Emma

Emma

by Jane Austen
Emma

Emma

by Jane Austen

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Overview

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Jane Austen’s sass and satire are always wonderful companions, and nowhere are they more prominent than in Emma, the story of a hapless matchmaker and her genuine attempts to spark love. It’s heartfelt, hilarious and an endearing classic.

When her former governess finds happiness as the bride of a local widower, the brilliant and beautiful Emma Woodhouse — one of Jane Austen's immortal creations — flatters herself that she alone has secured the marriage and that she possesses a special talent for bringing lovers together. The young heiress next busies herself with finding a suitable husband for her friend and protégé, Harriet Smith, setting off an entertaining sequence of comic mishaps and misunderstanding in this sparkling comedy of English-village romance. Beneath its considerable wit, the novel is also the story of a young woman's progress toward self-understanding.
Emma abounds in the droll character sketches at which Jane Austen excelled. In addition to the well-intentional heroine and her hypochondriacal father, the village of Highbury during the Regency period is populated by an amusing circle of friends and family — kindhearted but tedious Miss Bates, a chatterbox spinster; ambitious Mr. Elton, a social-climbing parson; Frank Churchill, an enigmatic Romeo; Mr. Knightley, Emma's brother-in-law and the voice of her better nature; and a cluster of other finely drawn, unforgettable personalities.
The author's skill at depicting the follies of human nature in a manner both realistic and affectionate elevates this tale of provincial matchmaking to the heights of scintillating satire. A classic of English literature that has delighted readers since its 1816 publication, the novel is now available in this high-quality, inexpensive edition sure to charm a new generation.


Product Details

ISBN-13: 9780486114989
Publisher: Dover Publications
Publication date: 03/30/2012
Series: Dover Thrift Editions: Classic Novels
Sold by: Barnes & Noble
Format: eBook
Pages: 336
Sales rank: 1,001,193
File size: 2 MB
Age Range: 11 - 18 Years

About the Author

About The Author
Adela Pinch is the author of Strange Fits of Passion: Epistemologies of Emotion, Hume to Austen (Stanford UP, 1996) and numerous articles on eighteenth- and nineteenth-century English literature and culture.

Date of Birth:

December 16, 1775

Date of Death:

July 18, 1817

Place of Birth:

Village of Steventon in Hampshire, England

Place of Death:

Winchester, Hampshire, England

Education:

Taught at home by her father

Read an Excerpt

Volume One

Chapter One

Emma Woodhouse, handsome, clever, and rich, with a comfortable home and happy disposition, seemed to unite some of the best blessings of existence; and had lived nearly twenty-one years in the world with very little to distress or vex her.

She was the youngest of the two daughters of a most affectionate, indulgent father; and had, in consequence of her sister's marriage, been mistress of his house from a very early period. Her mother had died too long ago for her to have more than an indistinct remembrance of her caresses; and her place had been supplied by an excellent woman as governess, who had fallen little short of a mother in affection.

Sixteen years had Miss Taylor been in Mr. Woodhouse's family, less as a governess than a friend, very fond of both daughters, but particularly of Emma. Between them it was more the intimacy of sisters. Even before Miss Taylor had ceased to hold the nominal office of governess, the mildness of her temper had hardly allowed her to impose any restraint; and the shadow of authority being now long passed away, they had been living together as friend and friend very mutually attached, and Emma doing just what she liked; highly esteeming Miss Taylor's judgment, but directed chiefly by her own.

The real evils, indeed, of Emma's situation were the power of having rather too much her own way, and a disposition to think a little too well of herself; these were the disadvantages which threatened alloy to her many enjoyments. The danger, however, was at present so unperceived, that they did not by any means rank as misfortunes with her.

Sorrow came—a gentlesorrow—but not at all in the shape of any disagreeable consciousness.—Miss Taylor married. It was Miss Taylor's loss which first brought grief. It was on the wedding-day of this beloved friend that Emma first sat in mournful thought of any continuance. The wedding over, and the bride-people gone, her father and herself were left to dine together, with no prospect of a third to cheer a long evening. Her father composed himself to sleep after dinner, as usual, and she had then only to sit and think of what she had lost.

The event had every promise of happiness for her friend. Mr. Weston was a man of unexceptionable character, easy fortune, suitable age, and pleasant manners; and there was some satisfaction in considering with what self-denying, generous friendship she had always wished and promoted the match; but it was a black morning's work for her. The want of Miss Taylor would be felt every hour of every day. She recalled her past kindness—the kindness, the affection of sixteen years—how she had taught and how she had played with her from five years old—how she had devoted all her powers to attach and amuse her in health—and how nursed her through the various illnesses of childhood. A large debt of gratitude was owing here; but the intercourse of the last seven years, the equal footing and perfect unreserve which had soon followed Isabella's marriage, on their being left to each other, was yet a dearer, tenderer recollection. She had been a friend and companion such as few possessed: intelligent, well-informed, useful, gentle, knowing all the ways of the family, interested in all its concerns, and peculiarly interested in herself, in every pleasure, every scheme of hers—one to whom she could speak every thought as it arose, and who had such an affection for her as could never find fault.

