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Overview

City Kids, City Teachers has the potential to create genuine change in the learning, teaching, and administration of urban public schools.” —Library Journal
 
In more than twenty-five provocative selections, an all-star cast of educators and writers explores the surprising realities of city classrooms from kindergarten through high school. Contributors including Gloria Ladson-Billings, Lisa Delpit, June Jordan, Lewis H. Lapham, Audre Lorde, and Deborah Meier move from the poetic to the practical, celebrating the value of city kids and their teachers. Useful both as a guide and a call to action for anyone who teaches or has taught in the city, it is essential reading for those contemplating teaching in an urban setting and for every parent with children in a city school today.
 
“Hopeful, helpful discussions of culturally relevant teaching . . . moving illustrations of what urban teaching is all about.” —Publishers Weekly
 
“A refreshing and eclectic collection.” —Alex Kotlowitz, author of There Are No Children Here
 
“With its upbeat mix of ready-to-share city kids’ memoirs and classroom strategies, this book is an inspiring resource for veteran teachers, parents, community members, and students.” —Educational Leadership
 
“You’ll feel sad, angry, hopeful, agitated, and inspired.” —NEA Today

Product Details

ISBN-13: 9781595587572
Publisher: New Press, The
Publication date: 07/19/2019
Sold by: Barnes & Noble
Format: eBook
Pages: 322
File size: 723 KB

About the Author

About The Author
William Ayers is Distinguished Professor of Education at the University of Illinois at Chicago and a co-editor of City Kids, City Schools (The New Press). Patricia Ford is the executive director of the Chicago High School Redesign Initiative.

Read an Excerpt

CHAPTER 1

1. Always Running

LUIS RODRIGUEZ

Our first exposure in America stays with me like a foul odor. It seemed a strange world, most of it spiteful to us, spitting and stepping on us, coughing us up, us immigrants, as if we were phlegm stuck in the collective throat of this country. My father was mostly out of work. When he did have a job it was in construction, in factories such as Sinclair Paints or Standard Brands Dog Food, or pushing doorbells selling insurance, Bibles, or pots and pans. My mother found work cleaning homes or in the garment industry. She knew the corner markets were ripping her off but she could only speak with her hands and in a choppy English.

Once my mother gathered up the children and we walked to Will Rogers Park. There were people everywhere. Mama looked around for a place we could rest. She spotted an empty spot on a park bench. But as soon as she sat down an American woman, with three kids of her own, came by.

"Hey, get out of there — that's our seat."

My mother understood but didn't know how to answer back in English. So she tried in Spanish.

"Look spic, you can't sit there!" the American woman yelled. "You don't belong here! Understand? This is not your country!"

Mama quietly got our things and walked away, but I knew frustration and anger bristled within her because she was unable to talk, and when she did, no one would listen.

We never stopped crossing borders. The Rio Grande (or Rio Bravo, which is what the Mexicans call it, giving the name a power "Rio Grande" just doesn't have) was only the first of countless barriers set in our path.

We kept jumping hurdles, kept breaking from the constraints, kept evading the border guards of every new trek. It was a metaphor to fill our lives — that river, that first crossing, the mother of all crossings. The Los Angeles River, for example, became a new barrier, keeping the Mexicans in their neighborhoods over on the vast east side of the city for years, except for forays downtown. Schools provided other restrictions: don't speak Spanish, don't be Mexican — you don't belong. Railroad tracks divided us from communities where white people lived, such as South Gate and Lynwood across from Watts. We were invisible people in a city which thrived on glitter, big screens, and big names, but this glamour contained none of our names, none of our faces.

The refrain "this is not your country" echoed for a lifetime.

First day of school.

I was six years old, never having gone to kindergarten because Mama wanted me to wait until La Pata became old enough to enter school. Mama filled out some papers. A school monitor directed us to a classroom where Mama dropped me off and left to join some parents who gathered in the main hall.

The first day of school said a lot about my scholastic life to come. I was taken to a teacher who didn't know what to do with me. She complained about not having any room, about kids who didn't even speak the language. And how was she supposed to teach anything under these conditions! Although I didn't speak English, I understood a large part of what she was saying. I knew I wasn't wanted. She put me in an old creaky chair near the door. As soon as I could, I sneaked out to find my mother.

