Ancient Egyptian Literature, Volume I: The Old and Middle Kingdoms
First published in 1973 – and followed by Volume II in 1976 and Volume III in 1980 – this anthology has assumed classic status in the field of Egyptology and portrays the remarkable evolution of the literary forms of one of the world’s earliest civilizations.

Volume I outlines the early and gradual evolution of Egyptian literary genres, including biographical and historical inscriptions carved on stone, the various classes of literary works written with pen on papyrus, and the mortuary literature that focuses on life after death. Introduced with a new foreword by Antonio Loprieno.

Volume II shows the culmination of these literary genres within the single period known as the New Kingdom (1550-1080 B.C.). With a new foreword by Hans-W. Fischer-Elfert.

Volume III spans the last millennium of Pharaonic civilization, from the tenth century B.C. to the beginning of the Christian era. With a new foreword by Joseph G. Manning.
1119352195
Ancient Egyptian Literature, Volume I: The Old and Middle Kingdoms
First published in 1973 – and followed by Volume II in 1976 and Volume III in 1980 – this anthology has assumed classic status in the field of Egyptology and portrays the remarkable evolution of the literary forms of one of the world’s earliest civilizations.

Volume I outlines the early and gradual evolution of Egyptian literary genres, including biographical and historical inscriptions carved on stone, the various classes of literary works written with pen on papyrus, and the mortuary literature that focuses on life after death. Introduced with a new foreword by Antonio Loprieno.

Volume II shows the culmination of these literary genres within the single period known as the New Kingdom (1550-1080 B.C.). With a new foreword by Hans-W. Fischer-Elfert.

Volume III spans the last millennium of Pharaonic civilization, from the tenth century B.C. to the beginning of the Christian era. With a new foreword by Joseph G. Manning.
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Ancient Egyptian Literature, Volume I: The Old and Middle Kingdoms

Ancient Egyptian Literature, Volume I: The Old and Middle Kingdoms

by Miriam Lichtheim (Editor)
Ancient Egyptian Literature, Volume I: The Old and Middle Kingdoms

Ancient Egyptian Literature, Volume I: The Old and Middle Kingdoms

by Miriam Lichtheim (Editor)

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Overview

First published in 1973 – and followed by Volume II in 1976 and Volume III in 1980 – this anthology has assumed classic status in the field of Egyptology and portrays the remarkable evolution of the literary forms of one of the world’s earliest civilizations.

Volume I outlines the early and gradual evolution of Egyptian literary genres, including biographical and historical inscriptions carved on stone, the various classes of literary works written with pen on papyrus, and the mortuary literature that focuses on life after death. Introduced with a new foreword by Antonio Loprieno.

Volume II shows the culmination of these literary genres within the single period known as the New Kingdom (1550-1080 B.C.). With a new foreword by Hans-W. Fischer-Elfert.

Volume III spans the last millennium of Pharaonic civilization, from the tenth century B.C. to the beginning of the Christian era. With a new foreword by Joseph G. Manning.

Product Details

ISBN-13: 9780520933057
Publisher: University of California Press
Publication date: 04/03/2006
Sold by: Barnes & Noble
Format: eBook
Pages: 300
File size: 2 MB

About the Author

For thirty years Miriam Lichtheim was Near East Bibliographer and Lecturer at University of California, Los Angeles. She retired in 1974 to devote herself to Egyptological research and later moved to Jerusalem where she taught at Hebrew University. She died in 2004. Antonio Lopriano is Professor of Egyptology at the University of Basel, Switzerland.

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Ancient Egyptian Literature

A Book of Readings Volume I: The Old and Middle Kingdoms


By Miriam Lichtheim

UNIVERSITY OF CALIFORNIA PRESS

Copyright © 2006 The Regents of the University of California
All rights reserved.
ISBN: 978-0-520-93305-7



CHAPTER 1

I. Monumental Inscriptions from Private Tombs


The six texts in this section illustrate the principal themes in the repertoire of tomb inscriptions.

