Brixton Beach

Brixton Beach

by Roma Tearne
Brixton Beach

Brixton Beach

by Roma Tearne

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Overview

Described as 'rich and satisfying' by The Times, Brixton Beach is the story of an artistic young girl forced to leave war-torn Sri Lanka, only to find that the shadow of violence has followed her to London.

'An ambitious, lyrical novel' TLS

Opening dramatically with the horrors of the 2005 London bombings, this is the profoundly moving story of a country on the brink of civil war and a child's struggle to come to terms with loss.

London. On a bright July morning a series of bombs bring the capital to a halt. Simon Swann, a medic from one of the large teaching hospitals, is searching frantically amongst the chaos and the rubble. All around police sirens and ambulances are screaming but Simon does not hear. He is out of breath because he has been running, and he is distraught. But who is he looking for?

To find out we have first to go back thirty years to a small island in the Indian Ocean where a little girl named Alice Fonseka is learning to ride a bicycle on the beach. The island is Sri Lanka, with its community on the brink of civil war. Alice's life is about to change forever. Soon she will have to leave for England, abandoning her beloved grandfather, and accompanied by her mother Sita, a woman broken by a series of terrible events.

In London, Alice grows into womanhood. Trapped in a loveless marriage, she has a son. Slowly she fulfils her grandfather's prophecy and becomes an artist. Eventually she finds true love. But London in the twenty first century is a mass of migration and suspicion. The war on terror has begun and everyone, even Simon Swann, middle class, rational, medic that he is, will be caught up in this war in the most unexpected and terrible way.


Product Details

ISBN-13: 9781910709542
Publisher: Gallic Books
Publication date: 05/15/2018
Sold by: Barnes & Noble
Format: eBook
File size: 3 MB

About the Author

Roma Tearne is a Sri Lankan-born, Oxford-based artist, film-maker and writer. She trained as a painter, completing her MA at the Ruskin School of Drawing and Fine Art, Oxford, UK. Her debut novel, Mosquito, was shortlisted for the 2007 Costa Book Awards First Novel prize and the LA Times First Fiction Prize. The Swimmer was longlisted for the Orange Prize in 2011 and Asian Man Booker in 2012.

