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2009 Pulitzer Prize in Fiction Winner!
At some point, we've all had an Olive Kitteridge in our lives. Some of us might even be Olive Kitteridge, though our vanity prevents us from seeing it. It's that kind of familiarity with the Olives of the world which makes Elizabeth Strout's work of fiction such a rich, absorbing reading experience. In Olive Kitteridge, we often bump into pieces of ourselves or people we've known. Just as she did in her previous two novels, Amy and Isabelle and Abide with Me, Strout distills universal human behavior down to the miniature scale of one particular town and its residents.
Olive Kitteridge is labeled "a novel in stories;" but like Sherwood Anderson's seminal collection Winesburg, Ohio, each of the 13 tales can stand on its own. Pull any of them out at random and you'll have a snapshot of coastal New England life rendered in fine-grained detail. To get the full emotional impact of the book, however, it's best to work through the entire mosaic from start to finish, as each story adds another layer to our understanding of what makes Olive tick. Collections of linked stories have been in vogue lately -- including Rebecca Barry's Later, at the Bar, Kate Walbert's Our Kind, and Melissa Bank's The Girls' Guide to Hunting and Fishing -- and Olive Kitteridge ranks among the best of them.
Most, but not all, of the stories center around Olive, her kind-hearted husband, Henry, and their only child, Christopher. Even when other Crosby residents are the focus of the story, Olive can be found at the periphery, sometimes only making a cameo appearance, sometimes playing an integral role in the plot. Her presence is so strong that as we're reading about Angie O'Meara, the lonely alcoholic who plays piano in the local cocktail lounge, we hold our breath waiting for Olive to walk through the door with Henry.
In her fiction, Strout has striven to be all-encompassing, struggling to pack too much sausage in the casing. Amy and Isabelle was nearly too wide-angled for its own good: embracing a mother-daughter relationship, teen pregnancy, spousal abuse, and child abduction in one big, sentimental hug. Olive Kitteridge is no less ambitious, and one of the book's minor faults is the number of secondary characters who move in the background of Olive and Henry's lives. By the halfway point, so many of them have piled up they start to become indistinct.
However, it's the woman with the walnut-shell heart who holds the book together and keeps our attention riveted to the page. A tenth-generation New Englander, Olive keeps a tight rein on her vulnerabilities and expects others to do the same. To her genial, affable husband, she's a cross he silently bears with a forgiving smile. To her son, she can be a tyrannizing terror -- so much so, that as an adult Christopher can only break free of her maternal force-field by moving as far away as the continent will allow: to California.
When we first meet Olive in the opening story, "Pharmacy," we're immediately put off by her ill-temper. Here's her volatile reaction when Henry says, "Is it too much to ask...a man's wife accompanying him to church?"
"Yes, it most certainly is too goddamn much to ask!" Olive had almost spit, her fury's door flung open. "You have no idea how tired I am, teaching all day, going to foolish meetings where the goddamn principal is a moron! Shopping. Cooking. Ironing. Laundry. Doing Christopher's homework with him! And you --" She had grabbed on to the back of a dining room chair, and her dark hair, still uncombed from its night's disarrangement, had fallen across her eyes. "You, Mr. Head Deacon Claptrap Nice Guy, expect me to give up my Sunday mornings and go sit among a bunch of snot-wots!" Very suddenly she had sat down in the chair. " Well, I'm sick and tired of it," she'd said, calmly. "Sick to death."It's a bold move by Strout -- to make us push away from Olive from the start -- and to the author's credit, she makes it her book-long task to bring us back to Olive, so that by the last story we feel sympathy, if not love, for this flawed character.
Physically, she cuts an imposing figure, moving through life like a battleship under full steam. In "A Little Burst," Strout tells us:
Olive is a big person. She knows this about herself, but she wasn't always big, and it still seems something to get used to. It's true she has always been tall and frequently felt clumsy, but the business of being big showed up with age; her ankles puffed out, her shoulders rolled up behind her neck, and her wrists and hands seemed to become the size of a man's. Olive minds -- of course she does; sometimes, privately, she minds very much. But at this stage of the game, she is not about to abandon the comfort of food.The stories follow her imposing figure from middle age to widowhood at 74, and we are present at several crucial turning points: at her son's first marriage, to a girl Olive calls "mean and pushy"; when she intervenes in the life of one of her former students contemplating suicide; when Henry has a debilitating stroke in the parking lot of the Shop 'n Save; and when she's taken hostage, held at gunpoint by two drug addicts robbing a hospital pharmacy. It's in this last situation, grippingly told in the story "A Different Road," where we see the first cracks in Olive's hard-shell fa?ade. Through her humiliation as a hostage, her soft insecurities start to show.
