At the Mercy of the Queen: A Novel of Anne Boleyn

At the Mercy of the Queen: A Novel of Anne Boleyn

by Anne Clinard Barnhill
At the Mercy of the Queen: A Novel of Anne Boleyn

At the Mercy of the Queen: A Novel of Anne Boleyn

by Anne Clinard Barnhill

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Overview

A sweeping tale of sexual seduction and intrigue at the court of Henry VIII, At the Mercy of the Queen is a rich and dramatic debut historical about Madge Shelton, cousin and lady-in-waiting to Anne Boleyn.

At the innocent age of fifteen, Lady Margaret Shelton arrives at the court of Henry VIII and quickly becomes the confidante of her cousin, Queen Anne Boleyn. But she soon finds herself drawn into the perilous web of Anne's ambition.

Desperate to hold onto the king's waning affection, Anne schemes to have him take her guileless young cousin as mistress, ensuring her husband's new paramour will owe her loyalty to the queen. But Margaret has fallen deeply in love with a handsome young courtier. She is faced with a terrible dilemma: give herself to the king and betray the love of her life or refuse to become his mistress and jeopardize the life of the her cousin, Queen Anne.

"A stunningly engrossing and fast read; historical fiction readers will snatch it up and shout, ‘Thank you!'"—Library Journal (starred review)


Product Details

ISBN-13: 9781429925549
Publisher: St. Martin's Publishing Group
Publication date: 01/03/2012
Sold by: Macmillan
Format: eBook
Pages: 464
Sales rank: 789,780
File size: 456 KB

About the Author

Anne Clinard Barnhill has published short stories, poetry, a memoir and hundreds of articles and book reviews over the last twenty years. At the Mercy of the Queen is her first novel. Barnhill has taught writing in a variety of venues and been keynote speaker for numerous events. She lives in North Carolina.
Anne Clinard Barnhill has published short stories, poetry, a memoir and hundreds of articles and book reviews over the last twenty years. At the Mercy of the Queen was her first novel, followed by Queen Elizabeth's Daughter. Barnhill has taught writing in a variety of venues and been keynote speaker for numerous events. She lives in North Carolina.

Read an Excerpt

At the Mercy of the Queen

A Novel of Anne Boleyn


By Anne Clinard Barnhill

St. Martin's Press

Copyright © 2011 Anne Clinard Barnhill
All rights reserved.
ISBN: 978-1-4299-2554-9


CHAPTER 1

Already the grassy fields surrounding Hever Castle were greening, though Easter was several weeks away. The nearby forests had put out tender buds and the barley fields sprouted fresh green shoots. Though the gray sky still shrouded the land, one could feel a hint of warmth, the first indication that spring would come, after all. This, along with the birth of her favorite bitch's puppies, made Madge Shelton frisky that morning, able to shake, finally, the feeling of dread she had carried since her arrival in the south of England. Although she could not know it yet, this was the last morning of her old life, the first morning of the life she'd hoped would never come.

"The fat one, the one with a bit of red on his chest," said Madge, leaning over the roughly made pen that housed ten setters, her uncle's newest stock of hunting dogs.

"He's already been spoken for. Master Boleyn left word that the biggest and best pup was to be trained for the hunt," said Ben Whipple, the son of the yeoman who managed the Boleyn farm.

"We'll see about that. My birthday's coming soon and I shall ask my uncle about the hound. I'm likely to get him, you can be sure of that. My uncle gives me whatever I fancy these days," Madge said. She held the pup to her bosom and stroked behind his ears.

"You'll be mine, pretty boy. And we'll roam the fields together. I'll teach you to point. We'll show my uncle how a good dog and a brave girl can hunt with the best of them," Madge said.

"Master Boleyn's a-wanting to groom the biggest pup for the queen. He knows how she fancies a smart cur. You won't get your way this time, mistress," said Ben. He picked up the runt of the litter, a pitiful-looking setter with only a spot of white at the tip of its tail.

"Shall I drown this one? It's only a bitch," he said.

