Bird in Hand: A Novel

Bird in Hand: A Novel

by Christina Baker Kline
Bird in Hand: A Novel

Bird in Hand: A Novel

by Christina Baker Kline

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Overview

From the #1 New York Times bestselling author of Orphan Train and The Exiles comes a novel about the choices we make, how they shape our lives, and how they can change them forever.

Four people, two marriages, one lifelong friendship: Everything is about to change.

It was dark. It was raining.  It was just an accident.  On the drive home from a rare evening out, Alison collides with another car running a stop sign, and—just like that—her life turns upside down. 

When she calls her husband, Charlie, from the police station, his accusatory tone reveals cracks in their relationship she’d never noticed were there. Now she notices everything. And she begins to realize that the life she carefully constructed for herself is as tenuous as a house of cards. 

The only thing Charlie can focus on these days is his secret, sudden affair with Claire, Alison’s best friend. Bold where Alison is reserved, vibrant where Alison is cautious, Claire has just had her first novel published, a thinly veiled retelling of her childhood in North Carolina. But even in the whirlwind of publication, Claire can’t stop wondering if she should leave her husband, Ben, an ambitious architect who is brilliant, kind, and meticulous. And who wants nothing more than a baby, or two—exactly the kind of life that Charlie and Alison seem to have.

As they set out on their individual journeys, Alison, Charlie, Claire, and Ben explore the idea—each in his or her own way—that every moment of loss contains within it the possibility of a new life. Alternating through these four intertwined perspectives, Bird in Hand is an exquisitely written, powerful, and thrilling novel about love, friendship and betrayal, and about the secrets we tell ourselves and each other.


Product Details

ISBN-13: 9780061989803
Publisher: HarperCollins
Publication date: 11/24/2009
Sold by: HARPERCOLLINS
Format: eBook
Pages: 320
Sales rank: 124,621
File size: 776 KB

About the Author

About The Author

Christina Baker Kline is the author of six novels, including the #1 New York Times bestseller Orphan Train as well as A Piece of the World. She lives outside New York City and spends as much time as possible on the coast of Maine. Learn more about Christina at www.christinabakerkline.com.

Read an Excerpt

Bird in Hand

Chapter One

It had been a rainy morning, and all through the afternoon the sky remained opaque, bleached and unreadable. Alison wasn't sure until the last minute whether she would even go to Claire's book party in the city. The kids were whiny and bored, and she was feeling guilty that her latest freelance assignment, "Sparking the Flame of Your Child's Creativity," which involved extra interviews and rewrites, had made her distracted and short-tempered with them. She'd asked the babysitter to stay late twice that week already, and had shut herself away in her tiny study...mudroom, really...trying to finish the piece. "Dolores, would you mind distracting him, please?" she'd called with a shrill edge of panic when three-year-old Noah pounded his small fists on the door.

"Maybe we shouldn't go," she said when Charlie called from work to find out when she was leaving. "The kids are needy. I'm tired."

"But you've been looking forward to this," he said.

"I don't know," she said. "Dolores seems out of sorts. I can hear her out there snapping at the kids."

"Look," he said. "I'll come home. I have a lot of work to do tonight anyway. I'll take over for Dolores, and then you won't have to worry."

"But I want you there," she said obstinately. "I don't want to go alone. I probably won't even know anybody."

"You know Claire," Charlie said. "Isn't that what matters? It'll be good to show your support."

"It's not like she's gone out of her way to get in touch with me."

"She did send you an invitation."

"Well, her publicist."

"So Claire put your name on the list. Come on,Alison...I'm not going to debate this with you. Clearly you want to go, or you wouldn't be agonizing over it."

