Paul Tremblay loads emotion and tension into every paragraph on every page of The Cabin at the End of the World . It is a dream come true, a heartfelt, emotionally charged journey into our worst nightmares.
Under Tremblay’s skilled hand, the narrative turns from dark and intense to cerebral, a tour de force of psychological and religious horror. To twist the old adage, it asks, why do people do bad things to good people?
Another superb novel from one of the genre’s most exciting authors.
Tremblay captures the intense emotional struggle. . . of Wen, Andrew, and Eric, while dread and terror permeate every sentence. This is a novel with the heart and tone of The Road , by Cormac McCarthy, but will also appeal to fans of Ruth Ware, Josh Malerman, and Joe Hill.
Booklist (starred review)
Equal parts gripping, horrifying, and mesmerizing. . . . The Cabin at the End of the World succeeds in part because it trades in frights rooted (or not) in totally unprovable motivation.
Tremblay skilfully keeps his readers guessing about the reality of Leonard’s ominous warning as he lets his horrifying scenario play out.
In Tremblay's hands, the story is less a home invasion novel than an exploration of what happens when extreme groups force their will on others by whatever means necessary. The result is a gripping, terrifying novel that is as suspenseful as it is heartbreaking.
The New York Times Book Review - Danielle Trussoni
A tremendous book―thought-provoking and terrifying, with tension that winds up like a chain. The Cabin at the End of the World is Tremblay’s personal best. It’s that good.” — Stephen King
“Read Paul Tremblay’s new novel, The Cabin at the End of the World , and you might not sleep for a week. Longer. It will shape your nightmares for months—that’s pretty much guaranteed. That’s what it’s built for. And there’s a very, very good chance you’ll never get it out of your head again.” — NPR
“The Cabin at the End of the World is a clinic in suspense, a story that opens with high-wire tension and never lets up from there. The blend of human horror and human heart is superb. Paul Tremblay is rapidly becoming one of my favorite suspense writers.” — Michael Koryta, New York Times bestselling author
“The apocalypse begins with a home invasion in this tripwire-taut horror thriller. . . .[Tremblay’s] profoundly unsettling novel invites readers to ask themselves whether, when faced with the unbelievable, they would do the unthinkable to prevent it.” — Publishers Weekly (starred review)
“Think The Desperate Hours meets 10 Cloverfield Lane , but way, way stranger. With The Cabin at the End of the World , Paul Tremblay gives us a gloriously claustrophobic and gory tale of faith and paranoia. Signs and wonders and homemade battle-axes, oh my!” — Stewart O’Nan, author of The Speed Queen and A Prayer for the Dying
“The Cabin at the End of the World is a thriller that grapples with the timely and the timeless. I tore through it in record time. I just couldn’t wait to see where Tremblay was going to take me next.” — Victor LaValle, author of The Changeling
“A blinding tale of survival and sacrifice that matches the power of belief with man’s potential for unbridled violence.” — Kirkus Reviews
“[A novel] about the clash of rational and irrational, hatred and violence, prophecies and religion gone mad, and perhaps hope. The Cabin at the End of the World is a terrific, disturbing, desperate novel, one that profoundly reflects the current political climate of North America and our ambiguous times.” — Mariana Enriquez, author of Things We Lost in the Fire
“Tremblay once again demonstrates his talent for terrifying readers. Offering a terrible situation with no good outcome, this is the author at his best. Highly recommended for Tremblay’s fans and those who relish end-of-the-world scenarios.” — Library Journal (starred review)
“Paul Tremblay is the real deal! The Cabin at the End of the World is a heart-pounding, edge of your seat thriller that will leave you with one simple question: what would you do?” — J.D. Barker, internationally bestselling author of Forsaken and The Fourth Monkey
“Tremblay captures the intense emotional struggle. . . of Wen, Andrew, and Eric, while dread and terror permeate every sentence. This is a novel with the heart and tone of The Road , by Cormac McCarthy, but will also appeal to fans of Ruth Ware, Josh Malerman, and Joe Hill.” — Booklist (starred review)
“Paul Tremblay loads emotion and tension into every paragraph on every page of The Cabin at the End of the World . It is a dream come true, a heartfelt, emotionally charged journey into our worst nightmares. — Caroline Kepnes, author of You and Providence
“Tremblay skilfully keeps his readers guessing about the reality of Leonard’s ominous warning as he lets his horrifying scenario play out.” — The Guardian
“Equal parts gripping, horrifying, and mesmerizing. . . . The Cabin at the End of the World succeeds in part because it trades in frights rooted (or not) in totally unprovable motivation.” — GQ
The Cabin at the End of the World is a clinic in suspense, a story that opens with high-wire tension and never lets up from there. The blend of human horror and human heart is superb. Paul Tremblay is rapidly becoming one of my favorite suspense writers.