How was she to bear the change?—It was true that her friend was going only half a mile from them; but Emma was aware that great must be the difference between a Mrs. Weston, only half a mile from them, and a Miss Taylor in the house; and with all her advantages, natural and domestic, she was now in great danger of suffering from intellectual solitude. She dearly loved her father, but he was no companion for her. He could not meet her in conversation, rational or playful.

The evil of the actual disparity in their ages (and Mr. Woodhouse had not married early) was much increased by his constitution and habits; for having been a valetudinarian all hi's life, without activity of mind or body, he was a much older man in ways than in years; and though everywhere beloved for the friendliness of his heart and his amiable temper, his talents could not have recommended him at any time.

Her sister, though comparatively but little removed by matrimony, being settled in London, only sixteen miles off, was much beyond her daily reach; and many a long October and November evening must be struggled through at Hartfield, before Christmas brought the next visit from Isabella and her husband, and their little children, to fill the house, and give her pleasant society again.

Highbury, the large and populous village, almost amounting to a town, to which Hartfield, in spite of its separate lawn, and shrubberies, and name, did really belong, afforded her no equals. The Woodhouses were first in consequence there. All looked up to them. She had many acquaintance in the place, for her father was universally civil, but not one among them who could be accepted in lieu of Miss Taylor for even half a day. It was a melancholy change; and Emma could not but sigh over it, and wish for impossible things, till her father awoke, and made it necessary to be cheerful. His spirits required support. He was a nervous man, easily depressed; fond of every body that he was used to, and hating to part with them; hating change of every kind. Matrimony, as the origin of change, was always disagreeable; and he was by no means yet reconciled to his own daughter's marrying, nor could ever speak of her but with compassion. . .

Table of Contents

When her former governess finds happiness as the bride of a local widower, the brilliant and beautiful Emma Woodhouse—one of Jane Austen's immortal creations—flatters herself that she alone has secured the marriage and that she possesses a special talent for bringing lovers together. The young heiress next busies herself with finding a suitable husband for her friend and protégé, Harriet Smith, setting off an entertaining sequence of comic mishaps and misunderstanding in this sparkling comedy of English-village romance. Beneath its considerable wit, the novel is also the story of a young woman's progress toward self-understanding.
Emma abounds in the droll character sketches at which Jane Austen excelled. In addition to the well-intentional heroine and her hypochondriacal father, the village of Highbury during the Regency period is populated by an amusing circle of friends and family—kindhearted but tedious Miss Bates, a chatterbox spinster; ambitious Mr. Elton, a social-climbing parson; Frank Churchill, an enigmatic Romeo; Mr. Knightley, Emma's brother-in-law and the voice of her better nature; and a cluster of other finely drawn, unforgettable personalities.
The author's skill at depicting the follies of human nature in a manner both realistic and affectionate elevates this tale of provincial matchmaking to the heights of scintillating satire. A classic of English literature that has delighted readers since its 1816 publication, the novel is now available in this high-quality, inexpensive edition sure to charm a new generation.

What People are Saying About This

Harold. Bloom

"To me, as an American critic, Emma seems the most Englilsh of English novels....It is Austin's masterpiece, the largest triumph of her vigorous art."

From the Publisher

"No one creates silly English characters better than Austen, and Wanda McCaddon is up to the challenge." —-AudioFile

Reading Group Guide

1. Describe the class and rank of various characters in the village of Highbury. Compare the positions of Mr. Weston, Mr. Elton, Miss Taylor, Harriet, and Emma with others in Highbury. How do matters of class affect the interaction of these characters, and would you describe class as being rigid or flexible as it is depicted by Jane Austen? To what extent can class be said to be of central importance to the development of the novel, since it is one of the most important considerations in marriage? Does class seem to be treated differently by those in Highbury than it does by outsiders, for example Frank Churchill and Mrs. Elton? Do you think it is significant that no woman in Highbury is of Emma's age and rank?

2. How does the relationship between Mr. Knightley and Emma change throughout the course of the novel? Although Austen does not directly tell us what their relationship was like during Emma's childhood, their long and intimate friendship is established at the novel's opening. In light of their occasional quarrels and Knightley's criticisms of Emma, for example, the criticism he made on Box Hill, how does Mr. Knightley feel about Emma? Do Mr. Knightley's feelings change as the novel progresses? If they do, what incidents account for the changes in his feelings?

3. Does Emma act as a good friend to Harriet Smith? Are Emma's concerns for Harriet's education and refinement born of an honest desire to help, or is it something less altruistic? Are Mr. Knightley's criticisms of Emma's interference with Mr. Martin's marriage proposal justified? Does Harriet ultimately benefit from Emma's friendship or her attempts to help her?

4. While matchmaking isthe central device in Emma, both for the plot and as a backdrop to develop characters, not all of the matches made in the novel are good. Compare the matches made between Mr. Weston and Miss Taylor, Emma and Mr. Knightley, Harriet and Mr. Martin, Jane Fairfax and Frank Churchill, and Mr. Elton and Mrs. Elton. Which are good matches and which are bad? What character traits in the couples make them suited or unsuited for each other? Why are the mismatches so important to the story?

5. In the final analysis, is Emma a sympathetic character? Does she seem to have good intentions only marred by a slight desire to interfere with other people's lives, or is she thoughtless and unconcerned with the effects she has on others? In your estimation, is Emma ultimately moral or immoral? What specific incidents in the novel lead you to that conclusion?

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