Bleeding Kansas

by Sara Paretsky

Overview

From the New York Times bestselling author of the V.I. Warshawski series comes “a gripping contemporary novel…of fear and conflict in heartland America” (Publishers Weekly).

In Kansas, on land that once saw some of America’s bloodiest antislavery battles, three families have coexisted for more than one hundred fifty years: the Grelliers, the Fremantles, and the Schapens. Once allies in the fight against slavery, today the Schapens and the Grelliers disagree on every subject, from organic farming to the war in Iraq, but above all on religion.
 
Into their lives comes Gina Haring, a relative of the Fremantles who is house-sitting the derelict family mansion while she puts her own life in order. Her lifestyle and beliefs will put her at odds with her neighbors...and test the mettle of a community being swept up in events beyond its control.

Product Details

ISBN-13:	9781101211922
Publisher:	Penguin Publishing Group
Publication date:	01/01/2008
Sold by:	Penguin Group
Format:	eBook
Pages:	624
File size:	990 KB
Age Range:	18 Years

About the Author

Sara Paretsky is the New York Times bestselling author of the renowned V.I. Warshawski novels. Her many awards include the Cartier Diamond Dagger Lifetime Achievement Award from the British Crime Writers' Association and the 2011 Mystery Writers of America's Grand Master Award. She lives in Chicago.

Hometown:

Chicago, Illinois

Date of Birth:

June 8, 1947

Place of Birth:

Ames, Iowa

Education:

B.A., Political Science, University of Kansas; Ph.D. and M.B.A., University of Chicago

Website:

http://saraparetsky.com/

Reading Group Guide

INTRODUCTION
Set in the Kaw River Valley where Paretsky grew up, Bleeding Kansas is the story of the Schapens and the Grelliers, two farm families whose histories have been entwined since the 1850s, when their ancestors settled the valley as antislavery emigrants.

Today, the Schapen family, terrified by the lawlessness of the 1970s—when Lawrence was the most violent college town in the nation—has turned to that old-time religion for security. The Schapens keep a close eye on all their neighbors, most especially the Grelliers. They maintain careful track of everyone’s misdeeds, printing the most egregious on their family website. When Gina Haring, a Wiccan, moves into an empty farmhouse and starts practicing pagan rites, the Schapens are so outraged that they begin an active harassment campaign against the Wiccans.

The family members worry, too, about who stands better with the Lord, they or the Grelliers. When a Schapen cow gives birth to what may be a “Perfect Red Heifer” —needed if the temple is ever rebuilt in Jerusalem—the Schapens feel convinced that God is indeed smiling on them.

The pastor at their church, the Salvation Bible Church, proclaims:

“We have been given a miracle, a chance to make history in Kansas. The nation and the world laugh at us. ‘What is the matter with Kansas?’, liberals ask. We have a chance to say, ‘Nothing’s the matter with Kansas; everything’s right with Kansas.’ What’s the matter is that this nation has turned its back on the truth of the risen Lord.”

Despite parental cautions, the Grelliers’ teenage children are enraged by the Schapens. All their short lives, they and the young Schapens have fought, first in their country school and now in high school. One particularly angry confrontation causes Chip Grellier to be expelled from school and consequently to join the army. Chip’s death in Iraq is the catalyzing event for momentous, even monstrous, changes in the lives of not only both the Schapens and the Grelliers but of all the families in the Valley. The powerful, climactic scene at Gina Haring’s Samhain bonfire will forever haunt the reader.

 

DISCUSSION QUESTIONS

• Discuss Susan’s fascination with the history of the Grelliers and Abigail’s diaries. Why do you think she attaches herself so strongly to her husband’s family history?
   
• What is your first impression of Gina Haring? Does your perception of her change as you learn more about her?
   
• At various points in the story, Myra Schapen uses the family website to report the misdeeds and misfortunes of her neighbors, most importantly the Grelliers. Do you view the website as a source of power for the Schapens? How is media, in general, portrayed in the story?
   
• Jim tries to think of his son’s death as the result of a number of different forces, whereas Susan blames herself. What do you think most influenced Chip’s decision to join the army and, subsequently, be killed?
   
• Susan makes a point to call her children by their proper names, rather than their nicknames like everyone else. Why do you think this is?
   
• Jim emphasizes the sentiment that “you can’t farm in the valley if you’re on bad terms with your neighbors.” Indeed, community values are embraced by most of the families in the valley—with the exception of the Schapens. At the same time, however, Kaw River Valley seems to be the breeding ground for outcasts, including Gina Haring, Robbie, and even Lara herself. How do you feel about this juxtaposition?
   
• Do you see a difference between the Schapens’ spying habits and Lara Grellier’s own compulsion to sneak into other people’s houses?
   
• The perfect red heifer represents different things for different groups. The Jews view her as the key component to rebuild their Temple and the Schapens, specifically Myra, Junior, and Arnie, see her as profit. Can you think of what the heifer might mean to Robbie?
   
• Throughout the story, various characters use the words “dyke” and “retarded.” How do you feel about these words and their uses in the story?
   
• Although in different ways, Susan and Elaine both lost a child. Are there any other parallels between the two women?
   
• In chapter 51, Pastor Nabo attempts an exorcism on Robbie, Lara, and Elaine. How did this scene make you feel?
   
• Elaine never falters in her accusation of Myra Schapen as the person responsible for the fire in the bunkhouse. However, late in the story Jim remembers his own grandfather’s grievances with the hippies. Who do you think set the fire, if anyone, and for what reason?
   
• Discuss your feelings at the end of the story. Do you think it could have ended differently?

Editorial Reviews

Set in the rural Kaw River Valley, where the author grew up, and sparked by a feud between two families that pioneered this farm region during the 1850s, the multigenerational narrative bristles with the kind of prickly social issues that give substance to Paretsky's detective stories.
—The New York Times

Marilyn Stasio

There was the 1850s' Bloody Kansas of history, and now there is Sara Paretsky's Bleeding Kansas of fiction. Each is a mix of the real and the imagined, and both are unforgettable. Paretsky, one of America's bestselling crime novelists, has taken a risk with this book. She has written a serious, multi-layered saga that requires her loyal readers to move away from the familiar world of V.I. Warshawski, the Chicago private detective whom Paretsky brought to life in 12 previous novels. In its place, she has created a wild, wicked world in present-day northeastern Kansas that is as complicated as it is mean.
—The Washington Post

Jim Lehrer

It's not a V.I. Warshawski mystery, but thanks to Susan Ericksen's easy reading, listeners can enjoy Sarah Paretsky's latest effort. The story is about what happens to two longtime warring Kansas families, one symbolically good, the other bad, when a newcomer who is both a lesbian and a Wiccan moves nearby. Paretsky weaves into this story some considerable depth and contemporary issues like religious intolerance. The first third of the novel is surprisingly difficult to get through in its excessive complexity. But Ericksen's fast-paced reading soon brings the listener to the more engaging part of the story. A.L.H. © AudioFile 2008, Portland, Maine

APR/MAY 08 - AudioFile