In the face of adversity, her simple philosophy has always been, "People manage." Buffeted by circumstance, she finds this increasingly harder to do. Sitting in the nursing home with Henry after his stroke, she thinks, "A scared old woman, is what she is; all she knows these days is that when the sun goes down, it's time to go to bed. People manage. She is not so sure. The tide is still out on that one, she thinks."
In the book's final story, "River," Olive (now a widow) begins a relationship with a man whose wife has just died. By the time we reach this point in the book, we have been through so much with Olive that it's a relief to see her finally grope toward something she might someday recognize as love -- and if not "love," then at least grudging affection. As Olive herself notes in the book's closing lines, she is baffled by the world but does not feel ready to leave it just quite yet. Likewise, it's just as hard for the reader to leave Olive after the last page is turned. --David Abrams
David Abrams's stories and essays have appeared in Esquire, Glimmer Train Stories, The Greensboro Review, and The Missouri Review. He's currently at work on a novel based in part on his experiences while deployed to Iraq with the U.S. Army.
1. Do you like Olive Kitteridge as a person?
2. Have you ever met anyone like Olive Kitteridge, and if so, what similarities do you see between that person and Olive?
3. How would you say Olive changed as a person during the course of the book?
4. Discuss the theme of suicide. Which characters are most affected (or fascinated) by the idea of killing themselves?
5. What freedoms do the residents of Crosby, Maine, experience in contrast with those who flee the town for bigger “ponds” (California, New York)? Does anyone feel trapped in Crosby, and if so, who? What outlets for escape are available to them?
6. Why does Henry tolerate Olive as much as he does, catering to her, agreeing with her, staying even-keeled when she rants and raves? Is there anyone that you tolerate despite their sometimes overbearing behavior? If so, why?
7. How does Kevin (in “Incoming Tide”) typify a child craving his father’s approval? Are his behaviors and mannerisms any way like those of Christopher Kitteridge? Do you think Olive reminds Kevin more of his mother or of his father?
8. In “A Little Burst,” why do you think Olive is so keen on having a positive relationship with Suzanne, whom she obviously dislikes? How is this a reflection of how she treats other people in town?
9. Does it seem fitting to you that Olive would not respond while others ridiculed her body and her choice of clothing at Christopher and Suzanne’s wedding?
10. How do you think Olive perceives boundaries and possessiveness, especially in regard to relationships?
11. Elizabeth Strout writes, “The appetites of the body were private battles” (“Starving,” page 89). In what ways is this true? Are there “appetites” that could be described as battles waged in public? Which ones, and why?
12. Why does Nina elicit such a strong reaction from Olive in “Starving”? What does Olive notice that moves her to tears in public? Why did witnessing this scene turn Harmon away from Bonnie?
13. In “A Different Road,” Strout writes about Olive and Henry: “No, they would never get over that night because they had said things that altered how they saw each other” (p. 124). What is it that Olive and Henry say to each other while being held hostage in the hospital bathroom that has this effect? Have you experienced a moment like this in one of your close relationships?
14. In “Tulips” and in “Basket of Trips,” Olive visits people in difficult circumstances (Henry in the convalescent home, and Marlene Bonney at her husband’s funeral) in hopes that “in the presence of someone else’s sorrow, a tiny crack of light would somehow come through her own dark encasement” (p. 172). In what ways do the tragedies of others shine light on Olive’s trials with Christopher’s departure and Henry’s illness? How do those experiences change Olive’s interactions with others? Is she more compassionate or more indifferent? Is she more approachable or more guarded? Is she more hopeful or more pessimistic?
15. In “Ship in a Bottle,” Julie is jilted by her fiancé, Bruce, on her wedding day. Julie’s mother, Anita, furious at Bruce’s betrayal, shoots at him soon after. Julie quotes Olive Kitteridge as having told her seventh-grade class, “Don’t be scared of your hunger. If you’re scared of your hunger, you’ll just be one more ninny like everyone else” (p. 195). What do you think Olive means by this phrase? How does Olive’s life reflect this idea? Who is afraid of his or her hunger in these stories?
