Otrarse: Ladino Poems
One of Latin American’s most important poets of the twentieth century, Juan Gelman (1930–2014) spent much of his life in exile from his native Argentina during the Dirty War. Gelman was a child of Yiddish-speaking Ukrainian immigrants, and a significant, seldom recognized portion of his poetry dealt with Jewish themes. He established a dialogue across time with Santa Teresa de Ávila and San Juan de la Cruz, the sixteenth-century Spanish mystical poets whose ancestry was also Jewish. He rewrote portions of the Bible, medieval Hebrew poetry, and even taught himself Ladino, the language of Sephardic Jews, and wrote a book of poems in it.

In this bilingual volume, celebrated scholar Ilan Stavans retraces Gelman’s regard for these poetic ancestors, translating into English his Jewish oeuvre by carefully preserving the Hebrew, Spanish, and Ladino echoes of the originals. The result is historically accurate and artistically exhilarating, repositioning Gelman as a major Jewish writer of the last century.
1145427862
Otrarse: Ladino Poems
One of Latin American’s most important poets of the twentieth century, Juan Gelman (1930–2014) spent much of his life in exile from his native Argentina during the Dirty War. Gelman was a child of Yiddish-speaking Ukrainian immigrants, and a significant, seldom recognized portion of his poetry dealt with Jewish themes. He established a dialogue across time with Santa Teresa de Ávila and San Juan de la Cruz, the sixteenth-century Spanish mystical poets whose ancestry was also Jewish. He rewrote portions of the Bible, medieval Hebrew poetry, and even taught himself Ladino, the language of Sephardic Jews, and wrote a book of poems in it.

In this bilingual volume, celebrated scholar Ilan Stavans retraces Gelman’s regard for these poetic ancestors, translating into English his Jewish oeuvre by carefully preserving the Hebrew, Spanish, and Ladino echoes of the originals. The result is historically accurate and artistically exhilarating, repositioning Gelman as a major Jewish writer of the last century.
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Otrarse: Ladino Poems

Otrarse: Ladino Poems

Otrarse: Ladino Poems

Otrarse: Ladino Poems

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Overview

One of Latin American’s most important poets of the twentieth century, Juan Gelman (1930–2014) spent much of his life in exile from his native Argentina during the Dirty War. Gelman was a child of Yiddish-speaking Ukrainian immigrants, and a significant, seldom recognized portion of his poetry dealt with Jewish themes. He established a dialogue across time with Santa Teresa de Ávila and San Juan de la Cruz, the sixteenth-century Spanish mystical poets whose ancestry was also Jewish. He rewrote portions of the Bible, medieval Hebrew poetry, and even taught himself Ladino, the language of Sephardic Jews, and wrote a book of poems in it.

In this bilingual volume, celebrated scholar Ilan Stavans retraces Gelman’s regard for these poetic ancestors, translating into English his Jewish oeuvre by carefully preserving the Hebrew, Spanish, and Ladino echoes of the originals. The result is historically accurate and artistically exhilarating, repositioning Gelman as a major Jewish writer of the last century.

Product Details

ISBN-13: 9780826366801
Publisher: University of New Mexico Press
Publication date: 11/15/2024
Series: Jewish Latin America Series
Sold by: SIMON & SCHUSTER
Format: eBook
Pages: 256
File size: 2 MB

About the Author

One of Latin America’s most distinguished and influential contemporary poets, Juan Gelman (1930–2014) is the author of more than two dozen collections of poetry and an assortment of essay volumes. A vocal, transformative human-rights activist, he is the recipient of Argentina’s National Literature Prize and Spain’s Premio Cervantes, the most prestigious award in the Spanish language.

Internationally renowned scholar, essayist, linguist, translator, editor, and cultural commentator Ilan Stavans is the Lewis-Sebring Professor of Humanities, Latin American, and Latino Culture at Amherst College. He serves as the series editor for the University of New Mexico Press’s acclaimed Jewish Latin America Series.