"Don't you dare," said Madge.

"Master Boleyn told me to get rid of the runt and spare only the smartest, healthiest ones. He can't afford to keep the whole passel," said Ben.

"Give me that little one, then. I'll keep her safe," Madge said. She put the fat pup back into the pen and wrapped her hands around the small black one. The pup nuzzled against Madge and licked her hands. "She knows I'm saving her from a watery grave. Look at how grateful she is."

"Tell you what. I'll let you keep her if you give me a kiss," said Ben.

"You'll let me keep her, Ben Whipple, kiss or no!" Madge stood up abruptly, still clutching the puppy. She smoothed her skirts with one hand while holding the dog against her chest.

"Why won't you kiss me, Madge? You did once, down by the creek. Let me again," said Ben.

"I'll never kiss the likes of you again, Ben Whipple. I am cousin to the queen and must act according to my new station. In a few short weeks, Queen Anne will be crowned, and then you won't dare speak so in my company," said Madge.

"Pshaw. Nan Bullen's no better than a whore and everybody knows it. Catherine's the rightful queen and Old Harry can't change that. Nan Bullen's as common as these pups," said Ben.

Madge pushed Ben out of her way, still holding the black pup. She stomped across the barnyard. Halfway, she stopped, turned toward Ben, her cheeks flushed and her red hair flying every which way in the early morning breeze.

"You'll live to regret those words. My family's no longer simple wool merchants. You'll see — the Shelton name is something these days and you, Ben Whipple, better watch your tongue!" Madge turned again on one heel and headed for the main house where her nurse would have hot tea ready and maybe a tasty bit of raisin cake.

Margaret Louise Shelton, Madge as she was known to the servants and farmers on her uncle's manor in Edenbridge, Kent, was fifteen years old and already a handful for her nurse, Cate. Tall and thin with a smallish bosom, a delicate waist, and flaring hips, Madge was quickly becoming a beauty and she knew it. Her green eyes were wide and expressive, showing every nuance of feeling a young woman could experience. When angry, her eyes narrowed and actually darkened. When happy, her eyes seemed lit from a secret sunshine within. When sad, her eyes turned watery and red-rimmed, much to her chagrin.

Though she gave her nurse, Cate, a good deal of trouble, Madge was happy to have Cate with her, for she was unused to living with the Boleyn family, especially now that Sir Thomas's daughter, Anne, was married to the king. Unlike her own family, where she was the youngest of five children and likely to find a partner in any devilment she could think up, at Hever Castle, Madge was younger than the Boleyn children by fifteen years or more. No one laughed at her jokes or her funny faces. No one wanted to act out the story of Punchinella, and Madge couldn't find one person who would sing duets with her in the early evenings after supper.

Cate was all Madge had to remind her of Great Snoring, her home far away. Madge longed for the fields of the family lands in Norfolk, where she spent summers cavorting with the new lambs. Cate's presence wasn't enough to make up for the familiar life Madge longed for. Besides, Cate insisted Madge practice her best behavior all the time. She could never relax at the Boleyn residence. There was too much at stake for that.

"What have you dragged in this time?" Cate said when she saw Madge carrying the pup into the elegant rooms they shared.

"Ben was going to drown her," said Madge. She sat on the low stool near the fireplace and warmed her hands, allowing the pup to make a nest in her skirts.

"That's your good wool, girl. You don't want to be smelling of dog when you meet the king, do you?" Cate grabbed the pup and held it up for examination. "Nothing but a runt. Not even interesting in its markings."

"Give her back. I don't care what I smell like when I meet the king. Give me my dog," said Madge.

"And what makes you think Sir Thomas will allow you to keep this mutt? He's known for killing off what's weak and small," said Cate, handing the dog to Madge.

"I'll keep her whatever way I can. I'll hide her in our rooms and Sir Thomas won't find her," said Madge. She gathered some rushes from the floor into a small bunch and set the pup in the center of the reeds, near the fire.