16. In “Security,” do you get the impression that Olive likes Ann, Christopher’s new wife? Why does she excuse Ann’s smoking and drinking while pregnant with Christopher’s first child (and Henry’s first grandchild)? Why does she seem so accepting initially, and what makes her less so as the story goes on?
17. Was Christopher justified in his fight with Olive in “Security”? Did he kick her out, or did she voluntarily leave? Do you think he and Ann are cruel to Olive?
18. Do you think Olive is really oblivious to how others see her– especially Christopher? Do you think she found Christopher’s accusations in “Security” shocking or just unexpected?
19. What’s happened to Rebecca at the end of “Criminal”? Where do you think she goes, and why do you think she feels compelled to go? Do you think she’s satisfied with her life with David? What do you think are the reasons she can’t hold down a job?
20. What elements of Olive’s personality are revealed in her relationship with Jack Kennison in “River”? How does their interaction reflect changes in her perspective on her son? On the way she treated Henry? On the way she sees the world?
Elizabeth Strout has crafted a series of short stories revolving around Olive Kitteridge, a retired math teacher in a small town along Maine's coast. In many of the stories she is barely present, yet is always an influence on the characters. Like her or loathe her, the reader cannot be indifferent to Olive, or totally unsympathetic. One of the most intense and memorable stories is "A Different Road", about a traumatic experience in which Olive falls briefly in love with a most unlikely character. Olive's dysfunctional relationships with just about everyone, especially her husband and son, are often ineffably sad, but with occasional hints of redemption. Each story is completely absorbing.
31 out of 31 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.Ronrt1986
Posted July 8, 2010
I just don't understand why so many authors are leaning towards creating FICTION books like this. I have boredom and depression in my own life, I don't need to read a fictional story about it, thank you very much. I'm interested in escaping the real world, becoming inspired, and taking away something meaningful from a book. Not only was this book gloomy, it skipped all around, introducting too many characters who I could care less about in the end, and elaborating on endless irrelevant situations that never seemed to tie together. Save your time and money and read Kristin Hannah's books for feel good stories that change you for the better.
11 out of 15 people found this review helpful.
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Posted February 26, 2010
Well writen, well described characters. Sad stories that leave you feeling sadder than the characters in the end. I kept looking for what was holding the stories together and hoped for something that made it worthwhile to read. I suppose it is realistic and somewhat poetic. But it would have been nice to have seen one story end happily.
11 out of 12 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.DEVILICIOUS
Posted December 31, 2009
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A life span of Olive, a reserved school teacher, and her dysfunctional relationships in 13 short tales. The reader delves deeply into her very soul. The supporting characters, Henry Kitteridge, her husband, the complete opposite in character, who is an out going pharmacist, their son, Christopher, a podiatrist, daughter-in-law, Suzanne, all play their roles full of human emotion. These are multi-dimensional, complex, interesting, flawed characters,and how they develop over time. Living in a New England village, they run the gamut of life experiences, good and bad. This is an insightful, profound, moving and thought-provoking look into family conflicts and loss. No life is insignificant! Elizabeth Stout is a master!
10 out of 10 people found this review helpful.
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Posted October 3, 2009
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The characters are sad, dreary people. The writer has talent in describing scenes, characters, etc., but she desperately needs inspiration. Each story leaves you with a yucky feeling about life.
8 out of 11 people found this review helpful.
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Posted July 13, 2009
THE BOOK WANDERS THROUGH MANY DIFFERENT CHARACTERS WITH OLIVE THREADING HER WAY. MANY THINGS DO NOT CONNECT. I WOULD NOT RECOMMEND THIS BOOK.
5 out of 9 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.Angela2932ND
Posted April 10, 2010
What is it about this dismal book that has moved into my mind and won't let go? Olive Kitteridge is a book about Olive, through 13 stories, all of which feature her to some extent. Some times she just mentioned; other times the story highlights her perspective and view of the world.
And what a dreary view it is! Olive has almost no illusions about life, other than her faulty expectation that after her years of raising her child, being highly focused on his well-being from her perspective, he will automatically continue to be a central part of her life, and relate to her, living nearby, as she ages. Sure, it's nice if our offspring will feel inclined to be our buddies, as they grow up, but they don't owe this to us. . . and developing lives that are satisfying and not totally "offspring-focused" is our responsibility. Olive doesn't know this; she's not particularly sensitive in her focus on her only son, and she's often dismissive of the people around her.
All of the stories address issues of relationship, but most often, failure of relationship and loneliness.