Table of Contents

Foreword

Ilya Kaminsky


Introduction. Becoming Sefardí

Ilan Stavans


PART ONE. QUOTES (FROM CITAS [1982])

Cita II (Santa Teresa de Ávila) / Quote II (Santa Teresa de Ávila)

Cita VIII (Santa Teresa de Ávila) / Quote VIII (Santa Teresa de Ávila)

Cita XIX (Santa Teresa de Ávila) / Quote XIX (Santa Teresa de Ávila)

Cita XXVI (Santa Teresa de Ávila) / Quote XXVI (Santa Teresa de Ávila)

Cita XXX (Santa Teresa de Ávila) / Quote XXX (Santa Teresa de Ávila)

Cita XXXI (Santa Teresa de Ávila) / Quote XXXI (Santa Teresa de Ávila)

Cita XLV (Santa Teresa de Ávila) / Quote XLV (Santa Teresa de Ávila)


PART TWO. COMMENTARIES (FROM COMENTARIOS [1982])

Comentario XXVIII (San Juan de la Cruz) / Commentary XXVIII (San Juan de la Cruz)

Comentario XLII (San Juan de la Cruz) / Commentary XLII (San Juan de la Cruz)

Comentario XLIII (San Juan de la Cruz) / Commentary XLIII (San Juan de la Cruz)

Comentario XLVIII (Profeta Isaías) / Commentary XLVIII (Prophet Isaiah)

Comentario LVIII (Rey David) / Commentary LVIII (King David)


PART THREE. COM/POSITIONS (FROM COM/POSICIONES [1986])

Exergue

Salmo I (Rey David) / Psalm I (King David)

Salmo II (Rey David) / Psalm II (King David)

Salmo III (Rey David) / Psalm III (King David)

El buey (Profeta Amós) / The Ox (Prophet Amos)

El llamado (Profeta Ezequiel) / The Calling (Prophet Ezekiel)

El fénix (Job) / The Phoenix (Job)

Árboles (Rollos del Mar Muerto) / Trees (Dead Sea Scrolls)

Lo que vendrá (Rollos del Mar Muerto) / What Will Come (Dead Sea Scrolls)

Maitines (Himno Hekhalot) / Morning Prayer (Hekhalot Hymn)

Ojalá (Himno Hekhalot) / Let Us Hope (Hekhalot Hymn)

El momento (Samuel Hanagid) / The Moment (Samuel Hanagid)

Momentos de la batalla de Alfuente (Samuel Hanagid) / Scenes from the Battle of Alfuente (Samuel Hanagid)

La derrota (Samuel Hanagid) / The Defeat (Samuel Hanagid)

Invitación (Samuel Hanagid) / Invitation (Samuel Hanagid)

Sí (Samuel Hanagid) / Yes (Samuel Hanagid)

El vino (Samuel Hanagid) / Wine (Samuel Hanagid)

Al saber que mi enemigo murió (Samuel Hanagid) / On Learning of My Enemy’s Death (Samuel Hanagid)

La puerta (Salomón ibn Gabirol) / The Door (Solomon ibn Gabirol)

La pérdida (Salomón ibn Gabirol) / The Loss (Solomon ibn Gabirol)

Los testigos (Salomón ibn Gabirol) / The Witnesses (Solomon ibn Gabirol)

Oración (Yehuda Halevi) / Prayer (Yehuda Halevi)

Lavar (Yehuda Halevi) / To Wash (Yehuda Halevi)

Canción (Yehuda Halevi) / Song (Yehuda Halevi)

El país de la paloma (Yehuda Halevi) / The Country of the Dove (Yehuda Halevi)

Decir (Yehuda Halevi) / To Say (Yehuda Halevi)

El ciego (Yehuda Halevi) / The Blind Man (Yehuda Halevi)

El expulsado (Yehuda al-Harizi) / Expelled (Yehuda al-Harizi)

La mano (Eliezer ben Jonon) / The Hand (Eliezer ben Jonon)

El camino (Eliezer ben Jonon) / The Road (Eliezer ben Jonon)

La cuestión (Eliezer ben Jonon) / The Question (Eliezer ben Jonon)

Rostros (Eliezer ben Jonon) / Faces (Eliezer ben Jonon)

El juicio (Joseph Tsarfati) / The Judgment (Joseph Tsarfati)

Dónde (Isaac Luria) / Where (Isaac Luria)

Allí (Isaac Luria) / There (Isaac Luria)

El huérfano (Isaac Luria) / The Orphan (Isaac Luria)


PART FOUR. LETTER TO MY MOTHER (FROM CARTA A MI MADRE [1989])

Carta a mi madre / Letter to My Mother


PART FIVE. LO JUDÍO AND SPANISH-LANGUAGE LITERATURE (1992)

Lo judío and Spanish-Language Literature


PART SIX. DIBAXU (DIBAXU [1994])

Scholium

I

II

III

IV

V

VI

VII

VIII

IX

X

XI

XII

XIII

XIV

XV

XVI

XVII

XVIII

XIX

XX

XXI

XXII

XXIII

XXIV

XXV

XXVI

XXVII

XVIII

XXIX


PART SEVEN. WORTH IT (FROM VALE LA PENA [2001])

Medidas / Measures

Nombres / Names


Notes

Index of First Lines

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