I found Rano's class with the mentally disabled children instead and decided to stay there for a while. Actually it was fun; they treated me like I was everyone's little brother. But the teacher finally told a student to take me to the main hall.

After some more paperwork, I was taken to another class. This time the teacher appeared nicer, but distracted. She got the word about my language problem.

"Okay, why don't you sit here in the back of the class," she said. "Play with some blocks until we figure out how to get you more involved."

It took her most of that year to figure this out. I just stayed in the back of the class, building blocks. It got so every morning I would put my lunch and coat away, and walk to my corner where I stayed the whole day long. It forced me to be more withdrawn. It got so bad, I didn't even tell anybody when I had to go to the bathroom. I did it in my pants. Soon I stunk back there in the corner and the rest of the kids screamed out a chorus of "P.U.!" resulting in my being sent to the office or back home.

In those days there was no way to integrate the non-English-speaking children. So they just made it a crime to speak anything but English. If a Spanish word sneaked out in the playground, kids were often sent to the office to get swatted or to get detention. Teachers complained that maybe the children were saying bad things about them. An assumption of guilt was enough to get one punished.

A day came when I finally built up the courage to tell the teacher I had to go to the bathroom. I didn't quite say all the words, but she got the message and promptly excused me so I didn't do it while I was trying to explain. I ran to the bathroom and peed and felt good about not having that wetness trickle down my pants leg. But suddenly several bells went on and off. I hesitantly stepped out of the bathroom and saw throngs of children leave their classes. I had no idea what was happening. I went to my classroom and it stood empty. I looked into other classrooms and found nothing. Nobody. I didn't know what to do. I really thought everyone had gone home. I didn't bother to look at the playground where the whole school had been assembled for the fire drill. I just went home. It got to be a regular thing there for a while, me coming home early until I learned the ins and outs of school life.

Not speaking well makes for such embarrassing moments. I hardly asked questions. I just didn't want to be misunderstood. Many Spanish-speaking kids mangled things up; they would say things like "where the beer and cantaloupe roam" instead of "where the deer and antelope roam."

That's the way it was with me. I mixed up all the words. Screwed up all the songs.

"You can't be in a fire and not get burned."

This was my father's response when he heard of the trouble I was getting into at school. He was a philosopher. He didn't get angry or hit me. That he left to my mother. He had these lines, these cuts of wisdom, phrases and syllables, which swept through me, sometimes even making sense. I had to deal with him at that level, with my brains. I had to justify in words, with ideas, all my actions — no matter how insane. Most of the time I couldn't.

Mama was heat. Mama was turned-around leather belts and wailing choruses of Mary-Mother-of-Jesus. She was the penetrating emotion that came at you through her eyes, the mother-guilt, the one who birthed me, who suffered through the contractions and diaper changes and all my small hurts and fears. For her, dealing with school trouble or risking my life was nothing for discourse, nothing to debate. She went through all this hell and more to have me — I'd better do what she said!

Mama hated the cholos. They reminded her of the rowdies on the border who fought all the time, talked that calo slang, drank mescal, smoked marijuana, and left scores of women with babies bursting out of their bodies.

To see me become like them made her sick, made her cringe and cry and curse. Mama reminded us how she'd seen so much alcoholism, so much weed-madness, and she prohibited anything with alcohol in the house, even beer. I later learned this rage came from how Mama's father treated her siblings and her mother, how in drunken rages he'd hit her mom and drag her through the house by the hair.

The school informed my parents I had been wreaking havoc with a number of other young boys. I was to be part of a special class of troublemakers. We would be isolated from the rest of the school population and forced to pick up trash and clean graffiti during the rest of the school year.

"Mrs. Rodriguez, your son is too smart for this," the vice principal told Mama. "We think he's got a lot of potential. But his behavior is atrocious. There's no excuse. We're sad to inform you of our decision."

They also told her the next time I cut class or even made a feint toward trouble, I'd be expelled. After the phone call, my mom lay on her bed, shaking her head while sobbing in between bursts of how God had cursed her for some sin, how I was the devil incarnate, a plague, testing her in this brief tenure on earth.

My dad's solution was to keep me home after school. Grounded. Yeah, sure. I was thirteen years old already. Already tattooed. Already sexually involved. Already into drugs. In the middle of the night I snuck out through the window and worked my way to the Hills.

At sixteen years old, Rano turned out much better than me, much better than anyone could have envisioned during the time he was a foul-faced boy in Watts.