See what I mean about this book being dismal? For much of the book, Olive is a middle-aged, unappealing, under-appreciated, blunt, unforgiving, almost joyless person, who works very hard, and occasionally reaches out to others in very touching, unexpectedly meaningful, but brutally honest, ways. Part of the problem with this book, though, and why I call it "dismal" is that it is very easy to identify with Olive, to some extent. (And thank God it is only to some extent!) It's also easy to see my friends, neighbors, and acquaintances in Olive, which just makes me sad for all of them.
It's easy for Olive to zero in on the mis-guided and failed attempts of others to connect with one another, often risking nothing of themselves, and constructing lives with little meaning, or hope, and all too often betraying and abandoning those around them.
Strangely, even the unlikable Olive works her way into your heart as you read this book. In her small town, people seem to accommodate to one another, often (but not always) looking out for each other, but just as likely enjoying casual meaness toward one another. As you read this book, you want Olive to get her efforts rewarded, you want her to be less lonely, but to also be, somehow, nicer, to those around her as well. And sometimes there's such a glimmer of hope for Olive; a better life seems just within reach, but, well, there goes Olive, being her usual Olive-self.
Dismal though it is, I give this book a 5-star rating. It's beautifully written, and I found myself highlighting (in my nook) lots of sections, just for the language and the insights.
4 out of 5 people found this review helpful.
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Posted December 27, 2009
The characters and the setting creates the story. It's impossible to not identify with her characters - whether it's Olive or any one of the folks she encounters. She's not a very likeable character but all the pieces of what she's made of, changes one's reaction. It's so easy to identify with her about events that we don't even think to put into words. The book is made up of vignettes that come together to form the story. Strout's writing style and use of language is outstanding. She knows how to touch the emotional spots that lay buried. I was glued to the book from start to finish. I highly recommend this book. Excellent choice for book club discussion.
4 out of 4 people found this review helpful.
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Posted April 14, 2010
This book has everything - well developed and complex characters, interesting plot, great method of weaving the characters into the story, meaningful messages, but most of all, the writing is truly excellent. Don't fool yourself into thinking that good writing is easy to come by as a reader. A delicious, vivid book like this is a treat.
3 out of 3 people found this review helpful.
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Posted April 11, 2010
This brings back a time when neighbors were neighbors, and looked out for one another good or bad. Yet the stories remain relevant. I liked the approach of having one character showing influence in each chapter; sometimes being the main character and sometimes not. Very sweet without being sappy. Every emotion is covered here, without judgement. Character development was great! I would know them if I met them. Easy to read and hard to put down.
3 out of 3 people found this review helpful.
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Posted March 12, 2010
A book of seemingly disparate chapters at first, this stunningly beautiful story of the human soul comes together in a touching human way. Olive, her family, & her community are woven together in despair, courage, love, nastiness, mental illness, forgiveness, & family ties. It is the human condition in all it's complexity, messiness, & beauty. Yet it's told in a simple & touching way that draws the reader in. At times I held my breath, not knowing what would happen next; other times, I cried with Olive; & many times I wanted to scream at Olive in frustration. There's a little Olive in all of us.
3 out of 3 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.This book started slow for me and every chapter I thought "sheesh this is a little depressing". But, the more I read, the more I was engrossed in this small town and the people who lived there. Each of the chapters (short stories) integrate Olive as either the main character or as a passerby and tell her story as well as the stories of other townsfolk. Olive comes alive in a sometimes indirect but always, poignant way. Olive Kitteredge will anger and infuriate as well as endear and move you. She is not a character to be reckoned with. By the end of the book I was cheering for Olive and wanted the best for her even after despising her for most of the story. Olive made me laugh and cry and I was sad to part with her by the end of the book.
3 out of 3 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.Ive seen this book for months, made a judgement that it was a lightweight feel good novel with a feisty older woman at its center, and avoided it.
Wrong! Another reminder of what our "judgements" can keep us from enjoying. The writing in Olive Kitteridge is both sublime and spot on down to earth accurate. True, there is a feisty older woman at the heart of the book, but how limiting to leave her description as such. Her peceptions of the people in her small town, her own emotional agonies and delights are just two beautifully drawn aspects of humanity that are found in this book. The characters bring a life force to the reader that I am sure will resonate many times throughout the reading of this powerful, little book.
2 out of 2 people found this review helpful.