Think The Desperate Hours meets 10 Cloverfield Lane , but way, way stranger. With The Cabin at the End of the World , Paul Tremblay gives us a gloriously claustrophobic and gory tale of faith and paranoia. Signs and wonders and homemade battle-axes, oh my!
A tremendous book ― thought-provoking and terrifying, with tension that winds up like a chain. The Cabin at the End of the World is Tremblay’s personal best. It’s that good.
Paul Tremblay is the real deal! The Cabin at the End of the World is a heart-pounding, edge of your seat thriller that will leave you with one simple question: what would you do?
[A novel] about the clash of rational and irrational, hatred and violence, prophecies and religion gone mad, and perhaps hope. The Cabin at the End of the World is a terrific, disturbing, desperate novel, one that profoundly reflects the current political climate of North America and our ambiguous times.
The Cabin at the End of the World is a thriller that grapples with the timely and the timeless. I tore through it in record time. I just couldn’t wait to see where Tremblay was going to take me next.
Full of steadily increasing dread, and no one escapes unharmed — no one, not even readers, who will think about the story long after they finish it.
One of the summer’s best. . . . an impossibly tense and meticulous thriller with a distinct uncanny edge. . . . Tremblay has a real winner here.
Truly suspenseful.
Disappearance at Devil’s Rock is a true and powerful mystery novel, full of twists and horrors that will keep even the most jaded genre reader silently turning its pages late into the night.
New York Journal of Books on Disappearance at Devil’s Rock
Think The Desperate Hours meets 10 Cloverfield Lane , but way, way stranger. With The Cabin at the End of the World , Paul Tremblay gives us a gloriously claustrophobic and gory tale of faith and paranoia. Signs and wonders and homemade battle-axes, oh my!
Disappearance at Devil’s Rock is a true and powerful mystery novel, full of twists and horrors that will keep even the most jaded genre reader silently turning its pages late into the night.
New York Journal-of Books on Disappearance at Devil's Rock
★ 03/15/2018
Amy Landon's warm, flowing voice at first seems to be at odds with the horror in this audiobook. But its soothing quality suits the rational tones of the four strangers in the story, and it intensifies the violence when it happens. Wen is on holiday with her fathers at a remote cabin when the four arrive, armed with unusual homemade weapons and demanding access. Eric and Andrew can't keep them out and are eventually overpowered. If Wen, Eric, and Andrew do not choose to sacrifice someone in their family, the world will end. Most of the audiobook is informational narrative—why the four are there and how they can prove the world will end—interspersed with moments of shocking violence. The ending seems forced, as if the author hasn't quite decided his conclusion, but this is still a compelling listen. C.A.T. © AudioFile 2018, Portland, Maine
Amy Landon's warm, flowing voice at first seems to be at odds with the horror in this audiobook. But its soothing quality suits the rational tones of the four strangers in the story, and it intensifies the violence when it happens. Wen is on holiday with her fathers at a remote cabin when the four arrive, armed with unusual homemade weapons and demanding access. Eric and Andrew can't keep them out and are eventually overpowered. If Wen, Eric, and Andrew do not choose to sacrifice someone in their family, the world will end. Most of the audiobook is informational narrative—why the four are there and how they can prove the world will end—interspersed with moments of shocking violence. The ending seems forced, as if the author hasn't quite decided his conclusion, but this is still a compelling listen. C.A.T. © AudioFile 2018, Portland, Maine