The texts in the mastaba of princess Ni-sedjer-kai are limited to prayers for offerings and for a good reception in the West, the land of the dead. The official Hetep-her-akhet sounds the theme that in building his tomb he chose an empty spot and did not damage another man's tomb. He also addresses a warning to future generations of visitors not to enter the tomb with evil intentions.

Moving into the time of the Sixth Dynasty, we sample the declaration of innocence of Nefer-seshem-re, which embodies the principal elements in the catalogue of virtues which was being elaborated in this period. Ni-hebsed-Pepi has summarized his prayers for offerings and for a good reception in the West in the capsuled, self-contained form of the stela which, now still a part of the tomb, was destined to become an independent monument. Lastly, the two long inscriptions of Weni and Harkhuf are the two most important autobiographical inscriptions of Old Kingdom officials and show the growth of the autobiography into a major literary genre.


INSCRIPTIONS OF PRINCESS NI-SEDJER-KAI

In her Mastaba at Giza Early Fifth Dynasty

The inscriptions in this fine, large tomb consist entirely of funerary prayers and of the names and titles of the princess and her father. They are carved on two architraves, two false-doors, and on the two pillars of the pillared hall. The relief figure of the princess, shown standing or seated at the offering table, concludes the texts. The two principal inscriptions are on the two architraves.

Tomb publication: Junker, Gîza, II, 97-121.

The two inscriptions: Ibid., p. 115.

On the architrave over the entrance to the pillared hall (Two horizontal lines:)

(1) An offering which the king gives and Anubis, lord of the necropolis, first of the god's hall: May she be buried in the western necropolis in great old age. May she travel on the good ways on which a revered one travels well.

(2) May offerings be given her on the New Year's feast, the Thoth feast, the First-of-the-Year feast, the wag-feast, the Sokar feast, the Great Flame feast, the Brazier feast, the Procession-of-Min feast, the monthly sadj-feast, the Beginning-of-the-Month feast, the Beginning-of-the-Half-Month feast, every feast, every day, to the royal daughter, the royal ornament, Ni-sedjer-kai.


On the architrave over the entrance to the inner chamber (Four lines:)

(1) An offering which the king gives and Anubis, first of the god's hall: May she be buried in the western necropolis in great old age before the great god.

(2) May offerings be given her on the New Year's feast, the Thoth feast, the First-of-the-Year feast, the wag-feast, and every feast: to the royal daughter, the royal ornament, Ni-sedjer-kai.

(3) The royal daughter, royal ornament, priestess of Hathor,

(4) priestess of King Khufu, Ni-sedjer-kai.


INSCRIPTION OF HETEP-HER-AKHET

Leiden Museum

Fifth Dynasty

This is one of two inscriptions carved in vertical columns on the two sides of the entrance leading into the tomb-chapel. Behind the text columns is the standing relief figure of the tomb-owner.

Publication: Mariette, Mastabas, p. 342. Holwerda-Boeser, Beschreibung, I, pl. v. Sethe, Urkunden, I, 50-51. H. T. Mohr, The Mastaba of Hetep-her-akhti. Mededeelingen en Verhandelingen van het Vooraziatisch-Egyptisch Gezelschap "Ex Oriente Lux," no. 5 (Leiden, 1943), p. 35.

Translation: BAR, I, § 253.


Right side of entrance (Four columns:)

(1) The elder Judge of the Hall, Hetep-her-akhet, says: I made this tomb on the west side in a pure place, in which there was no (2) tomb of anyone, in order to protect the possession of one who has gone to his ka. As for any people who would enter (3) this tomb unclean and do something evil to it, there will be judgment against them (4) by the great god. I made this tomb because I was honored by the king, who brought me a sarcophagus.