"I'm warning you, my Maddie, you mustn't anger Sir Thomas. He's grown powerful these last ten years and your family's fortunes ride on him. And now, they're riding on you, too," said Cate.

"I know, good Cate, I know. I will try to please Sir Thomas as best I can. But I can't live for his good pleasure — I have a life of my own." Madge slipped her feet from the stiff leather boots and stretched her toes toward the warmth of the fire.

"A woman's life is never her own, Maddie girl. We must make our way as we can. Your father sent you here to serve Sir Thomas in whatever way he so desires. Thus far, Sir Thomas has allowed you much freedom but that may pass. You must have it in your mind to obey Sir Thomas and serve the queen." Cate stood behind Madge and took the pins from her thick hair. Red curls snaked through Cate's fingers. The red was flecked with gold and smelled of lemongrass. Cate combed through the locks and scratched gently at Madge's scalp. The girl's shoulders dropped a bit.

"I'll make Mother proud, don't worry. So far, Sir Thomas hasn't said two words to me. If I'm lucky, things will stay as they are and I can go back home by All Saints' Day," Madge said as she nudged the sleeping puppy with her big toe. "Now, what shall we call this black runt of a dog?"

"Better call it Nothing. That way, if Sir Thomas drowns her, you'll have Nothing to miss and Nothing to cry about," said Cate.

"A cruel Cate you are! No, I'll call her Shadow. She's black and she'll have to hide away in shadows if she's to survive. And she follows me as if she were my very own shadow," said Madge.

"Shadow it is, then." Cate twirled the rope of Madge's hair into a bun and secured it with pins. She covered the bun with a plain white cap and sat on the stone floor next to Madge, leaning her head against Madge's knee.

Both nurse and girl were almost asleep when a loud knocking jerked each awake. Madge looked at her nurse, then at the pup. She scooped Shadow from the floor, then hurried to place the dog inside the chest that held her modest jewels — a small brooch her mother had given her covered with seed pearls, a painted comb for her hair, a long chain of gold to wear on her wedding day, and a miniature of her father.

"Why so long to answer, Nurse?" said Sir Thomas, a tall, slender man with a reddish-gray beard and thinning hair of the same color. He wasn't exactly smiling, but he looked as pleasant as Madge had ever seen him. His features, sharp and hawklike, were usually pinched together as if he were in deep thought or as if he had enemies to smite. Seeing him storm along the walkways in the beautiful gardens of Hever Castle made Madge hide for cover. She avoided him when at all possible, curtsying to him when they processed to church and at formal dinners. She kept her head down and never dared look him in the eye. She behaved exactly as her mother had taught her and so far, she'd escaped his notice. Or so she'd thought.

"Let's have a look at you, niece. Ah yes, you'll do nicely. A pretty one, eh George?" Sir Thomas strolled into the apartments, his son, George, trailing behind him. George was handsome with golden hair and softer features than his father's. Both men were dressed in rich-looking silks and Sir Thomas had a red velvet cloak lined with ermine. His undershirt was cloth-of-gold and Madge had never seen anyone look quite so fine. George, fifteen years Madge's senior, was taller than his father and his eyes seemed more kind.

"Father, don't speak of Madge as if she couldn't hear you. Hello, coz. How do you find life at Hever? Hmmm, no answer, eh? I'll talk enough for the both of us! Has anyone taken time to teach you the new games so popular at court? Chess? Cards? No? Well, coz, I shall show you. After all, once the king and queen arrive, you must help us entertain them," said George, his voice full of fun.

Madge felt her cheeks burn as her cousin chucked her under her chin. She did not know what to make of him; he seemed too full of life to have come from the same stock as Sir Thomas. She kept her curtsy, wondering if Sir Thomas would ever allow her to rise. Her legs trembled.

