Allegria
Geoffrey Brock, whose translations have won him Poetry magazine's John Frederick Nims Memorial Prize and a Guggenheim Fellowship, finally does justice to these slim, concentrated verses in his English translation, alongside Ungaretti's Italian originals.

Famed for his brevity, Giuseppe Ungaretti's early poems swing nimbly from the coarse matter of tram wires, alleyways, quails in bushes, and hotel landladies to the mystic shiver of pure abstraction. These are the kinds of poems that, through their numinous clarity and shifting intimations, can make a poetry-lover of the most stone-faced non-believer. Ungaretti won multiple prizes for his poetry, including the 1970 Neustadt International Prize for Literature. He was a major proponent of the Hermetic style, which proposed a poetry in which the sounds of words were of equal import to their meanings. This auditory awareness echoes through Brock's hair-raising translations, where a man holding vigil with his dead, open-mouthed comrade, says, "I have never felt / so fastened / to life."
1136012693
Allegria
Geoffrey Brock, whose translations have won him Poetry magazine's John Frederick Nims Memorial Prize and a Guggenheim Fellowship, finally does justice to these slim, concentrated verses in his English translation, alongside Ungaretti's Italian originals.

Famed for his brevity, Giuseppe Ungaretti's early poems swing nimbly from the coarse matter of tram wires, alleyways, quails in bushes, and hotel landladies to the mystic shiver of pure abstraction. These are the kinds of poems that, through their numinous clarity and shifting intimations, can make a poetry-lover of the most stone-faced non-believer. Ungaretti won multiple prizes for his poetry, including the 1970 Neustadt International Prize for Literature. He was a major proponent of the Hermetic style, which proposed a poetry in which the sounds of words were of equal import to their meanings. This auditory awareness echoes through Brock's hair-raising translations, where a man holding vigil with his dead, open-mouthed comrade, says, "I have never felt / so fastened / to life."
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Overview

Geoffrey Brock, whose translations have won him Poetry magazine's John Frederick Nims Memorial Prize and a Guggenheim Fellowship, finally does justice to these slim, concentrated verses in his English translation, alongside Ungaretti's Italian originals.

Famed for his brevity, Giuseppe Ungaretti's early poems swing nimbly from the coarse matter of tram wires, alleyways, quails in bushes, and hotel landladies to the mystic shiver of pure abstraction. These are the kinds of poems that, through their numinous clarity and shifting intimations, can make a poetry-lover of the most stone-faced non-believer. Ungaretti won multiple prizes for his poetry, including the 1970 Neustadt International Prize for Literature. He was a major proponent of the Hermetic style, which proposed a poetry in which the sounds of words were of equal import to their meanings. This auditory awareness echoes through Brock's hair-raising translations, where a man holding vigil with his dead, open-mouthed comrade, says, "I have never felt / so fastened / to life."

Product Details

ISBN-13: 9781939810656
Publisher: New York Review Books
Publication date: 10/06/2020
Sold by: Penguin Random House Publisher Services
Format: eBook
Pages: 204
File size: 1 MB

About the Author

Giuseppe Ungaretti (1888-1970) was born in Alexandria to Italian settlers--his father was a laborer working on the Suez Canal and his mother ran a bakery. Ungaretti left for Paris to study at the Sorbonne, where he befriended Guillaume Apollinaire, Paul Valéry, Picasso, Braque, and Léger. Ungaretti wrote his first book of poetry while serving in the Italian Army in World War I. From 1936 until 1942, he taught Italian literature at the University of São Paulo in Brazil. After the death of his nine-year-old son, Ungaretti published a collection of poems, Il dalore, which expressed both tragic personal loss and horror at the atrocities of Nazi Germany. Ungaretti translated Shakespeare, William Blake, and Racine into Italian, among others. He died in Milan in 1970.

Geoffrey Brock was born in Atlanta and holds an MFA from the University of Florida and a PhD from UPenn. He has won multiple prizes for his original poetry, including the New Criterion Poetry Prize. For his translations, which include work by Cesare Pavese and Umberto Eco, Brock has won Poetry magazine's John Frederick Nims Memorial Prize, a Guggenheim Fellowship, the MLA's Lois Roth Translation Award, and the PEN Center USA award for translation.

Read an Excerpt

ETERNITÀ
Tra un fiore colto e l’altro donato
l’inesprimibile nulla

ETERNITY
Between one flower plucked and the other given
the ineffable nothing

NOIA
Anche questa notte passerà
Questa solitudine in giro
titubante ombra dei fili tramviari
sull’umido asfalto
Guardo i testoni dei brumisti
nel mezzo sonno
tentennare

BOREDOM
This night too will pass
This roving solitude
tentative shadows of tram wires
on damp asphalt
I watch the big heads 2 of the coachmen
half sleeping
totter

What People are Saying About This

From the Publisher

One of the most authentic poets of Western Europe.
— T.S. Eliot
Every poem is open, and not closed, to all the winds of the spirit and the world; and the poetry of Ungaretti has always communicated to me a freshness, a free air, of boundless light and the persuasion of a voice both moved and moving . . . so sober, so precise with his phrases, so concise amidst the silences of white spaces.
— Jorge Guillén
What a joy to have this new translation of Ungaretti, a great lyric poet so masterly translated by Geoffrey Brock. I will buy any book of poetry that Brock has translated. He is simply that good. But it is especially clear here, in the pages of Allegria, where the shortish lines test the translator’s ability to deliver nuance with light touch, precision, and almost Mozartian grace. The poems themselves praise the fleeting moment in the middle of crisis, praise the spark of tenderness in the time of misfortune, praise the breadcrumbs of rememberings in the hungriest of times, when no one remembers and everyone zigzags around the room, around the street, around one’s heart. This book will give you ‘a momentary stay against confusion.’ It is a beautiful gift.
— Ilya Kaminsky

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