He was right. She didn't answer. Sometime back in the fall, Claire's feelings had gotten hurt...something about an article she'd submitted to the magazine Alison worked for that wasn't right, that Alison's boss had brusquely criticized and then rejected, leaving her to do the work of explaining. It was Alison's first major assignment as a freelance editor, and she hadn't wanted to screw it up. So she'd let her boss's displeasure (which, after all, had eked out as annoyance at her, too: "I do wonder, Alison, if you defined the assignment well enough in the first place. . .") color her response. She'd hinted that Claire might be taking on too many things at once, and that the piece wasn't up to the magazine's usual standards. She was harsher than she should have been. And yet...the article was sloppy; it appeared to have been hastily written. There were typos and transition problems. Claire seemed to have misunderstood the assignment. Frankly, Alison was annoyed at her for turning in the piece as she did...she should have taken more time with it, been more particular. It pointed to something larger in their friendship, Alison thought, a kind of carelessness on Claire's part, a taking for granted. It had been that way since they were young. Claire was the impetuous, brilliant one, and Alison was the compass that kept her on course.

Now Claire had finished her novel, a slim, thinly disguised roman à clef called Blue Martinis, about a girl's coming-of-age in the South. Alison couldn't bear to read it; the little she'd gleaned from the blurb by a bestselling writer on the postcard invitation Claire's publicist had sent..."Every woman who has ever been a girl will relate to this searingly honest, heartbreakingly funny novel about a girl's sexual awakening in a repressive southern town"...made her stomach twist into a knot. Claire's story was, after all, Alison's story, too; she hadn't been asked or even consulted, but she had little doubt that her own past was now on view. And Claire hadn't let her see the manuscript in advance; she'd told Alison that she didn't want to feel inhibited by what people from Bluestone might think. Anyway, Claire insisted, it was a novel. Despite this disclaimer, from what Alison could gather, she was "Jill," the main character's introverted if strong-willed sidekick.

"Ben will be there, won't he?" Charlie said.

"Probably. Yes."

"So hang out with him. You'll be fine."

Alison nodded into the phone. Ben, Claire's husband, was effortlessly sociable...wry and intimate and inclusive. Alison had a mental picture of him from countless cocktail parties, standing in the middle of a group with a drink in one hand, stooping his tall frame slightly to accommodate.

"Tell them I'm sorry I can't be there," Charlie said. "And let Dolores know I'll be home around seven. And remember...this is part of your job, to schmooze and make contacts. You'll be glad you went."

"Yeah, okay," she said, thinking, oh right, my job, mentally adding up how much she'd earned over the past year: two $50 checks for whimsical personal essays on smart-mommy Web sites, $500 for a parenting magazine "ser-vice" piece called "50 Ways for New Moms to Relieve Stress," a $1,000 kill fee for a big feature on sibling rivalry that the competition scooped just before Alison's story went to press. The freelance editing assignment with Claire had never panned out.

"The party's on East End Avenue, right?" he said. "You should probably take the bridge. The tunnel might be backed up, with this rain. Drive slow; the roads'll be wet."

They talked about logistics for a few minutes...how much to pay Dolores, what Charlie might find to eat in the fridge. As they were talking, Alison slipped out of her study, shutting the door quietly behind her. She could hear the kids in the living room with Dolores, and she made her way upstairs quietly, avoiding the creaky steps so they wouldn't be alerted to her presence. In the master bedroom she riffled through the hangers on her side of the closet and pulled out one shirt and then another for inspection. She yanked off the jeans she'd been wearing for three days and tried on a pair of black wool pants she hadn't worn in months, then stood back and inspected herself in the full-length mirror on the back of the closet door. The pants zipped easily enough, but the top button was tight. She put a hand over her tummy, unzipped the pants, and callipered a little fat roll with her fingers. She sighed.

Bird in Hand. Copyright © by Christina Kline. Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold.

What People are Saying About This

Richard Russo

“Christina Baker Kline is a relentless storyteller. Once she sets her hook and starts reeling you in, struggle becomes counterproductive. The narrative line is too taut, the angler at the other end too skillful.”

Roxana Robinson

“In BIRD IN HAND, Christina Baker Kline looks at marriage, at parents and children, pain and sorrow, and at all the questions that life asks us. This is a wise and lovely book.”

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