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Posted April 26, 2010
This book is a collection of short stories, something I usually avoid reading. However, using a central character to unify the stories was effective and gives readers an opportunity to see Olive from several points of view. She was a main character in some stories and peripheral in others. I applaud the author for creating a character who was not easily likeable. Sometimes she was crass and overbearing, at others caring, concerned even gentle. As the stories unfolded her complexity was revealed. By the end of the book, I found much to admire in Olive. She persevered through whatever came her way. The interwoven stories also illustrate how individual lives are intertwined in a small town.
2 out of 2 people found this review helpful.
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Posted April 9, 2010
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I'm not sure I can write a review of this book that does it justice--it's truly a remarkable read. However, I can say that I have lately been quite an escapist in my reading, feeling inclined to read only hopeful and happy books and avoid stories that emphasize the enormous amount of pain that seems to exist in our world today. This book is not one of those "hopeful and happy" ones, at first glance. I had to read it for my book club, and though I loved the concept (a series of short stories featuring crusty Mainers), I was dismayed to find that every story stripped away the layers that hide our true selves and true lives from others, and revealed a lot of blackness underneath. There was some light and hope in the stories, such as the way three neighbors conspire to help a child and the love two find in the process in "Starving," but overall, the tone is neither light, nor happy. It is not, however, lacking in hope, and when I got to the end, I found that Strout had created a satisfying (and seemingly, realistic) balance between illustrating the sadness of our lives and throwing a light on the perfect beauty of finding kinship, joy, and comfort in spite of it. I highly recommend this book, especially to those who are "getting on in years" as a way of finding our own balanced views of old age, relationships, and the possibility of change and finding happiness in the midst of sorrow.
2 out of 2 people found this review helpful.
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Posted March 11, 2010
Excellent writing - the author made the people real. The characters are of all types I recognized. I read the book in just two days, and when I finished, I had the oddest feeling. I really wasn't sure if I liked it or not. The ending left me unresolved, which is the best way to describe it. I would recommend this but with the caveat to not expect anything - just enjoy the good writing and let the story unfold.
2 out of 2 people found this review helpful.
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Posted January 16, 2010
I didn't realize when I bought this book that it was separate stories. However, they are not so separate, including Olive Kitteridge in each story.I did, indeed, come to care very much for her. Wonderful book!
2 out of 2 people found this review helpful.
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Posted December 5, 2009
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What a mass of contradictions in the character of Olive Kitteridge. In this series of short stories we see many, many aspects of her -- and everytime I thought I had her figured out, 'pegged', the author would reveal another side of Olive. She was loving and hateful, knowing and clueless, progressive and traditional, oblivious and self-aware. Olive Kitteridge reminded me of many women I knew in the early 60's with her need to keep up appearances and the seething frustration underneath -- and she's like no one I've ever met all at the same time. But, maybe, she's really all of us, trying to figure things out, keep up a good public face, keep our fears private, and still leave a mark on the world... I loved this book and I didn't expect to. I loved this character -- and I didn't want to. The writing is wonderful and the characters will stay with you -- what happened to them after their stories were finished? I will read this book again and recommend it to everyone.
2 out of 2 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.I thought Olive Kitteridge was an okay book. I liked her husband Henry; however I wanted to smother Olive with a pillow. She was mean to Susan and she destroyed some her clothes. It also seemed like many people in Crosby Maine were depressed. I liked Pharmacy, Tulips, Basket, and Winter Concert. The Piano Player was a very depressing story. It was interesting to see how many lives were touched by Olive Kitteridge. It was too bad that she couldn't realize that former students were touched in a positive way; thereby gaining happiness from that. The bottom line is that Olive K was a bitter woman for much of her life.
2 out of 2 people found this review helpful.
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Posted October 17, 2009
This book will leave you reflecting on all of the ways that your life has or may have been used to impact others. It causes you to think about the interactions you have each day and how they may shape others.
2 out of 2 people found this review helpful.
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Overview
In a voice more powerful and compassionate than ever before, New York Times bestselling author Elizabeth Strout binds together thirteen rich, luminous narratives into a book with the heft of a novel, through the presence of one larger-than-life, unforgettable character: Olive Kitteridge.At the edge of the continent, Crosby, Maine, may seem like nowhere, but seen through this brilliant writer’s eyes, it’s in essence the whole world, and the lives that are lived there are filled with all of the grand human drama–desire, despair, jealousy, hope, and love.
At times stern, at other ...