A Drowned Maiden's Hair: A Melodrama

A Drowned Maiden's Hair: A Melodrama

by Laura Amy Schlitz
A Drowned Maiden's Hair: A Melodrama

A Drowned Maiden's Hair: A Melodrama

by Laura Amy Schlitz

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Overview

"People throw the word 'classic' about a lot, but A Drowned Maiden's Hair genuinely deserves to become one." — Wall Street Journal

Maud Flynn is known at the orphanage for her impertinence, so when the charming Miss Hyacinth and her sister choose Maud to take home with them, the girl is as baffled as anyone. It seems the sisters need Maud to help stage elaborate séances for bereaved, wealthy patrons. As Maud is drawn deeper into the deception, playing her role as a "secret child," she is torn between her need to please and her growing conscience -- until a shocking betrayal makes clear just how heartless her so-called guardians are. Filled with tantalizing details of turn-of-the-century spiritualism and
page-turning suspense, this lively historical novel features a winning heroine whom readers will not soon forget.


Product Details

ISBN-13: 9780763652159
Publisher: Candlewick Press
Publication date: 03/02/2010
Sold by: Barnes & Noble
Format: eBook
Sales rank: 946,055
Lexile: 690L (what's this?)
File size: 2 MB
Age Range: 10 - 14 Years

About the Author

Laura Amy Schlitz is the author of the Newbery Medal–winning Good Masters! Sweet Ladies! Voices from a Medieval Village, the Newbery Honor Book and New York Times bestseller Splendors and Glooms, and several other books for young readers. A teacher as well as a writer, Laura Amy Schlitz lives in Maryland.

Laura Amy Schlitz is the author of the Newbery Medal–winning Good Masters! Sweet Ladies! Voices from a Medieval Village, the Newbery Honor book and New York Times bestseller Splendors&Glooms, and several other books for young readers. A teacher as well as a writer, Laura Amy Schlitz lives in Maryland.

Laura Amy Schlitz says that as a child, she was very lucky. “My parents gave me plenty of time to play and dream. Often, I pretended to be someone else; a ballerina, a horse, a mermaid, a spy. My brother and I ruled over a kingdom of stuffed animals—I was ‘The Great Laurie’, and the national anthem was the ‘Grand March’ from Aida.” She adored fairies and fairy tales. “I gathered bread crusts and hid them under the dining-room table—people in fairy tales were often described as ‘not having a crust to eat,’ and I was determined to save my family from this fate.” She also taught herself to sleep in the flying-leap pose, favored by Peter Pan on the cover of her fairy tale book so that if Peter dropped by when she was asleep, he would know, from her body position, that she was willing to join him in Neverland. “He has yet to turn up, but I still sleep in that position, though I wake with a stiff back.”

Laura Amy has made her living as a librarian, although she took a couple of years off to tour with a children’s theater: “It was a gloriously free and disorganized life, but eventually, I had no money at all.” She still loves the theater, and wrote her first stage play for a friend who needed a last-minute script for Beauty and the Beast. It turned out better than anyone expected, and Laura Amy Schlitz became a playwright whose plays have been produced in professional theaters all over the country. She loves to make things: bread, marionettes, quilts, watercolors, origami animals. She says, “My hands get restless if I can’t make things.” For the past thirteen years, she has worked as a school librarian, about which she says, “I am so grateful that I work with children—they make me laugh, and their energy reminds me to enjoy life.”

About her writing, she notes, “I do a lot of complaining. People often ask why I write, when I hate it so much. I answer that I write because I am under a curse. I keep meaning to give up writing, but I haven’t gotten around to it yet. I dread sitting down to write, and I have to resort to tricks to get myself to the paper. ‘One half hour, or one page,’ I promise myself, ‘then you can get up and do something you like.’ I go to the bathroom, take the telephone off the hook, fill my fountain pen, get myself a glass of water, and sit down. Once I sit, my rear end has to stay in place until I’ve written. I often say that I write with my rear end—it’s the ballast that holds me steady while I fight for words.”

Read an Excerpt

It was not until the Misses Hawthorne boarded the train that Maud was able to open her book. She had ridden in a train once before, when she left St. Anne's Children's Home for the Barbary Asylum, and she was glad of it, because it allowed her to assume the nonchalance of a world traveler. She sat down primly, back straight.
(Continues…)



Excerpted from "A Drowned Maiden's Hair"
by .
Copyright © 2017 Laura Amy Schlitz.
Excerpted by permission of Candlewick Press.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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