INSCRIPTION OF NEFER-SESHEM-RE CALLED SHESHI

On the False-Door of his Tomb at Saqqara

Sixth Dynasty

As the focal point of the tomb, the false-door carried the offering-table scene and the name and titles of the tomb-owner. In addition, it came to be used for brief autobiographical statements, especially those which affirmed the deceased's moral worth. These affirmations became increasingly formulaic, and the limited space of the false-door lent itself to capsuled formulations. The stylization of these catalogs of virtues also meant that they were not told in the prose of the narrative autobiography, but were recited in the symmetrically patterned phrases of the orational style.

Publication: Capart, Rue de Tombeaux, pl. 11 (photograph). Sethe, Urkunden, I, 198-200.

The text is written twice, in three columns on each side of the door, and ends with a short horizontal line containing the deceased's name whose relief figure stands below it:

    (1) I have come from my town,
    I have descended from my nome,
    I have done justice for its lord,
    I have satisfied him with what he loves.
    I spoke truly, I did right,
    I spoke fairly, I repeated fairly,
    I seized the right moment,
    So as to stand well with people.
    (2) I judged between two so as to content them,
    I rescued the weak from one stronger than he
    As much as was in my power.
    I gave bread to the hungry, clothes ,
    I brought the boatless to land.
    I buried him who had no son,
    I made a boat for him who lacked one.
    I respected my father, I pleased my mother,
    I raised their children.
    So says he (4) whose nickname is Sheshi.


STELA OF NI-HEBSED-PEPI FROM NAQADA

Kunsthistorisches Museum, Vienna Sixth Dynasty

A painted slab stela ca. 34 × 61 cm. On the left, facing right, are the standing figures of the deceased and his wife. The inscription consists of seven horizontal lines which fill the right side and one short vertical column in front of the man's legs.

Publication: Fischer, Inscriptions, no. 5, pp. 24-26 and pl. viii.


(1) An offering which the king gives and Anubis, who is upon his mountain and in the place of embalming, the lord of the necropolis. Buried be the Royal Sealbearer, Sole Companion, Chief Scribe of boat crews, (3) Judge, Chief Scribe, Nihebsed-Pepi in his tomb which is in the good Western Desert. (5) She has taken his hand, he has joined land, he has crossed the firmament. May the Western Desert give her hands to him in peace, in peace before the great god. (7) An offering which the king gives and Anubis, so that funerary offerings be given to the Royal Seal-bearer, Sole Companion, honored by Osiris, Ni-hebsed-Pepi. Above the woman's head: His wife, his beloved, the Royal Ornament, Priestess of Hathor, Sepi.


THE AUTOBIOGRAPHY OF WENI

From Abydos
Cairo Museum No. 1435
Sixth Dynasty

The inscription is carved on a monolithic slab of limestone which formed one wall of the single-room tomb-chapel. The structure may have been a cenotaph rather than a tomb. The text consists of fifty-one vertical columns of finely carved hieroglyphs, preceded by one horizontal line which contains a prayer for offerings. Since some scholars include the first line in their numbering while others omit it, I have given double numbers. The stone has suffered considerable damage, resulting in a number of lacunae.

Weni's exceptionally long career spanned the reigns of Teti, Pepi I, and Mernere.

Publication: Mariette, Abydos, II, pls. 44-45. P. Tresson, L'inscription d'Ouni, Bibliothèque d'étude, 8 (Cairo, 1919). Borchardt, Denkmäler, I, 118 ff. and pls. 29-30. Sethe, Urkunden, I, 98-110.

Translation: BAR, I, §§ 292-294, 306-315, 319-324. M. Stracmans, Bruxelles Annuaire, III (1935), 509-544. J. A. Wilson in ANET, pp. 227-228 (excerpts).

Additional references may be found in the works of Tresson and Borchardt.


(1/2) [The Count, Governor of Upper Egypt, Chamberlain], Warden of Nekhen, Mayor of Nekheb, Sole Companion, honored by Osiris Foremost-of-the-Westerners, Weni

[says]: [I was] a fillet-wearing [youth] under the majesty of King Teti, my office being that of custodian of the storehouse, when I became inspector of [tenants] of the palace ––––––. [When I had become] overseer of the robing-room under the majesty of King Pepi, his majesty gave me the rank of companion and inspector of priests of his pyramidtown.