When we moved to South San Gabriel, a Mrs. Snelling took a liking to Rano. The teacher helped him skip grades to make up for the times he was pushed back in those classes with the retarded children.

Mrs. Snelling saw talent in Rano, a spark of actor during the school's thespian activities. She even had him play the lead in a class play. He also showed some facility with music. And he was good in sports.

He picked up the bass guitar and played for a number of garage bands. He was getting trophies in track-and-field events, in gymnastic meets, and later in karate tournaments.

So when I was at Garvey, he was in high school being the good kid, the Mexican exception, the barrio success story — my supposed model. Soon he stopped being Rano or even José. One day he became Joe.

My brother and I were moving away from each other. Our tastes, our friends, our interests, were miles apart. Yet there were a few outstanding incidents I fondly remember in relationship to my brother, incidents which despite their displays of closeness failed to breach the distance which would later lie between us.

When I was nine, for example, my brother was my protector. He took on all the big dudes, the bullies on corners, the ones who believed themselves better than us. Being a good fighter transformed him overnight. He was somebody who some feared, some looked up to. Then he developed skills for racing and high-jumping. This led to running track and he did well, dusting all the competition.

I didn't own any talents. I was lousy in sports. I couldn't catch baseballs or footballs. And I constantly tripped when I ran or jumped. When kids picked players for basketball games, I was the last one they chose. The one time I inadvertently hit a home run during a game at school — I didn't mean to do it — I ended up crying while running around the bases because I didn't know how else to react to the cheers, the excitement, directed at something I did. It just couldn't be me.

But Rano had enemies too. There were two Mexican kids who were jealous of him. They were his age, three years older than me. One was named Eddie Gambits, the other Rick Corral. One time they cornered me outside the school.

"You Jose's brother," Eddie said.

I didn't say anything.

"Wha's the matter? Can't talk?"

"Oh, he can talk all right," Ricky chimed in. "He acting the pen-dejo because his brother thinks he so bad. Well, he ain't shit. He can't even run."

"Yeah, Jose's just a lambiche, a kiss ass," Eddie responded. "They give him those ribbons and stuff because he cheats."

"That's not true," I finally answered. "My brother can beat anybody."

"Oh, you saying he can beat me," Eddie countered.

"Sure sounds like he said that," Ricky added.

"I'm only saying that when he wins those ribbons, esta derecho," I said.

"It sounds to me like you saying he better than me," Eddie said.

"Is that what you saying, man?" Ricky demanded. "Com' on — is that what you saying?"

I turned around, and beneath my breath, mumbled something about how I didn't have time to argue with them. I shouldn't have done that.

"What'd you say?" Eddie said.

"I think he called you a punk," Ricky agitated.

"You call me a punk, man?" Eddie turned me around. I denied it.

"I heard him, dude. He say you are a punk-ass puto," Ricky continued to exhort.

The fist came at me so fast, I don't even recall how Eddie looked when he threw it. I found myself on the ground. Others in the school had gathered around by then. When a few saw it was me, they knew it was going to be a slaughter.

I rose to my feet — my cheek had turned swollen and blue. I tried to hit Eddie, but he backed up real smooth and hit me again. Ricky egged him on; I could hear the excitement in his voice.

I lay on the ground, defeated. Teachers came and chased the boys out. But before Eddie and Ricky left they yelled back: "José ain't nothing, man. You ain't nothing."

Anger flowed through me, but also humiliation. It hurt so deep I didn't even feel the fracture in my jaw, the displacement which would later give me a disjointed, lopsided, and protruding chin. It became my mark.

Later when I told Rano what happened, he looked at me and shook his head.

"You didn't have to defend me to those dudes," he said. "They're assholes. They ain't worth it."

I looked at him and told him something I never, ever told him again.

"I did it because I love you."

I began high school a loco, with a heavy Pendleton shirt, sagging khaki pants, ironed to perfection, and shoes shined and heated like at boot camp.

Mark Keppel High School was a Depression-era structure with a brick and art-deco facade and small, army-type bungalows in back. Friction filled its hallways. The Anglo and Asian upper-class students from Monterey Park and Alhambra attended the school. They were tracked into the "A" classes; they were in the school clubs; they were the varsity team members and lettermen. They were the pep squads and cheerleaders.

