Following the Formula in Beowulf, Örvar-Odds saga, and Tolkien

Following the Formula in Beowulf, Örvar-Odds saga, and Tolkien

by Michael Fox
Following the Formula in Beowulf, Örvar-Odds saga, and Tolkien

Following the Formula in Beowulf, Örvar-Odds saga, and Tolkien

by Michael Fox

eBook1st ed. 2020 (1st ed. 2020)

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Overview

Following the Formula in Beowulf, Örvar-Odds saga, and Tolkien proposes that Beowulf was composed according to a formula. Michael Fox imagines the process that generated the poem and provides a model for reading it, extending this model to investigate formula in a half-line, a fitt, a digression, and a story-pattern or folktale, including the Old-Norse Icelandic Örvar-Odds saga. Fox also explores how J. R. R. Tolkien used the same formula to write Sellic Spell and The Hobbit. This investigation uncovers relationships between oral and literate composition, between mechanistic composition and author, and between listening and reading audiences, arguing for a contemporary relevance for Beowulf in thinking about the creative process.



Product Details

ISBN-13: 9783030481346
Publisher: Palgrave Macmillan
Publication date: 09/21/2020
Sold by: Barnes & Noble
Format: eBook
File size: 952 KB

About the Author

Michael Fox is Associate Professor in the Department of English and Writing Studies at Western University in London, Ontario, Canada. He has published on modern rhetoric, medieval Latin, and Old English.


Table of Contents

1. Chapter 1: Beowulf and Formula.- 2. Chapter 2: The Half-Line Formula: weox under wolcnum (8a).- 3. Chapter 3: The Fitt Formula: Genesis and Fitt 1.- 4. Chapter 4: The Digressive Formula: The Sigemund-Heremod Digression.- 5. Chapter 5: The Folktale Formula: Beowulf and Örvar-Odds saga.- 6. Chapter 6: The Formula Reformulated: Sellic Spell and The Hobbit.- 7. Conclusion.

What People are Saying About This

From the Publisher

"This book is an extraordinarily detailed study of the concept of formula, at every level from phrase to narrative and even to theme. It is especially revealing to have this applied to three quite different, but strongly related works: an Old English poem, an Old Norse saga, and Tolkien’s Hobbit. He gives us an unrivalled insight into the way both ancient and modern authors worked, consciously and unconsciously.” (Tom Shippey, Emeritus Professor, Saint Louis University, USA, and author of Laughing Shall I Die: Lives and Deaths of the Great Vikings (2018))

"With an encyclopedic range of reference, Following the Formula argues persuasively for investigating the role of formula as method itself in traditional literatures. Fox's penetrating readings of Beowulf, Örvar-Odds saga, and Tolkien's fiction show how productive this approach can be.” (Katherine O'Brien O'Keeffe, Clyde and Evelyn Slusser Professor of English Emerita, University of California, Berkeley, USA)

“Fox describes a method of reading and composition that reaches back into the origins of European storytelling, a method that worked for Beowulf and for J. R. R. Tolkien. Fox takes his reader from the smallest phrase, through nested motifs, scenes, and plots, to the formulaic patterns of myths themselves. Norse sagas, ancient Germanic languages, early medieval Latin—all play recurring roles in a gripping analysis built on the very formula that underlies The Hobbit. Highly recommended to anyone who wants to understand ancient storytelling techniques.” (Stephen Harris, Professor of English, University of Massachusetts, Amherst, USA)

“This learned and engaging book unlocks the intricate artistry of Beowulf, demonstrating subtle and meaningful repetitions and variations at the level of diction, half-line, fitt, digression, and theme. Fox also unearths fascinating new connections with Germanic alliterative verse, biblical tradition, heroic legend, Norse saga, and folktale. This is a book that all Beowulf scholars will want to read.” (Francis Leneghan, Associate Professor of Old English, University of Oxford, UK, and author of The Dynastic Drama of Beowulf (2020))

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