While my office was that of ––– his majesty made me senior warden of Nekhen, his heart being filled with me beyond any other servant of his. I heard cases alone with the chief judge and vizier, concerning all kinds of secrets. [I acted] in the name of the king for the royal harem and for the six great houses, because his majesty's heart was filled with me beyond any official of his, any noble of his, any servant of his.

(5/6) When I begged of the majesty of my lord that there be brought for me a sarcophagus of white stone from Tura, his majesty had a royal seal-bearer cross over with a company of sailors under his command, to bring me this sarcophagus from Tura. It cam with him in a great barge of the court, together with its lid, a doorway, lintel, two doorjambs and a libation-table. Never before had the like been done for any servant—but I was excellent in his majesty's heart; I was rooted in his majesty's heart; his majesty's heart was filled with me.

While I was senior warden of Nekhen, his majesty made me a sole companion and overseer of the royal tenants. I replaced four overseers of royal tenants who were there. I acted for his majesty's praise in guarding, escorting the king, and attending. I acted throughout (10/11) so that his majesty praised me for it exceedingly.

When there was a secret charge in the royal harem against Queen Weret-yamtes, his majesty made me go in to hear (it) alone. No chief judge and vizier, no official was there, only I alone; because I was worthy, because I was rooted in his majesty's heart; because his majesty had filled his heart with me. Only I put (it) in writing together with one other senior warden of Nekhen, while my rank was (only) that of overseer of royal tenants. Never before had one like me heard a secret of the king's harem; but his majesty made me hear it, because I was worthy in his majesty's heart beyond any official of his, beyond any noble of his, beyond any servant of his.

When his majesty took action against the Asiatic Sand-dwellers, his majesty made an army of many tens of thousands from all of Upper Egypt: from Yebu in the south to Medenyt in the north; from Lower Egypt: from all of the Two-Sides-of-the-House (15/16) and from Sedjer and Khen-sedjru; and from Irtjet-Nubians, Medja-Nubians, Yam-Nubians, Wawat-Nubians, Kaau-Nubians; and from Tjemeh-land.

His majesty sent me at the head of this army, there being counts, royal seal- bearers, sole companions of the palace, chieftains and mayors of towns of Upper and Lower Egypt, companions, scout-leaders, chief priests of Upper and Lower Egypt, and chief district officials at the head of the troops of Upper and Lower Egypt, from the villages and towns that they governed and from the Nubians of those foreign lands. I was the one who commanded them—while my rank was that of overseer of royal tenants—because of my rectitude, so that no one attacked his fellow, (20/21) so that no one seized a loaf or sandals from a traveler, so that no one took a cloth from any town, so that no one took a goat from anyone.

I led them from Northern Isle and Gate of Iyhotep in the district of Horus-lord-of-truth while being in this rank. ––––––. I determined the number of these troops. It had never been determined by any servant.

    This army returned in safety,
      It had ravaged the Sand-dwellers' land.
    This army returned in safety,
      It had flattened the sand-dwellers' land.
    This army returned in safety,
      It had sacked its strongholds.
    This army returned in safety,
      It had cut down its figs, its vines.
    This army returned in safety,
      It had thrown fire in all its [mansions].
    This army returned in safety,
      It had slain its troops by many ten-thousands.
    This army returned in safety,
      [It had carried] off many [troops] as captives.


His majesty praised me for it beyond anything. His majesty sent me to lead this army five times, to attack the land of the Sand-dwellers as often as they rebelled, with these troops. I acted so that his majesty praised me [for it beyond anything].

Told there were marauders among these foreigners at the nose of Gazelle's-head, I crossed (30/31) in ships with these troops. I made a landing in the back of the height of the mountain range, to the north of the land of the Sand-dwellers, while half of this army was on the road. I came and caught them all and slew every marauder among them.