But the school also took in the people from the Hills and surrounding community who somehow made it past junior high. They were mostly Mexican, in the "C" track (what were called the "stupid" classes), and who made up the rosters of the wood, print, and auto shops. Only a few of these students participated in school government, in sports, or in the various clubs.

The school had two principal languages. Two skin tones and two cultures. It revolved around class differences. The white and Asian kids (except for "barrio" whites and the handful of Hawaiians, Filipinos, and Samoans who ended up with the Mexicans) were from professional, two-car households with watered lawns and trimmed trees. The laboring class, the sons and daughters of service workers, janitors, and factory hands, lived in and around the Hills (or a section of Monterey Park called "Poor Side").

The school separated these two groups by levels of education: The professional-class kids were provided with college-preparatory classes; the blue-collar students were pushed into "industrial arts."

The Mexicans assembled beneath the big, gnarled tree on the front lawn next to the gym and shop area. The well-off students usually had cars and hung out in the parking lot or the cafeteria. Those who were in between or indifferent couldn't help but get caught in the crossfire.

By the time I went to Keppel, I had become introspective and quiet. I wanted to be untouchable: nobody could get to me. I walked the halls facing straight ahead, a saunter in my step, only slightly and consciously glancing to the sides.

Keppel had a rowdy reputation among San Gabriel Valley schools. Fights all the time. I believe it related to the ingrained system of tracking and subdivisions. The teachers and administrators were overwhelmingly Anglo and whether they were aware of it or not, favored the white students.

If you came from the Hills, you were labeled from the start. I'd walk into the counselor's office for whatever reasons and looks of disdain greeted me — ones meant for a criminal, alien, to be feared. Already a thug. It was harder to defy this expectation than just accept it and fall into the trappings. It was a jacket I could try to take off, but they kept putting it back on. The first hint of trouble and the preconceptions proved true. So why not be proud? Why not be an outlaw? Why not make it our own?

Mama gazed out of the back porch window to the garage room where I spent days holed up as if in a prison of my own making.

She worried about me, although didn't really know what I was up to; to protect herself from being hurt, she stayed uninvolved. Yet almost daily she offered quips and comments about me not attending school.

Mama called on the former principal of my elementary school in South San Gabriel to talk to me. This was the same school where Mrs. Snelling performed seeming miracles for my brother. While Joe amounted to something, to Mama I turned out to be a smudge on this earth, with no goals, no interests except what got puked up from the streets.

(Continues…)


Excerpted from "City Kids, City Teachers"
by .
Copyright © 1996 William Ayers and Patricia Ford.
Excerpted by permission of The New Press.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Table of Contents

BOOKS BY WILLIAM AYERS,
Title Page,
Dedication,
LIFT EVERY VOICE AND SING,
Preface,
Foreword,
Acknowledgments,
PERMISSIONS,
Introduction,
PART I - City Kids,
Me: A Name I Call Myself,
1. Always Running,
2. Bomb the Suburbs: Subway Scholar,
3. ZAMI: A New Spelling of My Name,
4. Black Fire,
5. c.y.c.l.e. Stories,
6. Testing ... 1, 2, 3,
PART II - City Issues,
Chaos and Opportunity,
7. Laving Our Cities from the Experts,
8. City Lights,
9. The Pedagogy of Poverty Versus Good Teaching,
10. Transforming Schools into Powerful Communities,
11. Children of Value: We Can Educate All Our Children,
12. Social Justice Unionism,
13. The Struggle for Decent Schools,
14. A Vision in Two Languages: Reflections on a Two-Way Bilingual Program,
15. Nobody Mean More to Me Than You and the Future Life of Willie Jordan,
16. The Politics of Teaching Literate Discourse,
PART III - City Teachers,
Urban Pedagogy,
17. A Talk to Teachers,
18. A Teacher Ain't Nothin' But a Hero: Teachers and Teaching in Film,
19. The Tree of Knowledge,
20. Getting to Know You Culturally,
21. A Day in the Life of a Developmentally Appropriate Whole Language Kindergarten,
22. Go Back and Circle the Verbs,
23. Good Morning, Mr. Chacon,
24. Inside the Classroom: Social Vision and Critical Pedagogy,
Afterword: Organizing and Teaching,
FURTHER READING,
CONTRIBUTORS,
INDEX,
Copyright Page,

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