"Enough, George. Margaret, I asked your father and mother to allow you to come to Hever Castle for a reason. As you know, your cousin, Anne, is now queen of England. This position has been a hard-fought one and will be hard enough for her to hold, even though she sits prettily now. But there are those who would upset her from the throne if they could — the Seymours; the Dudleys; not to mention the Spanish ambassador, Chapuys; and the Catholics. Anne is sitting on the head of a pin and could easily be toppled. It is up to us to keep her in her position until she bears an heir. Once a son is born, Anne, and all of us, will be safe." Sir Thomas stared down at Madge, never once allowing her to raise herself from the deep curtsy she'd taken in his honor. Finally, he raised her head so that she was forced to look at him. "Do you understand, my girl?"

"Yes, my lord." Madge did not understand, but she dared not say so. She knew better than to ask any questions. Slowly, he raised her to a more comfortable position, led her to a bench, and indicated for her to be seated.

"You will be going to court, Margaret. The king and queen will arrive at Hever later this week. I don't know how many days they shall stay —"

"God's blood, I hope their stay will be short," said George winking at Madge.

"However long Their Majesties stay is not your concern, young George. What is your concern is to help your sister in whatever way you can. You must remember, our future fortune depends on Anne." Sir Thomas's voice was cold and Madge worried that he might strike George. She shivered as Sir Thomas turned back to her, his small, blue eyes full of anger.

"After Their Majesties return to court, Margaret, you shall follow them forthwith." Sir Thomas bowed and headed toward the doors.

"To court? I ... I cannot possibly go to court. I have no proper clothes. I cannot dance. I lack the graces for court, Sir Thomas. I'm a mere girl, I —"

"Enough! His majesty has assigned you to be one of the queen's ladies-in-waiting and to court you will go!" Sir Thomas thundered. Then he turned to Cate. "Nurse, see that this girl has the best dresses available. Tell my wife, the Lady Elizabeth, to give you bolts of silk to supply you. Margaret will need at least five gowns. You and my wife will see to the construction of each," Sir Thomas said. "As for your want of grace, I would suggest, for your own sake, that you begin to cultivate those skills you lack. George, after we sup, you will begin to teach the girl." Sir Thomas turned quickly and left them. He stopped in the doorway and stared at his son.

"And George, no spoiling this one, eh?" said Sir Thomas.

"Of course not, Father. Of course not," said George.

Sir Thomas gave his son a hard, curious look and then stomped down the hall, his steps on the stone floor commanding and steady as a clock.

Madge, George, and Cate sat still as relics. Suddenly, a crying sound came from the chest next to the bed. Madge began to hum, trying to cover the noise.

"What's that?" said George as he searched the room trying to discover the source of the sound.

"What? All I hear is my lovely Madge's voice. Tell me, deary, where'd you learn that ditty?" said Cate.

"What's that you are hiding, Nurse? Aha! A pup and one from father's newest litter, I'll warrant. What's it doing here?" George grabbed the puppy before Madge could get her hands on the little dog.

"She's mine! Give her to me!" Madge tried to take the puppy from George.

"So, Mousy Madge has a tongue after all! Good! Good for you, coz. Tell me, what'd you name her?" George gave the pup over to Madge, who carefully petted the dog and held her close.

"Shadow. She's my Shadow and where I go, she'll go, too." Madge stared straight into George's eyes, daring him to cross her.

"Then Shadow will be going to court soon. Best keep her safe, Madge Mouse. And yourself, too," said George. "Court isn't for the faint of heart. You're going, so you better learn to master yourself and your betters."


* * *

"No, no, no! You must hold the string down more firmly, Madge Mouse. See, like this," said George, placing his finger across the neck of the lute and pressing the catgut until the tip of his finger turned white.

"I'm trying! I do not seem to have the strength for it. Perhaps we should explore another instrument — the virginals?" said Madge. Two hours earlier, when the lesson began, she would never have spoken so boldly to the great George Boleyn. But her fingers hurt, her head ached, and she wished to return to her rooms.

"The lute is the easiest to play — any dolt can learn it. All you must needs do is strum a little so you can sing. The king loves music and is quite accomplished, as is my sister. I play and carry a tune rather well myself — even our sister Mary can do such. Surely you have some of the family ability," said George.

