The Best American Essays 2011

by Edwidge Danticat (Editor), Robert Atwan (Editor)

Overview

The acclaimed author of Breath, Eyes, Memory presents an anthology of personal essays by Hilton Als, Christopher Hitchens, Zadie Smith and others.

In her selection process for this sterling volume, Edwidge Danticat considers the inherent vulnerability of the essay form—a vulnerability that seems all the more present in today’s spotlighted public square. As she says in her introduction, “when we insert our ‘I’ (our eye) to search deeper into someone, something, or ourselves, we are always risking a yawn or a slap, indifference or disdain.”

Here are intimate personal essays that examine a range of vital topics, from cancer diagnosis to police brutality, and from devastating natural disasters to the dilemmas of modern medicine. All in all, “the brave voices behind these experiences keep the pages turning” (Kirkus Reviews).

The Best American Essays 2011 includes entries by Hilton Als, Katy Butler, Toi Derricotte, Christopher Hitchens, Pico Iyer, Charlie LeDuff, Chang-Rae Lee, Lia Purpura, Zadie Smith, Reshma Memon Yaqub, and others.

Product Details

ISBN-13:	9780547678436
Publisher:	Houghton Mifflin Harcourt
Publication date:	12/15/2020
Series:	Best American Essays Series
Sold by:	Barnes & Noble
Format:	eBook
Pages:	275
Sales rank:	244,344
File size:	1 MB
Age Range:	14 - 18 Years

About the Author

Edwidge Danticat is the author of numerous critically accalimed books, including Breath, Eyes, Memory; Krik? Krak!, a National Book Award finalist, The Farming of Bones, an American Book Award winner; The Dew Breaker, a PEN/Faulkner Award finalist, and Brother, I'm Dying, winner of an NBCC award in Autobiography. ROBERT ATWAN has been the series editor of The Best American Essays since its inception in 1986. He has edited numerous literary anthologies and written essays and reviews for periodicals nationwide.

Editorial Reviews

In this year's entry in the 25-year-old series, first-time editor Danticat (Brother, I'm Dying) insists that essayists, "a bit more vulnerable these days," must "push beyond certain boundaries, to be less formulaic and stereotypical." She makes good on her assertion and populates the collection with pieces more lyrical than explanatory, like Hilton Als's "Buddy Ebsen" and Lia Purpura's "There Are Things Awry Here." Don't be scared off: there are plenty more conventional—and admittedly more engaging—pieces to read. Charlie LeDuff's "What Killed Aiyana Stanley-Jones?" and Zadie Smith's "Generation Why?" provide good, old-fashioned reportage and analysis. Katy Butler's "What Broke My Father's Heart," Toi Derricotte's "Beds," Victor La Valle's "Long Distance," and Jerald Walker's "Unprepared" are stellar examples of personal narrative. Christy Vannoy's "A Personal Essay by a Personal Essay" pokes fun at the whole enterprise. An enjoyable read with a few hiccups, this title offers a solid survey of the state of the essay genre today.—Molly McArdle, Library Journal

Library Journal

Sickness, murder, death, sudden loss--the latest installment in this venerable series skews heavily toward personal essays in which people face up to life's overwhelming sadness. Paul Crenshaw ("After the Ice") recalls the infant nephew who was murdered by his stepfather; Madge McKeithen ("What Really Happened") details her prison visit to see a man who murdered his wife, who was the author's best friend. The poet Toi Derricotte ("Beds") tells of her lifelong love-hate battle with an abusive father. In "Grieving," Meenakshi Gigi Durham watches as her academic husband is denied tenure, and assesses what it means for a dedicated professional to suddenly find himself in free-fall. Christopher Hitchens ("Topic of Cancer") faces a wretched diagnosis with his usual unsentimental eloquence, as he goes "from the country of the well across the stark frontier that marks off the land of malady." The strongest, most interesting essays put a face on larger issues. In "What Broke My Father's Heart," Katy Butler tells how her father's pacemaker allowed his body to live long after his brain stopped functioning; the essay raises tough questions about how expensive medical care can exacerbate more pain than it relieves. Charlie LeDuff's deeply reported "What Killed Aiyana Stanley-Jones?" takes a case that went horribly wrong--a 7-year-old girl killed when cops busted into the wrong apartment--and uses it as a reflection on how crime-ridden Detroit has become a toxic environment for residents and innocent bystanders alike. In another big-picture piece, "Generation Why?" Zadie Smith assesses how Facebook is a perfect reflection of the shallow mind of its founder, Mark Zuckerberg. Other contributors include Hilton Als, Mischa Berlinski and Pico Iyer. This collection could have used more variety, but the preponderance of stories on human mortality doesn't make it a downer; the brave voices behind these experiences keep the pages turning.

Kirkus Reviews