Weni Becomes Governor of Upper Egypt

When I was chamberlain of the palace and sandal-bearer, King Mernere, my lord who lives forever, made me Count and Governor of Upper Egypt, from Yebu in the south to Medenyt in the north, because I was worthy in his majesty's heart, because I was rooted in his majesty's heart, because his majesty's heart was filled with me. When I was chamberlain and sandal-bearer, his majesty praised me for the watch and guard duty which I did at court, more than any official of his, more than any noble of his, (35/36) more than any servant of his. Never before had this office been held by any servant.8

I governed Upper Egypt for him in peace, so that no one attacked his fellow. I did every task. I counted everything that is countable for the residence in this Upper Egypt two times, and every service that is countable for the residence in this Upper Egypt two times. I did a perfect job in this Upper Egypt. Never before had the like been done in this Upper Egypt. I acted throughout so that his majesty praised me for it.

His majesty sent me to Ibhat to bring the sarcophagus "chest of the living" together with its lid, and the costly august pyramidion for the pyramid "Mernere-appears-in-splendor," my mistress.10 His majesty sent me to Yebu to bring a granite false-door and its libation stone and granite lintels, (40/41) and to bring granite portals and libation stones for the upper chamber of the pyramid "Mernere-appears-in-splendor," my mistress. I traveled north with (them) to the pyramid "Mernere-appears-in-splendor" in six barges and three tow-boats of eight ribs in a single expedition. Never had Yebu and Ibhat been done11 in a single expedition under any king. Thus everything his majesty commanded was done entirely as his majesty commanded.

His majesty sent me to Hatnub to bring a great altar of alabaster of Hatnub. I brought this altar down for him in seventeen days. After it was quarried at Hatnub, I had it go downstream in this barge I had built for it, a barge of acacia wood of sixty cubits in length and thirty cubits in width. Assembled in seventeen days, in the third month of summer, when there was no (45/46) water on the sandbanks, it landed at the pyramid "Mernere-appears-in-splendor" in safety. It came about through me entirely in accordance with the ordinance commanded by my lord.

His majesty sent me to dig five canals in Upper Egypt, and to build three barges and four tow-boats of acacia wood of Wawat. Then the foreign chiefs of Irtjet, Wawat, Yam, and Medja cut the timber for them. I did it all in one year. Floated, they were loaded with very large granite blocks for the pyramid "Mernere-appears-in-splendor." Indeed I made a saving for the palace with all these five canals. As King Mernere who lives forever is august, exalted, and mighty more than any god, so everything came about in accordance with the ordinance commanded by his ka.

I was one beloved of his father, praised by his mother, (50/51) gracious to his brothers. The count, true governor of Upper Egypt, honored by Osiris, Weni.


(Continues...)

Excerpted from Ancient Egyptian Literature by Miriam Lichtheim. Copyright © 2006 The Regents of the University of California. Excerpted by permission of UNIVERSITY OF CALIFORNIA PRESS.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Table of Contents

Contents

Chronological Table, xii,
Abbreviations and Symbols, xiv,
Foreword by Antonio Loprieno, xxiii,
Introduction Literary Genres and Literary Styles, 3,
PART ONE: The Old Kingdom,
I. Monumental Inscriptions from Private Tombs, 15,
II. A Royal Decree, 28,
III. From the Pyramid Texts, 29,
IV. A Theological Treatise, 51,
V. Didactic Literature, 58,
PART TWO: The Transition to the Middle Kingdom,
I. Monumental Inscriptions from Private Tombs, 83,
II. The Prayers of a Theban King, 94,
III. The Testament of a Heracleopolitan King, 97,
PART THREE: The Middle Kingdom,
I. Monumental Inscriptions, 113,
II. A Spell from the Coffin Texts, 131,
III. Didactic Literature, 134,
IV. Songs and Hymns, 193,
V. Prose Tales, 211,
Indexes, 237,
I. Divinities, 239,
II. Kings and Queens, 240,
III. Personal Names, 241,
IV. Geographical and Ethnical Terms, 242,
V. Egyptian Words, 243,
VI. Some Major Concepts, 245,

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