"Evidently I do not!" said Madge.

"Dear Margaret, forgive my impatience. I am to prepare you for court in a fortnight, teach you those things my sisters learned over years at the French court. It is a quick study and I fear I forget how many hours I spent teaching my own fingers to press the proper string. Let us put the lute away for tonight and try again on the morrow," said George.

"Thank you, cousin. I am quite ready to retire. But if you would like, I shall sing you a lullaby, one my mother used to sing to us as we drifted off to sleep. I do have a small gift with a song," said Madge.

"That is encouraging. Yes, let me hear you, Madge Mouse," said George. He picked up the lute and waited for Madge to begin.

"Rock-a-bye, don't you cry, for we will go to see Nanny/Up the hill, by the mill, to see the wee little lambie," Madge sang softly, her voice breathy and tender.

George motioned for her to repeat the song and he strummed along with the lute. The sound of the strings gave Madge more confidence and, with George's encouragement, she sang out more forcefully.


(Continues...)

Excerpted from At the Mercy of the Queen by Anne Clinard Barnhill. Copyright © 2011 Anne Clinard Barnhill. Excerpted by permission of St. Martin's Press.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Reading Group Guide

The Facts About Lady Margaret Shelton

When I read a historical novel, my first question is, "How much of this book is true?" Here is my answer to that question regarding At the Mercy of the Queen.

From the moment I first discovered that the Sheltons were my ancestors and served at the court of King Henry VIII and Elizabeth I, I have been scouring books to find mention of this relatively unknown
Tudor family. I remember standing in bookstore aisles, scanning indexes for the Shelton name. If it
appeared, I would immediately read that section, then buy that book. One book referred to Sir John
and Lady Anne as those "pesky" Shelton cousins! They were so called because Sir John seemed to
enjoy eating fine foods while Princess Elizabeth was under his care. Though the child was less than two
years old, he insisted she eat in state so he and the rest of the courtiers in attendance upon her could feast on her leftovers. I did not find him a particularly endearing character. His wife, Lady Anne, became famous as the woman who kept Mary Tudor, daughter of Catherine of Aragon, and forced her to give precedence to her new baby sister, Elizabeth.

As I gathered information, I became fascinated with the daughter of Sir John and Lady Anne (Boleyn) Shelton, Lady Margaret, or "Pretty Madge" as she was often called. According to most historians, Margaret came to court when Anne Boleyn, her first cousin, was crowned queen. Though there is no definite birthdate for Lady Margaret, she is most likely much younger than Anne Boleyn, born around
1512 or 1513. Her claim to fame, however, is not her blood connection to the queen but her supposed
affair with the king himself.

According to some historians, this flirtation lasted about six months in 1535, when the king's interest in his wife was supposedly waning. No one knows whether the affair was consummated or whether it was simply an episode of courtly love, where the king "served" an innocent lady and they flirted together. Some historians have suggested that Queen Anne put her cousin up to seducing the king, whose roving eye had landed on another. We will never know just how far this flirtation went, but certainly something
happened.

We know Margaret was pretty—her nickname certainly would indicate that. There was also an instance later, after the death of Jane Seymour, when Henry was searching for a new wife, and considered Christina of Denmark, whose picture he had seen. When he asked if she were truly that attractive, an ambassador told him yes, she looked a good deal like Lady Margaret Shelton. Margaret was also described as having soft speech and a gentle manner.

In the last five to ten years, some historians have suggested it was Margaret's sister, Mary, who was the king's mistress. I disagree for several reasons. First, Mary was even younger than Margaret and I am not convinced she was even at court during this time. Many scholars, however, do believe Mary was at court and actively writing in the Devonshire Manuscript, a book of poetry in which several ladies and gentlemen, including the poet Thomas Wyatt, scribbled verses and copied older texts, such as one of Chaucer's tales. I believe Margaret was the budding poet, not Mary. Here's why: Names were often abbreviated. If Margaret shortened her name to Marg, it could be easily confused with Mary. Also, Queen Anne is recorded scolding Margaret for writing "idle poesies" in her prayer book, another clue that it was Margaret who enjoyed writing, not Mary. And the final reason I believe it was Margaret who caught the king's fancy lies in the Shelton Family History by R. Z. Shelton. This is an old book my grandmother gave me and it mentions the story of Margaret's relationship with Henry VIII. We have no real stories about Mary at Henry's court, but many references to Margaret or Pretty Madge. Some historians believe they were one and the same person.

