theater's critical power and places innovative writing at the heart of the experimental stage. While performance studies, German Theaterwissenschaft, and even text-based drama studies have commonly envisioned theatrical performance as something that must operate beyond the limits of the textual imagination, this book shows how a series of writers have actively shaped new conceptions of theater's radical potential. Engaging with a range of theorists, including Theodor Adorno, Jarcho reveals a modern tradition of 'negative theatrics,' whose artists undermine the here and now of performance in order to challenge the value and the power of the existing world. This vision emerges through surprising new readings of modernist classics - by Henry James, Gertrude Stein, and Samuel Beckett - as well as contemporary American works by Suzan-Lori Parks, Elevator Repair Service, and Mac Wellman.

Product Details

ISBN-13:	9781107584815
Publisher:	Cambridge University Press
Publication date:	05/07/2020
Pages:	285
Product dimensions:	6.02(w) x 9.06(h) x 0.63(d)

About the Author

Julia Jarcho is an OBIE Award-winning playwright and director with the company Minor Theater. She is Assistant Professor of English at New York University, where she teaches courses in modern drama, modernism, theater studies, critical theory and playwriting. New York productions include The Terrifying (2017), Every Angel is Brutal (2016), Nomads (2014), Grimly Handsome (OBIE Award for Best New American Play, 2013), Dreamless Land (2011) and American Treasure (2009). Her scholarly work has been published in Modern Drama and Critical Inquiry. Her plays have been published in a collection entitled Minor Theater (2016).

Table of Contents

Part I. Modernism's Negative Theatrics: 1. Introduction: negative theatrics; 2. 'Something stranger yet': theatrical distractions in Henry James and Gertrude Stein; 3. 'Gesture towards the universe': theater as utopia in Waiting for Godot; Part II. Beyond the Present: Playwrights at the Turn of the Millennium: 4. Introduction: staging writing today; 5. The promise of 'playwriting': Suzan-Lori Parks; 6. 'Small, fierce creatures': Mac Wellman's auratic theater.

Editorial Reviews

'In short, the achievement of Jarcho’s book is that it is not only a complex and challenging piece of scholarship that probes into the underappreciated potential of theatrical writing, but also serves as an invaluable model for scholars looking to renegotiate the place of theater both beyond and beside drama in the contemporary academy.' Chris Corbo, ASAP/Journal

'A review this short cannot do justice to the intricacies of Jarcho’s analysis here and throughout Writing and the Modern Stage. Backed by its author’s extensive knowledge of drama, performance, and critical theory, Jarcho’s book offers a powerful counter-argument to those who see writing as something that theatre overcomes in order to achieve an authentic presentness.' Stanton B. Garner, Jr, Modern Drama

'This book is a testament to the importance of scholarly work that not only considers theatre as one of many manifestations in the large bubbling pot of cultural production but also attends to the intricacies of medial specificity.' Eleanor Skimin, Theatre Survey

From the Publisher