"Superbly translated…Alexievich’s choice of truth as hero is the right one for the age of Putin and Trump."
Times (UK) - Giles Whittell
"Alexievich is like a doctor probing the scar tissue of a traumatised nation."
Financial Times - Guy Chazan
"Alexievich put in thousands of hours with her tape recorder across the lands of the former Soviet Union, collecting and collating stories from ordinary people. She wove those tales into elegant books of…power and insight"
"Shattering and addictive…This is a polyphonic tour de force that shines a light on war, the plight of heroes, and why post-Soviet Russia is as it is."
Herald Scotland - Kapka Kassabova
"A masterpiece of reportage, probably her best book."
New York Review of Books - Timothy Snyder
"[Alexievich's] books…are extraordinary: compelling, profound, and urgent."
Harper's Magazine - Claire Messud
"Alexievich’s ‘documentary novels’ are crafted and edited with a reporter’s cool eye for detail and a poet’s ear for the intricate rhythms of human speech. Reading them is like eavesdropping on a confessional. This is history at its rawest and most uncomfortably intimate."
Evening Standard - Andrew Dickson
The 1979-1989 Soviet war in Afghanistan, as Russian author Alexievich remarks in this oral history, wrenched boys from their daily life of school or college, music and discos, and hurled them into a hell of filth. She conveys that hell here through the grotesque memories of infantrymen, helicopter pilots, tank crewmen, medical corpsmen and political officers who survived the ordeal, plus those of widows and mothers of fighters--zinky boys brought home in zinc coffins. In his moving introduction, Heinemann (Close Quarters) points out the uncanny similarities between the Soviet war in Afghanistan and the American war in Vietnam. The reality of being a soldier, as this powerful book demonstrates, is everywhere dismally and remarkably the same: grueling, brutal and ugly. Most affecting are the mother scenes, especially one in which mothers of zinky boys meet regularly at a local cemetery and talk about their sons as though they are still alive. (Oct.)
Publishers Weekly - Publisher's Weekly
The price of modern war on the character of its people is something America already knew when the decade-long Soviet involvement in Afghanistan began in 1979; any comparison, only briefly mentioned in promotional material for this work, must be supplied by the reader. The Russian aspect of these recollections, with their unfamiliar allusions (partly explained in the footnotes), does not hide a similar sense of disillusionment and suffering. Alexievich uses first-person accounts to illustrate the style of conflict the Soviet soldier faced, as well as to reveal the enormity of the betrayal of the ordinary Soviet citizen that may have contributed to the end of the U.S.S.R. A powerful, lyrical, and poignant portrait of a brutal chapter in modern history. For general reading and any military collection with a Soviet emphasis.-- Mel D. Lane, Sacramento, Cal.
"“[Alexievich’s] voice is much more than the sum of [her subject’s] voices . . . [making] that war as all-encompassingly present and personal—as real—as any fictional account ever did for any other war."
The New Yorker - Philip Gourevitch
"For the past 30 or 40 years [Alexievich has] been busy mapping the Soviet and post-Soviet individual, but [her work is] not really about a history of events. It’s a history of emotions—what she’s offering us is really an emotional world, . . . a history of the soul."
