Baptist Hymnody in America: A Documentary History

Baptist Hymnody in America is a collection of primary documents on congregational singing among Baptists in the United States from the eighteenth through the early twenty-first centuries. These documents—many of which are not readily available and are gathered here for the first time—record the struggles and triumphs of Baptists as they have sought to provide acceptable sung forms of worship, suggest how certain types of song became identified particularly as "Baptist," demonstrate the varying philosophies of hymnody expressed among Baptists for the past four hundred years, and reveal the historic diversity of Baptist worship practices.

The introduction describes the purpose, format, and organization of the collection. Subsequent discussions take up the British Baptist background in the seventeenth and eighteenth centuries; the beginnings of Baptist hymnody in America; the earliest Baptist hymnals; local and regional collections in the early nineteenth century; sectional, national, and denominational collections in the mid-nineteenth century; the Sunday school song and revival hymnody; hymnals of the late nineteenth century; hymnals of denominational identity; and new currents in Baptist congregational song. Each chapter is prefaced by a general introduction, and each document or group of documents is provided with a commentary that contains biographical information on the author, the context and a summary of the writing, and a description of the source. The documents included are not only of intrinsic interest but also provide a foundation for engaging current and future issues regarding congregational song within Baptist life.

1147205802
Baptist Hymnody in America: A Documentary History

Baptist Hymnody in America is a collection of primary documents on congregational singing among Baptists in the United States from the eighteenth through the early twenty-first centuries. These documents—many of which are not readily available and are gathered here for the first time—record the struggles and triumphs of Baptists as they have sought to provide acceptable sung forms of worship, suggest how certain types of song became identified particularly as "Baptist," demonstrate the varying philosophies of hymnody expressed among Baptists for the past four hundred years, and reveal the historic diversity of Baptist worship practices.

The introduction describes the purpose, format, and organization of the collection. Subsequent discussions take up the British Baptist background in the seventeenth and eighteenth centuries; the beginnings of Baptist hymnody in America; the earliest Baptist hymnals; local and regional collections in the early nineteenth century; sectional, national, and denominational collections in the mid-nineteenth century; the Sunday school song and revival hymnody; hymnals of the late nineteenth century; hymnals of denominational identity; and new currents in Baptist congregational song. Each chapter is prefaced by a general introduction, and each document or group of documents is provided with a commentary that contains biographical information on the author, the context and a summary of the writing, and a description of the source. The documents included are not only of intrinsic interest but also provide a foundation for engaging current and future issues regarding congregational song within Baptist life.

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Baptist Hymnody in America: A Documentary History

Baptist Hymnody in America: A Documentary History

by David W. Music
Baptist Hymnody in America: A Documentary History

Baptist Hymnody in America: A Documentary History

by David W. Music

eBook

$49.99 

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Overview

Baptist Hymnody in America is a collection of primary documents on congregational singing among Baptists in the United States from the eighteenth through the early twenty-first centuries. These documents—many of which are not readily available and are gathered here for the first time—record the struggles and triumphs of Baptists as they have sought to provide acceptable sung forms of worship, suggest how certain types of song became identified particularly as "Baptist," demonstrate the varying philosophies of hymnody expressed among Baptists for the past four hundred years, and reveal the historic diversity of Baptist worship practices.

The introduction describes the purpose, format, and organization of the collection. Subsequent discussions take up the British Baptist background in the seventeenth and eighteenth centuries; the beginnings of Baptist hymnody in America; the earliest Baptist hymnals; local and regional collections in the early nineteenth century; sectional, national, and denominational collections in the mid-nineteenth century; the Sunday school song and revival hymnody; hymnals of the late nineteenth century; hymnals of denominational identity; and new currents in Baptist congregational song. Each chapter is prefaced by a general introduction, and each document or group of documents is provided with a commentary that contains biographical information on the author, the context and a summary of the writing, and a description of the source. The documents included are not only of intrinsic interest but also provide a foundation for engaging current and future issues regarding congregational song within Baptist life.


Product Details

ISBN-13: 9781481323444
Publisher: 1845 Books
Publication date: 07/15/2025
Sold by: Barnes & Noble
Format: eBook
Pages: 254
File size: 848 KB

About the Author

David W. Music is Professor Emeritus of Church Music at Baylor University.

Table of Contents

Introduction
1 The British Background
2 The Beginnings of Baptist Hymnody in America
3 Early Baptist Hymnals in America
4 Local and Regional Collections in the Early Nineteenth Century
5 Sectional, National, and Denominational Collections in the Mid-Nineteenth Century
6 The Sunday School Song and Revival Hymnody
7 Hymnals of the Late Nineteenth Century
8 Hymnals of Denominational Identity
9 New Currents in Baptist Congregational Song
Afterword

What People are Saying About This

Deborah Carlton Loftis

These primary sources, along with the succinct information about each author and source, could be the primary textbook for courses on Baptist hymnody, worship, or theology. Pastors and church musicians will also find the volume a rich source for deepening their understanding of Baptist worship traditions.

Dr. Terry W. York

David Music knows what he's writing about. He studies, compiles and writes from within the subject, looking outward, not from outside the subject peering inward.  Dr. Music's work shows that hymnody is flexible, durable, and inevitable.  There is no hymnologist who is more reliable and insightful than Dr. David Music.

Paul A. Richardson

Serious students and casual readers of church history are well-served by this anthology of primary sources, which presents the thoughts of many who shaped the development of congregational song among Baptists. Music’s carefully-documented compilation of divergent and sometimes contending views provides insightful commentary about writers, contexts, and focal issues.

Terry W. York

David Music knows what he's writing about. He studies, compiles and writes from within the subject, looking outward, not from outside the subject peering inward.  Dr. Music's work shows that hymnody is flexible, durable, and inevitable.  There is no hymnologist who is more reliable and insightful than Dr. David Music.

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