One possible reason for the confusion between Mary and Margaret Shelton is that there was another Mary Shelton who served at Queen Elizabeth's court. This Mary Shelton was quite well known as one of three very influential women who might sway the queen to grant positions and favors. This Mary Shelton was also the unfortunate lady-in-waiting who suffered the queen's disfavor after her secret marriage and the queen, in a rage, broke the lady's finger.

In any event, after the fall of Anne Boleyn and her family, Lady Margaret returned to Great Snoring and
married Sir Thomas Wodehouse, giving him seven children, three of whom lived to adulthood. She lived to a ripe old age and did not return to court. She died on September 11, 1583.

An Original Essay by the Author: "What Should I Wear?"

I did not write At the Mercy of the Queen so I could justify having a Tudor dress made, I promise. But
once the book was sold and I realized it would become a reality, I thought, Why not? Wouldn't it
be fun to give readings dressed in period costume? Since I have always loved to play dress up, the
idea seemed inspired.

But where to find such a dress? There are many places online where one could order a dress but I knew my body was, well, not exactly a perfect size. I would need someone who could measure me and
then shape the dress accordingly. My dear friend from high school, Becky Nestor Thacker, could sew
and we lived near each other. She was game to give it a try.

The first thing we did was find a pattern. Actually, two patterns: one for the undergarments, the other
for the outerwear. We selected a dress in the style of Anne Boleyn's time rather than those battleship dresses Elizabeth wore. My hips are already quite wide enough without adding three feet of whalebone
to extend them even more.

We chose material for the undergarments and Becky began to work her magic. Soon, I had a shift, the first article of clothing worn next to the skin. The shifts were made of finely spun linen called lawn, or silk if you were a queen. These garments were washable, as opposed to the outer clothes. This helped a little in the area of hygiene.

As I tried on the first draft, we both agreed the bodice was cut too low. I realize showing one's "dukkies" (nipples) is how the ladies of the day wore their dresses, but I could not imagine myself in the public eye showing, well, almost everything. Becky solved the problem by adding about an inch of fabric and lace. Then came the sleeves. Okay, I have abnormally short arms—my sons call me T. rex. I warned Becky about this and she laughed it off, thinking I was exaggerating. Then, when the sleeves hung about five inches below my fingertips, she realized I was telling the truth. She shortened them accordingly and added more lace.

Next came the stomacher, something similar to a lace-up corset but prettier because it would have been likely to show. Often, these were embroidered in Tudor times, but mine is made of a silky red and black fabric with no extra decoration. Stays made of wood were used back then, but somehow, I could not imagine myself standing that straight and stiff, so Becky found something more flexible: plastic.

The contraption is hard to get on—I can't do it alone, and the first time I wore it, I thought I would never get it off. With my husband's help, we finally lifted it over my head.

The petticoat or slip will be next, red to match the stomacher. Red was also the color of martyrs and Mary, Queen of Scots, wore a red petticoat at her execution. Then, around the waist is tied a "bum roll," to help the skirt stick out.
So far, only the undergarments are completed, so I suppose I will be addressing audiences in my
skivvies, basically. Rest assured, even the underwear is more modest than anything we wear today. By the time the next book comes out, I hope to have the complete outfit ready, including velvet flats sewn with jewels and pearls. I already have my Anne Boleyn "A" necklace, thanks to theanneboleynfiles.com, and can't wait to struggle into the entire getup. I'll need several ladies-in-waiting to help me remove the garment or I just may be wearing it for a very long time indeed.

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