Read an Excerpt

There are police everywhere. From a distance it is the first thing he sees. Even before he hears the noise of sirens, the screams. Even before the BBC team appears. Acid-green jackets move grimly about, directing the traffic, securing blue-and-white tape, herding people away. That’s what he sees. A red, double-decker bus stands parked at an odd angle, black smoke pouring out of its windows. There is glass everywhere. His feet crunch on it and he notices shards glinting dangerously in the light. His first thought is, Someone might cut themselves; his second is, There must have been a fire. ‘Move along, please, clear the path,’ the policeman shouts, roughly. He pushes several people back with the palms of his hands. Then he speaks into his radio. There is a smell of sweat and rubber. And explosives. ‘We need another ambulance over at checkpoint four,’ the policeman says. ‘Quickly. They’re bringing more out. Have all the hospitals been alerted?’ ‘We need the reinforcements, now!’ ‘Yes. They’re on their way.’ ‘What happened?’ Simon asks, urgently. ‘Was it a fire?’ His voice is hoarse; his throat has tightened up. There is an even tighter constriction across his chest. He has been running. All the way over Lambeth Bridge, along Horseferry Road, up Park Lane towards Edgware Road. He wanted to go in the opposite direction, towards the Oval and the house named Brixton Beach. For a moment he had wavered, wanting to call at the house, knock on its blue-fronted door, but then he had carried on running. There are no taxis to be had. The traffic is gridlocked. It will be gridlocked for hours. He should be at work, he should be at his post, standing by waiting for the admissions, triaging the flood of casualties, but he has fled, unthinkingly. Never in the whole of his professional career has he behaved in this irresponsible way. Panic chokes his voice; fear grips his limbs as he scans the faces in front of him. ‘Clear the path, please.’ The noise of yet another ambulance siren deafens him. He isn’t used to hearing the sirens from the outside. He is used to the calm of the operating theatre, the controlled energy of work. Scalpels placed where they are always placed, nurses ready to second-guess his moves. He is not used to chaos. ‘Oh my God! Oh God! Look! Look!’ a woman screams. Her voice goes on and on screaming, making sounds but no sense. It is only then Simon glances up and sees the bus. Its top has been completely blown off. Roof, seats, windows, people. Half a bus really, standing motionless save for the thin wisps of smoke sailing lazily out, upwards like a kite; into a sky of startling blue. A man in rags with blackened face and arms walks past holding on to a young boy. Tears furrow his face leaving rivulets of white flesh. Two new ambulances edge their way slowly forwards, sirens blasting, driving the onlookers aside, clearing a path, deafening in intensity, removing all possibility of speech. Three policewomen stand forming a barrier with their arms stretched out, faces braced for what they are about to receive. In a moment the ambulances are swallowed up in the crowd. Simon can smell burning. As the sirens grow fainter he begins to hear other, human sounds and he struggles to move forward. ‘Jesus! What is it? What’s happened?’ ‘Does anybody know?’ ‘Don’t touch them… for God’s sake!’ ‘Oh my God!’ ‘Mummy!’ A child’s voice with its upwardly rising intonations, distinct and pure above the cacophony of cries, drifts towards him. The blood pounds in his head, blurring his eyes, making him nauseous. He was hot from running, now he is shivering. A motion of a different kind grips his whole body. ‘Let me through,’ he says. ‘I’m a doctor.’ Inside the blasted double-decker bus, as his eyes focus, he sees that trapped bodies are burning. Some of them are simply torsos without heads. ‘I’m a doctor,’ he shouts. ‘Let me through.’ ‘I’m sorry, sir, can I see your ID, please?’ The ambulancemen are moving a stretcher and two blood-covered individuals are helped inside. Simon reaches for his doctor’s pass then realises he has left the meeting without his jacket. He has nothing. No ID, no mobile phone, no wallet. If she were trying to reach him she would not be able to. He has rushed out, knowing … knowing what? That he couldn’t wait? That he needs to see for himself? ‘Could you move back, please,’ the policeman says. His voice is edged with panic, bewildered and with a threat underlying the calmness in it. The glint of metal on his belt is the firearm he is prepared to use in case of necessity. Sweat pours down his face as he answers his radio. He is young, mid-twenties, and what has just happened is overwhelming him. It will mark him forever. ‘We don’t know what’s going on, sir. We’ve only been told there’s been a series of explosions. In the underground. Yes, sir.’ But the bus? ‘Al-Qaeda?’ asks another voice, uncertain, shaky, on the verge of hysteria. A woman’s voice. ‘Oh my God no! Not here, not in Britain?’ ‘Don’t know, madam. Not at this stage. Sorry.’ Simon feels weak. He has to get to the entrance of the tube station; he has to find out what’s actually happened. He needs a mobile phone desperately. Then he remembers, of course, all his phone numbers are in his own phone. He can’t remember any of them. So he pushes his way across the crowds that are gathering and crosses the road, weaving through the stationary traffic. Another policeman stops him. ‘Sorry, sir, could you step aside, please. This area has been closed off to the public.’ ‘I’m a doctor,’ he says again, his voice barely above a whisper. ‘Can I see your ID, then, sir?’ But of course he hasn’t any. Helplessly he is shepherded across the road, along with a few other onlookers. The sun is exceptionally strong. There isn’t even a small breeze. It is a morning of tropical intensity, a day for spending on the beach, perhaps. There are more sounds as another fleet of ambulances rushes past. The sirens have hardly stopped since Simon arrived.

Reading Group Guide

When family tragedy strikes, Alice Fonseka, the dreamy, artistic child of a Singhalese mother and Tamil father, leaves the beautiful island of Sri Lanka. Unable to bear the injustice of what has happened, her family heads for England. There, in a totally foreign environment, Alice builds a life for herself and finds outlets for her art. But she remains restless, haunted by memories of the past, and, even in London, the threat of violence is never far away. Praise for Roma Tearne ‘Heartfelt and timely’ Chris Cleave, New York Times bestselling author of Everyone Brave is Forgiven ‘Roma Tearne is an exquisite writer and captivating storyteller’ Aminatta Forna, author of The Memory of Love ‘Tearne is a vividly sensitive writer who spares her readers unnecessary sentiment and hones in on raw emotions just below the surface’ The Independent About the author Roma Tearne is a Sri Lankan-born, Oxford-based artist, film-maker and writer. Her debut novel, Mosquito, was shortlisted for the 2007 Costa First Novel Award and LA Times First Fiction Prize. The Swimmer was longlisted for the Orange Prize in 2011 and Asian Man Booker in 2012. Discussion points • ‘Tearne brings her skills as a painter to her writing’ wrote the Sunday Telegraph. In what way can you see the influence of Roma Tearne’s art in the novel? • The story of Brixton Beach is strongly autobiographical. Tearne was also born to parents across the ethnic divide in Sri Lanka, moved to England as a girl and has never returned. Many of Tearne’s other novels deal with the Sri Lankan war and the migrant experience. Why do you think she keeps returning to these subjects? • Why do you think Tearne chose to begin and end her novel with a fictionalised account of the 7/7 London bombings? • What impression of Sri Lanka did you take from the book? • ‘The refugee in all of us can recognise the desperate desire to belong and the sometimes terrible price we pay for it’ wrote The Independent. To what extent is this a novel about rootlessness or striving to belong? • What do you think is the most important relationship in Alice Fonseka’s life and what effect does it have on her?

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