Reading between the Borderlines: Cultural Production and Consumption across the 49th Parallel
Is Superman Canadian? Who decides, and what is at stake in such a question? How is the Underground Railroad commemorated differently in Canada and the United States, and can those differences be bridged? How can we acknowledge properly the Canadian labour behind Hollywood filmmaking, and what would that do to our sense of national cinema? Reading between the Borderlines grapples with these questions and others surrounding the production and consumption of literary, cinematic, musical, visual, and print culture across the Canada-US border. Discussing a range of popular as well as highbrow cultural forms, this collection investigates patterns of cross-border cultural exchange that become visible within a variety of genres, regardless of their place in any arbitrarily devised cultural hierarchy. The essays also consider the many interests served, compromised, or negated by the operations of the transnational economy, the movement of culture's "raw material" across nation-state borders in literal and conceptual terms, and the configuration of a material citizenship attributed to or negotiated around border-crossing cultural objects. Challenging the oversimplification of cultural products labelled either "Canadian" or "American," Reading between the Borderlines contends with the particularities and complications of North American cultural exchange, both historically and in the present.
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Reading between the Borderlines: Cultural Production and Consumption across the 49th Parallel
Is Superman Canadian? Who decides, and what is at stake in such a question? How is the Underground Railroad commemorated differently in Canada and the United States, and can those differences be bridged? How can we acknowledge properly the Canadian labour behind Hollywood filmmaking, and what would that do to our sense of national cinema? Reading between the Borderlines grapples with these questions and others surrounding the production and consumption of literary, cinematic, musical, visual, and print culture across the Canada-US border. Discussing a range of popular as well as highbrow cultural forms, this collection investigates patterns of cross-border cultural exchange that become visible within a variety of genres, regardless of their place in any arbitrarily devised cultural hierarchy. The essays also consider the many interests served, compromised, or negated by the operations of the transnational economy, the movement of culture's "raw material" across nation-state borders in literal and conceptual terms, and the configuration of a material citizenship attributed to or negotiated around border-crossing cultural objects. Challenging the oversimplification of cultural products labelled either "Canadian" or "American," Reading between the Borderlines contends with the particularities and complications of North American cultural exchange, both historically and in the present.
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Reading between the Borderlines: Cultural Production and Consumption across the 49th Parallel

Reading between the Borderlines: Cultural Production and Consumption across the 49th Parallel

by Gillian Roberts (Editor)
Reading between the Borderlines: Cultural Production and Consumption across the 49th Parallel

Reading between the Borderlines: Cultural Production and Consumption across the 49th Parallel

by Gillian Roberts (Editor)

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Overview

Is Superman Canadian? Who decides, and what is at stake in such a question? How is the Underground Railroad commemorated differently in Canada and the United States, and can those differences be bridged? How can we acknowledge properly the Canadian labour behind Hollywood filmmaking, and what would that do to our sense of national cinema? Reading between the Borderlines grapples with these questions and others surrounding the production and consumption of literary, cinematic, musical, visual, and print culture across the Canada-US border. Discussing a range of popular as well as highbrow cultural forms, this collection investigates patterns of cross-border cultural exchange that become visible within a variety of genres, regardless of their place in any arbitrarily devised cultural hierarchy. The essays also consider the many interests served, compromised, or negated by the operations of the transnational economy, the movement of culture's "raw material" across nation-state borders in literal and conceptual terms, and the configuration of a material citizenship attributed to or negotiated around border-crossing cultural objects. Challenging the oversimplification of cultural products labelled either "Canadian" or "American," Reading between the Borderlines contends with the particularities and complications of North American cultural exchange, both historically and in the present.

Product Details

ISBN-13: 9780773556096
Publisher: McGill-Queens University Press
Publication date: 12/30/2018
Sold by: Barnes & Noble
Format: eBook
File size: 13 MB
Note: This product may take a few minutes to download.

About the Author

Gillian Roberts is associate professor of North American cultural studies at the University of Nottingham and author of Discrepant Parallels: Cultural Implications of the Canada-US Border.

Table of Contents

Figures vii

Acknowledgments ix

Introduction - Cultural Production and Consumption across the 49th Parallel: Negotiating Material Citizenship Gillian Roberts 3

Part 1 Cross-Border Cultural Production: Historical Processes

1 Writing Back to Massa: The Black Open Letter in Transnational Abolitionist Print Culture Alyssa MacLean 41

2 The Industrial Newspaper and the Politics of Content Michael Stamm 67

3 Music within Bounds: Distribution, Borders, and the Canadian Recording Industry Richard Sutherland 91

4 Heroes, Borders, and Canadian Culture: The Superman Reclamation Project Lee Easton Kelly Hewson 113

Part 2 Beyond The Border: Ideals And Realities Of Transnational Cultural Work

5 An Empire of Pixels: Canadian Cultural Enterprise in the Digital Effects Industry Charles R. Acland 143

6 Commemorating the (In)visible Border: The Underground Railroad Monument and the Production of Transnational Memory Brittney Anne Bos 171

7 Flexible Nations: Canadian Romance Writers, American Romance, and the Romance of Canada Jessica Taylor 199

Part 3 Cross-Border Reading

8 Cross-Border Film Adaptation and Life of Pi Gillian Roberts 225

9 Acadian Identities, Arcadian Dreams: Revisioning Evangeline North of the Border Jennifer Andrews 243

10 Margaret Atwood's MaddAddam Trilogy: Reading across Borders Kit Dobson 272

11 "We Have to Get Along with Others": Cosmopolitanism and Cross-Border Literary History Zalfa Feghali 290

Contributors 311

Index 315

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