“Landscape with Human Figure is a striking achievement. I am moved, as his readers are sure to be, by Campo’s wisdom, maturity, depth, heart, and range of experience.”—Grace Schulman
“Rafael Campo is an accomplished formalist. I hugely enjoy watching him skitter from sestina to pantoum, sonnet to rhymed couplets, to say nothing of his own nonce forms devised as the situation suggests.”—Maxine Kumin
“Landscape with Human Figure bespeaks compassion, dedication, and the sort of intellectual curiosity you’d expect from an M.D. with a creative writing degree.”
-- Eric McHenry New York Times Book Review
“[A] pleasant and accessible fourth collection of poetry . . . . [T]he gentle, regular rhythms of [Campo’s] poems give them a sense of quiet control. . . . Contemplative, hopeful, and heartfelt. . . .”
-- Chelsey Johnson Out
“[A] powerful collection. . . .”
-- Gregg Shapiro Windy City Times
“[A]mbitious, elegant poems. . . . [I]n Landscape with Human Figure, Campo’s clear gaze, generous heart and great skill combine to create a resonant and often romantic collection of poems, one that locates and celebrates all our shared ‘outsider’ hearts.”
-- Kevin Riordan Philadelphia Gay News
“Campo confirms his celebrated ability to move from formal verses to far-reaching reflections on alienation and the manifestation of internal energies on external surfaces. With emotion and a technical prowess surgical in its delicacy, the book exposes our raw selves and our travels between beauty and terror.”
-- Rachel DeWoskin Boston Magazine
“Rafael Campo blends several selves into his persona as a poet—Cuban-American, openly gay man, physician, AIDS healer, teacher. Each facet of his life is brilliantly yet formally depicted in his fourth collection, Landscape with Human Figure . . . . Each rereading will yield new wisdom, heart, and insight—great poems, really, reveal their truths with inspired reluctance. Campo is among his generation’s best poets . . . .”
-- Richard Labonte Front Page
"Campo is too modest to portray himself as hero, but we sense the heroic in him . . . . [P]art of Campo’s courage is his willingness to confront his own dark fears . . . . Dr. Rafael Campo is inevitably a poet of heartbreak; yet he remains a poet of accompanying hope."
-- Sydney Lea Hudson Review
"While the settings in this collection vary widely — a blacked-out Cuba; a bridge in Florence; a Fayetteville back road — it was the moments in which Campo focuses on the human figures populating these landscapes that resonated the most with me. . . . Moments like these, in which Campo captures some of the nuances of healing, are woven throughout the collection, and remind us that sometimes creating emotional distance — even in writing poetry — is the only way to steel against pain."
-- Ricardo Hernandez Los Angeles Review of Books
"[A] powerful collection.
Windy City Times
Rafael Campo blends several selves into his persona as a poet-Cuban-American, openly gay man, physician, AIDS healer, teacher. Each facet of his life is brilliantly yet formally depicted in his fourth collection, Landscape with Human Figure.....Each rereading will yield new wisdom, heart, and insight-great poems, really, reveal their truths with inspired reluctance. Campo is among his generation's best poets.
Front Page
A] pleasant and accessible fourth collection of poetry . . . . [T]he gentle, regular rhythms of [Campo's] poems give them a sense of quiet control. . . . Contemplative, hopeful, and heartfelt.
Out
"[Campo] writes candidly and with pictorial clarity and color about love won, matured, alienated, and lost; powerfully about the burden of dark skin in a white society, especially in the sonnet sequence 'Afraid of the Dark;' and with satiric bite and rueful sympathy about his people and motherland in 'Cuban Canticle in Five Parts.' The physician can heal his readers as well as himself.
Booklist
Campo confirms his celebrated ability to move from formal verses to far-reaching reflections on alienation and the manifestation of internal energies on external surfaces. With emotion and a technical prowess surgical in its delicacy, the book exposes our raw selves and our travels between beauty and terror.
Boston Magazine
Campo writes restless, worldly narrative poems, often rhyming, that take-and unapologetically engage-the world as it presents itself.....[H]is insouciant, call-them-as-I-seem-them descriptions are luminous, addressing the ravages of AIDS, particularly, with care and respect.
Landscape with Human Figure by Rafael Campo is about not having the luxury to look away. An AIDS physician, Campo boldly defies the myth of the kind and courageous care giver. This is not stylish cynicism but a brave admission of his own limitations. He is made speechless by a dying man's gentle reproach: 'You can't know how I feel." Just as often, Campo peers curiously into the dreamlife of his patients.
POZ
A Cuban American gay man in 'unending exile' (he practices medicine in Boston), Campo writes compelling poems about patients in the ER, probing relationships between doctor and patient, between a patient's case 'history' and the cultural mainstream, between an immigrant family and aspirations to study medicine, between sexuality and the restraint of lovers. Not unlike Chekhov, another physician-author, the steady-eyed Campo comes to terms with the darkest of human problems ('the muffled screams/ along a hallway to the absolute') by fusing empathy and clinical accuracy. Strengthened by his hands-on knowledge of healing and suffering and kept gentle by bearing his burdens with grace, Campo asserts that, despite 'the harrowed world . . . we are together, we are here to stay.